Rava On the Dance Floor Enrico Rava & Parco della Musica Jazz Lab

• 1Speechless06:37
• 2They Don't Care About Us07:54
• 3Thriller06:17
• 4Privacy05:43
• 5Smile03:29
• 6I Just Can't Stop Loving You / Smooth Criminal09:13
• 7Little Susie03:53
• 8Blood On the Dance Floor05:05
• 9History08:08
• Total Runtime56:19

Info for Rava On the Dance Floor

It was only after Michael Jackson’s death that Italian trumpeter Enrico Rava gradually became aware that he had for many years been ignoring, in his words, “one of the great protagonists of 20th century music and dance. A total artist. A perfectionist. A genius. I felt the need to delve more deeply into Michael’s world. There was only one way to do that: play his songs.” Thus this live album, recorded at the Rome Auditorium with the Parco della Musica Jazz Lab. Enrico’s trumpet is at its most extroverted here, vaulting above the spirited arrangements by Mauro Ottolini. Michael Jackson’s protean pop songs have never been heard quite like this. Rava is currently playing European festivals with this programme.

This live album breaks with Enrico Rava’s own traditions. In his ECM albums, all the way back to 1974’s “The Pilgrim And The Stars”, Rava has set his own compositions in the foreground. Not this time. Nor does he pay tribute to aspects of jazz history. Instead, on “Rava on the Dance Floor” the great Italian trumpeter (b. 1939) enthusiastically turns his attention to the musical universe of the late Michael Jackson. And in this unexpected context, drawing also upon the energy of the Parco della Musica Jazz Lab band, he delivers impassioned and extroverted trumpet playing.

Rava acknowledges that he had paid scant attention to Michael Jackson during the singer’s earthly existence, and it wasn’t until June 2009 and the days after Jackson’s death that Enrico, curiosity piqued by the intensity of the media coverage, began to listen to his music in earnest, finding himself more and more attracted by its range of possibilities. “What finally convinced me,” he says, “was the contagious riff of ‘Smooth Criminal’. The fact is that, from a certain moment on, Michael Jackson simply invaded my life. My wife and I bought all the Jackson discs and videos we could find. And my long and dull road trips were transformed into enthusiastic listening sessions. It became clear to me that for years I had ignored one of the great protagonists of 20th century music and dance. A total artist, a perfectionist, a genius. I was especially knocked out by the film ‘This is it’, which documents the rehearsals for that extraordinary show. How amazing to see that 50-year old Peter Pan, so fragile and vulnerable, transformed into a benevolent but absolute authority on stage, in control of every small detail, correcting a spotlight, the emphasis of a bass note, a dancer’s step, or the length of a musical pause.”

Challenging conventional pop wisdom, Rava considers the later Jackson albums to be the better ones, with “History” and “Invincible” as particular favourites. He praises the call-and-response of “Stranger In Moscow” and the melody of “Speechless”, considers “Little Susie” a masterpiece, and endorses also Jackson’s affection for the Charlie Chaplin tune “Smile.”

“I felt the necessity to delve deeper into Jackson’s music by adding something of myself to it. In Mauro Ottolini I found the ideal partner for the arrangements. The band could only be the PMJL. And the place the Auditorium Parco della Musica di Roma, where everything got its start.” (It was after a concert at the Auditorium that Rava had first learned of Jackson’s death).

The PMJL Parco della Musica Jazz Lab is an ensemble produced by the Foundation Musica per Roma with a focus on young jazz talents. Its projects to date have all been directed by Enrico Rava, and the line-up on “Rava On The Dance Floor” includes pianist Giovanni Guidi from Enrico’s regular quintet (as heard on the recent “Tribe” album).

Arranger Mauro Ottolini has released a number of albums as a leader, and has played with international musicians including Carla Bley, Bill Frisell and Maria Schneider.

“Rava On The Dance Floor” was recorded live at the Auditorium Parco della Musica di Roma on 20th May and 30th November 2011 by Roberto Lioli, Massimiliano Cervini, Luca Padovano and mixed at Udine’s Artesuono studio.

Enrico Rava, trumpet
Andrea Tofanelli, trumpet & flugelhorn
Claudio Corvini, trumpet & flugelhorn
Mauro Ottolini, trombone & tuba
Daniele Tittarelli, alto saxophone & flute
Dan Kinzelman, tenor saxophone, clarinet & bass clarinet
Franz Bazzani, keyboard
Giovanni Guidi, piano, Fender Rhodes & toy piano
Dario Deidda, bass
Marcello Giannini, electric guitar
Zeno de Rossi, drums
Ernesto Lopez Maturell, percussion

Concert recordings May and November* 2011
at Auditorium Parco della Musica, Rome
Recording Engineers: Massimiliano Cervini, Roberto Lioli* Assistant: Luca Padovano
Mixed May 2012 at Artesuono Studio
by Stefano Amerio and Manfred Eicher
w/ Mauro Ottolini and Enrico Rava
Cover photo: Edoardo Migone
Liner photos: Riccardo Musacchio / Flavio Ianniello Design: Bernd Kuchenbeiser
Album produced by Manfred Eicher
All arrangements by Mauro Ottolini

Enrico Rava
was born in Trieste in 1939. Self-taught, he started out playing Dixieland trombone but switched to trumpet at 18 after hearing Miles Davis. In 1962, he began a collaboration with Gato Barbieri, which brought him into contact with Don Cherry, Mal Waldron and Steve Lacy. He joined Lacy’s group in 1965, subsequently travelling with him through Europe, South America and the US. In New York, Rava worked with Cecil Taylor, the Jazz Composers Orchestra, and Roswell Rudd; back in Europe he hooked up with the European avant-garde and the free players of the Globe Unity Orchestra. Even in this experimental period Rava remained a melodic player, a tendency refined and developed through a career which has touched on all aspects of the jazz tradition. First ECM album “The Pilgrim and the Stars” in 1975 already set high standards has won many national and international awards, including, in 2002, the JazzPar prize, Europe’s biggest award for jazz players.

Booklet for Rava On the Dance Floor