The Light Side Of The Moon Rita Marcotulli

• 1Waves and wind06:01
• 2La strada invisibile05:29
• 3Us and them03:02
• 4Koine07:16
• 5Love Song04:29
• 6Conversation with the moon01:39
• 7Tuareg04:58
• 8Misteriosa03:09
• 9Immaginary rainbow03:53
• 10Elettra magic stick03:13
• Total Runtime43:09

Info for The Light Side Of The Moon

At the age of five she fell in love with the piano, which she lately went on studying at Santa Cecilia Conservatory in Rome. Rita Marcotulli, an elegant pianist gifted with a melodic timbre and a very exclusive instrumental voice, approached Brasilian music to come definitively to jazz aesthetics at the age of twenty.

Rita Marcotulli, vocals

Rita Marcotulli
At the age of five she fell in love with the piano, which she lately went on studying at Santa Cecilia Conservatory in Rome. Rita Marcotulli, an elegant pianist gifted with a melodic timbre and a very exclusive instrumental voice, approached Brasilian music to come definitively to jazz aesthetics at the age of twenty.

In the early 80s she appeared on the fervent Roman scene, where in a few selected clubs those who would become the leading artists of the Italian Jazz were starting their career. In those years one could easily see young Italian talents performing next to famous foreign musicians touring through Italy.

It so happaned that Rita would play with well known musicians such as, among the others, Chet Baker, Steve Grossman, Peter Erskine, Joe Henderson, Joe Lovano, Charlie Mariano, Tony Oxley, Michel Portal, Richard Galliano, Enrico Rava, Michel Benita, Aldo Romano, Kenny Wheeler, Bob Moses and Andy Sheppard. In 1968 she set off for Sweden, an experience that lasted six years and that was for two reasons a keystone in her musical evolution as a pianist and a composer.

From a stylistic point of view, the searching for the melody accounting and the love for an evocative rather than hypertechnical music, deeply marked her career. As for her fame and experiences, in 1987 in the prestigious referendum held by specialised critics for the magazine “Musica Jazz” she was elected “Miglior nuovo talento italiano” and the next year she was summoned by Billy Cobham to be part of his formations.

In the same years she went on working and specializing in Sweden, performing with Palle Danielsson, Anders Jormin and Nils Petter Molvær. In the mid 90s, after returning to Italy, she started alternating her own jazz projects, such as her professional relationship with the singer Maria Pia De Vito, with collaborations in the pop music world, particularly in Pino Daniele’s band and even performing with Pat Metheny.

Author of a rich and important discography- the latest issues of which are represented by the recording of the duo with Sheppard, soon on release, and by the solo piano work called “The Light Side Of The Moon”, that will be released this coming spring- she’s also leader of several other projects: Koinè, usually a quartet with Andy Sheppard at the saxophones, Anders Jormin or Palle Danielsson at the double bass and Philippe Garcia at the drums, with special guests such as Lena Willemark, Carlo Rizzo, Gianmaria Testa, Arto Tuncboyaciyan;

The Woman Next Door, that is to say her homage to Truffaut, which includes Javier Girotto, Pietro Ciancaglini at the double bass, Roberto Gatto at the drums, Aurora Barbatella at the celtic harp and three diatonic organs; the unfogettable duo with the singer Maria Pia De Vito; she’s also leader of some trios, one of which with Furio Di Castri and Patrice Heral, and another with Palle Danielsson and Peter Erskine; finally the quartet with Javier Girotto, Gianluca Renzi at the double bass and Roberto Dani at the drums.

Booklet for The Light Side Of The Moon