Blues Band (Remastered) Vivino Brothers
- 1Fat Burns05:06
- 2Slippin' & Slidin'04:11
- 3Pusher Man05:35
- 4Knockin' Myself Out03:42
- 5P. D. Bop05:41
- 6Jealous Kind05:40
- 7Feedback out on Highway 10105:22
- 8Livin' in Vain05:58
- 9Itchin' & Scratchin'02:44
- 10Sinner's Prayer07:04
- 11Family Affair04:21
Info for Blues Band (Remastered)
Vivino Brothers Blues Band is actually the duo's third release overall, their second for DMP, and their first as part of an official "blues band." It's also their best. This is a polished yet lively mix of blues, R&B and jazz that's about half instrumentals, half vocal tracks. At times the group sounds like a TV house band, but its live-in-the-studio approach lends the music a very soulful cast.
Original funk-blues instrumentals ("Fat Burns," "Itchin' & Scratchin'") are interspersed with straight-ahead blues classics (Lowell Fulson's "Sinner's Prayer") and old R&B warhorses (Little Richard''s "Slippin' & Slidin'," Curtis Mayfield's "Pusher Man," and Sly Stone's "Family Affair"). Jimmy Vivnino's best vocal performance comes on Lil Green's "Knockin' Myself Out," a 60-year-old acoustic blues tune with a timeless message about substance abuse. Van Morrison's "Feedback Out on Highway 101" is righteously soulful and arguably the best performance on the album. Guided by Jerry Vivino's slippery sax, the instrumental "Livin' In Vain" starts out slowly but skids into a rousing chorus thanks to Brian Charette's funky piano and soul-blasting organ. And Jerry Vivino blows some tasty flute on a fine instrumental treatment of "Pusher Man."
"Those who watched 1990s late-night television should be familiar with the work of the Vivino Brothers, who were music directors for NBC's Late Night With Conan O'Brian. On that program, the job of singer/guitarist/pianist Jimmy Vivino and his sibling, singer/saxophonist Jerry Vivino, is to make O'Brian happy; however, on Blues Band, they sing and play for their own satisfaction. This decent, competent CD, which was recorded in April 2000, is fairly diverse. The Vivino Brothers are, as the album's title says, primarily a blues band, and cuts like "Feedback Out on Highway 101" and Lowell Fulson's "Sinner's Prayer" are gritty examples of urban electric blues. But the siblings detour into other areas, including soul on "Slippin' and Slidin'" and instrumental soul-jazz on Jerry's "Fat Burns," along with interpretations of Curtis Mayfield's "Pusher Man" and Sly & the Family Stone's "Family Affair." The Vivino Brothers don't just give us note-for-note covers of those 1970s R&B classics; instead, they take a hint from improvisers like Charles Earland and Grant Green and really interpret the songs. Brian Charette is the group's organist, and his work is right out of the Jimmy Smith/Jack McDuff/Earland school of organ playing. Blues Band isn't for blues purists, but it's enjoyable if you are the sort of eclectic listener who holds urban blues, R&B, and soul-jazz in equally high regard." (Alex Henderson, AMG)
Jimmy Vivino, guitar, piano, vocals
Jerry Vivino, saxophone, flute, clarinet, vocals
Michael Merritt, bass
James Wormworth, drums, washboard
Fred Walcott, percussion
Brian Charette, organ, piano
serves as the Music Director on the TBS late night show CONAN. Vivino has been a consistent element in O’Brien’s late night career, starting with the first episode of Late Night with Conan O’Brien in September 1993. In June of 2008 Vivino moved from New York to Los Angeles and worked as Music Director/guitarist/arranger on The Tonight Show with Conan O’Brien,The Legally Prohibited from Being on Television Tour and Jimmy Vivino and The Basic Cable Band on CONAN. When not appearing weeknights on TBS, Vivino divides his time between recording sessions and live gigs throughout the country. In addition to his solo work, Vivino plays with The Prisoners of 2nd Avenue, Rumble & Twang with Lee Rocker, The Barn Burners, The Rekooperators, and the successful Beatles tribute band The Fab Faux. Vivino has also recorded and played live with such legends as Johnnie Johnson, Hubert Sumlin, Levon Helm and Al Kooper. Earlier in his career Jimmy got his start producing playing and arranging for such artists as Phoebe Snow, Laura Nyro, John Sebastian and Donald Fagen. Summer 2014, Jimmy headlined the King Biscuit Festival with his other band, Jimmy Vivino & the Black Italians.
A musician all his life, Jimmy also devotes his time to organizations that mean something to him. The Notes for Notes benefit, sponsored by Seymour Duncan pickups provides young people the opportunity to explore, create, and record music for free. Recently, Jimmy has also gotten involved with The Boot Campaign, a non-profit organization that is dedicated to cultivating awareness, promoting patriotism and providing assistance to military personnel and their families.
was born to Emily and Jerry Vivino, Sr. on January 8th, 1954, in Paterson, New Jersey.
Music and art was an everyday thing in the Vivino household during Jerry's childhood and throughout his adolescence. Influenced by both his parents, Jerry couldn't help but to be exposed to the likes of Louis Armstrong, Miles Davis and Charlie Parker as well as Count Basie, Dinah Washington, Frank Sinatra and Ella Fitzgerald.
His older brother Floyd (Uncle Floyd Vivino) played a lot of Louie Prima and great swing and jump blues from the 30's, 40's and 50's. Jerry found that he enjoyed listening to many different types of music. He would even listen to symphonic music as well. Stravinsky, Debussy and Leonard Bernstein were among his favorites.
At the tender age of 7, he attempted to learn the guitar, but did not connect with the instrument ( -- that would be reserved for another member of the family). Nevertheless, at 9 years of age, his third grade teacher gave him a soprano recorder and within 2 or 3 weeks, he was mastering the instrument. His parents took notice of his progress and by the age of 10, Jerry was taking clarinet lessons. He quickly progressed and studied classical clarinet with his father's cousin, Frank Vivino, and with Ray Gerrard.
In 1968, when Jerry was 14, he bought his favorite album, Jethro Tull's, "This Was", and he still owns it to this day, keeping it in excellent condition. He also loved Al Kooper's original Blood Sweat and Tears, and their first recording, "Child Is Father To The Man" was his favorite. Jerry also actually wore out all of Chicago's first three albums!
Other favorites of his back then included Elton John, The Beatles, James Taylor and especially Sly and the Family Stone. Jerry listened to a lot of R&B and Funk as well. And because of brother Jimmy's stereo speakers infiltrating into his room more often than not, he ended up being exposed to A LOT of Jimi Hendrix.
At the age of 16, Jerry started playing the saxophone. Jerry won state honors in the New Jersey All-State Jazz band in his junior and senior years in high school, which was ranked #1 in the state in 1971 and 1972.
Throughout his high school years, Jerry listened to all types of music, but Jazz was his favorite. Stan Getz was his first real influence and Jerry knew he wanted to be a saxophonist after hearing Getz play.
Jerry attended the Manhattan School of Music in 1972 and 1973 where he studied with woodwind guru, Joe Allard. He left the Conservatory to pursue a musical career on the road. In between road gigs he would continue to study with Joe Allard and Ray Gerrard. Jerry formed a band with his brother Jimmy in 1974 and the brothers haven't stopped working since. As a horn player in the disco 70s, Jerry found that work was plentiful.
Jerry toured the country with Frankie Valli & the Four Seasons in 1978 and 1979. Jerry did not want to continue with lengthy tours, and wanted to make a living in New York, so he got off the road and started working steadily in the tri-state area. Jingle work and show work quickly followed. Jerry found himself working with Joan Rivers, Rodney Dangerfield, Tony Bennett and Ray Charles, to name a few. Jerry played in the band in many Broadway shows, including Leader of the Pack, Annie, A Chorus Line, Cats, The Mystery of Edwin Drood, Starlight Express, Just Once, Groucho and Grease.
In 1989 Jerry was asked if he would play on a record with a relatively unknown band called Killer Joe. It was started by Joe Delia and Max Weinberg, who decided to contact a few session musicians in the NY area to form the group. A recording was released in 1990 and even though the project never really got off the ground, this is how Max Weinberg got to know Jerry.
In 1993, when Max was asked if he would put together a band for a late night talk show, he contacted Jerry to find out if he would like to audition for Late Night With Conan O'Brien. At that time, Jerry and his brother Jimmy were both playing with Donald Fagen and New York Nights, and were on the verge of making a commitment to the first Steely Dan Reunion tour. More than a few people thought they made the wrong decision, passing on a great opportunity to tour with Fagan and Becker for just the slim possibility of a TV show. Yet, Jerry eagerly agreed to the audition, and as it turned out, the Steely Dan Reunion tour only lasted five weeks! Jerry can still be heard nightly, playing in the Max Weinberg 7 on NBC's Late Night with Conan O'Brien.
If you don't know Jerry personally, you certainly have heard him play. Featured on countless recordings, TV commercials and movie soundtracks, his resume reads like a Who's Who In Entertainment. Jerry has played with Bruce Springsteen, James Taylor, Son Seals, Paul Shaffer, Frankie Valli, Al Kooper, Dion, James Brown, Phoebe Snow, Donald Fagen, Dr. John, Branford Marsalis, Wynton Marsalis and the legendary Keely Smith, to name just a few.
Recordings for ESPN, Oreo cookies, Charmin and Wendy's head the list of advertisement (or jingle) work. Jerry has also played on many movie soundtracks, including such recent films as Maid in Manhattan, Auto-Focus, The Tao of Steve and the Sundance Official Selection for 2003, Camp. Jerry plays tenor, alto, soprano, baritone and bass saxophones, b-flat, e-flat and bass clarinets, flute, alto flute, bass flute, piccolo, ocarina, recorder and Irish penny whistle.
Jerry's true passion in music is Jazz and R&B. In addition to being a member of the Max Weinberg 7, he can be heard playing with his brother Jimmy in the Vivino Brothers Band. He also is the leader of a really fun group with bass player Mike Merritt, drummer James Wormworth, keyboard player Brian Charretteand frequent guests, trumpet player Lew Soloff and guitarist Melvin Sparks.
Jerry's saxophone influences include Ben Webster, John Coltrane, King Curtis, Johnny Hodges, Cannonball Adderly, Michael Brecker, Sonny Rollins and Dexter Gordon. Clarinet influences include Benny Goodman, Buddy deFranco, Aker Bilk, Pete Fountain, Sidney Bechet and Eddie Daniels. Flute influences include Jean Pierre Rampal, Hubert Laws, James Galway and Ian Anderson. However, Jerry's favorite musician is his wife, flutist Laura (Renino) Vivino.