All Things Must Pass (2014 Remaster) George Harrison
Label: BMG Rights Management (US) LLC
Subgenre: Classic Rock
Artist: George Harrison
Album including Album cover Booklet (PDF)
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- 1I'd Have You Anytime (2014 Remaster)02:57
- 2My Sweet Lord (2014 Remaster)04:41
- 3Wah-Wah (2014 Remaster)05:37
- 4Isn't It a Pity (2014 Remaster)07:10
- 5What Is Life (2014 Remaster)04:24
- 6If Not for You (2014 Remaster)03:30
- 7Behind That Locked Door03:06
- 8Let It Down (2014 Remaster)04:58
- 9Run of the Mill (2014 Remaster)02:51
- 10I Live for You (2014 Remaster)03:37
- 11Beware of Darkness (1st Version Recorded at Abbey Road) [2014 Remaster]03:22
- 12Let It Down (Original Guitar and Vocal) [2014 Remaster] 03:55
- 13What Is Life (Backing Track) [2014 Remaster]04:27
- 14My Sweet Lord (2000) [2014 Remaster]04:55
- 15Beware of Darkness (2014 Remaster)03:51
- 16Apple Scruffs (2014 Remaster)03:06
- 17Ballad of Sir Frankie Crisp (Let It Roll) [2014 Remaster]03:48
- 18Awaiting on You All (2014 Remaster)02:48
- 19All Things Must Pass (2014 Remaster)03:46
- 20I Dig Love (2014 Remaster)04:57
- 21Art of Dying (2014 Remaster)03:38
- 22Isn't It a Pity (Version Two) [2014 Remaster]04:48
- 23Hear Me Lord (2014 Remaster)05:49
- 24It's Johnny's Birthday (2014 Remaster)00:49
- 25Plug Me In (2014 Remaster)03:19
- 26I Remember Jeep (2014 Remaster)08:08
- 27Thanks for the Pepperoni (2014 Remaster)05:32
- 28Out of the Blue (2014 Remaster)11:13
Info for All Things Must Pass (2014 Remaster)
Newly remastered! "All Things Must Pass" is the third studio album by English rock musician George Harrison. Released as a triple album in November 1970, it was Harrison's first solo work after the break-up of the Beatles in April that year. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been overlooked for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Friends and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney.
Decades in the making and lovingly crafted by the Harrison family, All Things Must Pass has now been completely remixed from the original tapes for this stunning release that fulfills Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY® Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller and better than ever before. Formats contain various ephemera, including a scrapbook curated by Olivia Harrison, replica gnomes, original album poster and much more.
“Since the 50th anniversary stereo mix release of the title track to my father’s legendary All Things Must Pass album in 2020, my dear pal Paul Hicks and I have continued to dig through mountains of tapes to restore and present the rest of this newly remixed and expanded edition of the album you now see and hear before you,” says Dhani Harrison.
“It is both an intensely personal statement and a grandiose gesture, a triumph over artistic modesty, even frustration. In this extravaganza of piety and sacrifice and joy the music itself is no longer the only message.” (Ben Gerson, excerpt, 1971 Rolling Stone review)
"Without a doubt, George Harrison's first solo recording, originally issued as a triple album, is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements. Enhanced by Phil Spector's lush orchestral production and Harrison's own superb slide guitar, nearly every song is excellent: "Awaiting on You All," "Beware of Darkness," the Dylan collaboration "I'd Have You Anytime," "Isn't It a Pity," and the hit singles "My Sweet Lord" and "What Is Life" are just a few of the highlights. A very moving work, with a slight flaw: the jams that comprise the final third of the album are somewhat dispensable, and have probably only been played once or twice by most of the listeners who own this record. Those same jams, however, played by Eric Clapton, Carl Radle, Bobby Whitlock, and Jim Gordon (all of whom had just come off of touring as part of Delaney & Bonnie's band), proved to be of immense musical importance, precipitating the formation of Derek & the Dominos. Thus, they weren't a total dead end, and may actually be much more to the liking of the latter band's fans." (Richie Unterberger, AMG)
George Harrison, vocals, electric and acoustic guitars, dobro, harmonica, Moog synthesizer, harmonium, backing vocals
Eric Clapton, electric and acoustic guitars, backing vocals
Gary Wright, piano, organ, electric piano
Bobby Whitlock, organ, harmonium, piano, tubular bells, backing vocals
Klaus Voormann, bass guitar, electric guitar
Jim Gordon, drums
Carl Radle, bass
Ringo Starr, drums, percussion
Billy Preston, organ, piano
Jim Price, trumpet, trombone
Bobby Keys, saxophones
Alan White, drums, vibraphone
Pete Drake, pedal steel
John Barham, orchestral arrangements, choral arrangement, harmonium, vibraphone
Pete Ham, acoustic guitar
Tom Evans, acoustic guitar
Peter Frampton, acoustic guitar
Dave Mason, electric and acoustic guitars
Ginger Baker, drums on "I Remember Jeep"
Mixed by Grammy Award-winning mixer/engineer Paul Hicks, overseen by Dhani Harrison and remastered and cut at Abbey Road by Alex Wharton.
MBE (25 February 1943 – 29 November 2001) was an influential English rock guitarist, singer, songwriter, author and sitarist best known as the lead guitarist of The Beatles. Following the band's demise, Harrison had a successful career as a solo artist and later as part of the Traveling Wilburys super group where he was known as both Nelson Wilbury and Spike Wilbury. He was also a film producer, with his production company Handmade Films, involving people as diverse as Madonna and the members of Monty Python. From an initial exposure whilst a member of the Beatles, he maintained a high public profile regarding his religious and spiritual life.