The Hat with the Grin and the Chuckle Ben Thomas

Album info

Album-Release:
2025

HRA-Release:
22.08.2025

Label: Origin Records

Genre: Jazz

Subgenre: Contemporary Jazz

Artist: Ben Thomas

Album including Album cover

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FLAC 96 $ 14.30
  • 1 The Promise of Morning 03:56
  • 2 Sonia's Mask 05:08
  • 3 The Hat with the Grin and the Chuckle 04:13
  • 4 Eric's Vals 04:47
  • 5 Other Afternoons 05:22
  • 6 An Unapologetic Shift of Perspective 05:00
  • 7 Valley Shroud 04:30
  • 8 The Second Brick 03:57
  • Total Runtime 36:53

Info for The Hat with the Grin and the Chuckle



Rooted deep in the traditional rhythms of Argentine tango, yet fearlessly modern in spirit, multi-instrumentalist Ben Thomas' compositions offer a rich tapestry of layered polyrhythms, inventive melodies, and surprising contrasts. Echoes of great bandoneon maestros like Dino Saluzzi, Astor Piazzolla and Osvaldo Pugliese may surface, but always refracted through Ben's personal vision and the splendid accompaniment of his longtime bandmates, clarinetist Eric Likkel and bassist Steve Schermer, along with violinists Laura Coronel and Elizabeth Phelps, and pianist Gabe Hall-Rodrigues. The album's title celebrates the memory of Seattle's larger-than-life French chef, Thierry Rautureau—well known as The Chef in the Hat—whose thriving bistro "LUC" served as the incubator for much of this music over Thomas' several years of performances there.

"...an incredibly accomplished virtuoso...an improviser and composer of deep expressiveness, wit, and crisply focused execution... Thomas' music breaks some molds, but it never abandons a connection to tango's fiery melancholy, deep sense of groove, and rhythmic drive." (Earshot Magazine)

"...strong rhythmic structures, flowing tempo changes, melancholy, exuberant happiness— a beautiful tango nuevo album!" (Jazz'N'More, Switzerland)

Ben Thomas, bandoneon, vibraphone, percussion
Eric Likkel, clarinet
Steve Schermer, bass
Laura Coronel, violin
Elizabeth Phelps, violin
Gabe Hall-Rodrigues, piano

Recorded & mixed by Ben Thomas at Concinnity Studios, Seattle, WA
Mastered by Ed Brooks at Resonant Mastering, Seattle, WA
Produced by Ben Thomas



Dr. Ben Thomas
is one of the most in-demand vibists in the Pacific Northwest. Known for combining virtuosic technique with flowing lyricism, Thomas’s music spans from pyrotechnic improvisations to delicate soundscapes.

In addition to leading jazz and tango ensembles, he performs as a sideman on mallets, percussion, and bandoneon with a wide variety of groups throughout the United States, including the Jovino Santos Neto Quinteto and the Atlas Tango Project. He currently has five albums of original compositions available on Origin Records: “Triskaidekaphobia”, “The Mystagogue”, “The Madman’s Difference”, “Yet What Is Any Ocean…”, and “Eternal Aporia”.

After falling in love with both tango music and dance, Thomas started playing bandoneon in 2006, traveling to Argentina and working with tango musicians from across the world. He was guest artist with the Eugene Opera in 2018 as the bandoneon soloist for Piazzolla’s “Maria de Buenos Aires”. He tours regularly with the Atlas Tango Project and can be heard on their most recent album, “Estaciones y Sueños”.

Thomas completed his Doctor of Musical Art in Percussion Performance at the University of Washington in 2007. His dissertation was on the development of Cal Tjader’s early Latin Jazz vibraphone style. Thomas received his Master of Music with Honors in Improvisation from the University of Michigan in 1994. While in graduate school, he directed the University of Michigan’s Jazz Composers Orchestra and worked with composer Stephen Rush. Thomas also graduated from Swarthmore College, where he majored in mathematics and music.

Over the years, Thomas has performed at the Stowe Tango Music Festival, Ballard Jazz Festival, Earshot Jazz Festival, Detroit-Montreaux Jazz Festival, Bumbershoot Arts Festival, Issaquah Jazz Festival, Anacortes Arts Festival, Ellensburg Jazz in the Valley Festival, Tacoma Maritime Festival, Bellingham Art of Jazz Series, and the Juneau Jazz and Classics Festival.

As a composer, Thomas has written for chamber groups, big bands, jazz combos, dance and theater. Thomas is currently chair of the Music Department at Highline College, where he teaches music theory, composition, and performance.

“Ben is a great composer, and an energetic performer who knows how deep music can go. It’s always fun to play with him.” – JOVINO SANTOS NETO

This album contains no booklet.

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