A Brand New Me: Aretha Franklin (with The Royal Philharmonic Orchestra) Aretha Franklin

• 1Think02:54
• 2Don't Play That Song (You Lied) 02:56
• 3I Say A Little Prayer04:18
• 4Until You Come Back To Me (That's What I'm Gonna Do)03:30
• 5A Brand New Me 04:19
• 6(You Make Me Feel Like) A Natural Woman 03:36
• 7Angel 04:42
• 8Border Song (Holy Moses) 03:24
• 9Let It Be 03:34
• 10People Get Ready 04:03
• 11Oh Me Oh My (I'm A Fool For You Baby) 04:18
• 12You're All I Need To Get By 03:36
• 13Son Of A Preacher Man 03:29
• 14Respect02:37
• Total Runtime51:16

Info for A Brand New Me: Aretha Franklin (with The Royal Philharmonic Orchestra)

In January 1967, a 24-year old Aretha Franklin signed to Atlantic Records and began one of the most legendary runs in music history, releasing five U.S. hit singles in that year alone. Rhino celebrates the 50th anniversary of Franklin's historic signing with an opportunity to hear her classic Atlantic masters like never before.

A BRAND NEW ME: ARETHA FRANKLIN WITH THE ROYAL PHILHARMONIC ORCHESTRA pairs classic vocals from some of the most iconic songs that the Queen of Soul recorded for Atlantic Records with new arrangements performed by The Royal Philharmonic Orchestra.

A BRAND NEW ME features Franklin s instantly recognizable voice woven together with new orchestral arrangements. The Royal Philharmonic Orchestra recorded the music at Abbey Road Studios in London, with brand new backing vocals led by Grammy®-winning singer Patti Austin.

The result is another timeless record that retains the soul, groove, and gospel power of Franklin s revered talent. Among the standout tracks are newly re-imagined versions of classics like the Billboard #1 R&B hits Respect, Think, Don t Play That Song (You Lied), and Angel.

The album was produced by Nick Patrick and Don Reedman, the masterminds behind the massive worldwide success of If I Can Dream: Elvis Presley With The Royal Philharmonic Orchestra, which recently topped the charts in multiple countries and has sold more than 1.5 million copies.

Nick Patrick says: "There is a reason that Aretha Franklin is called the 'Queen of Soul.' There is nothing more exciting than that incredible voice taking you on an emotional roller coaster ride through her amazing repertoire of songs. To have the opportunity to work with that voice on this project has been the greatest honor and to hear a symphony orchestra wrapped around those performances is breathtaking."

Don Reedman says: "I was 15 years old when a song came on the radio called 'Rock A Bye Your Baby With A Dixie Melody.' It blew me away; the power, the soul. The feeling that went through me got me hooked on Aretha and I have been ever since. To be able to make this album and be able to select songs from hits like 'Respect' to 'Think' then blend them with classic songs like 'Let It Be' and 'Border Song' and create an album which is versatile and fresh is truly an honor."

James Williams, Managing Director of The Royal Philharmonic says: "The Royal Philharmonic Orchestra is thrilled to perform on this new recording, combining Aretha Franklin's iconic voice with lush new arrangements of her greatest hit songs for full orchestra, bringing a whole new generation to the music of this legendary performer."

Aretha Franklin, vocals
Patti Austin, vocals
The Royal Philharmonic Orchestra

Produced by Nick Patrick and Don Reedman

Aretha Franklin
She is known the world over by her first name and as the undisputed, reigning 'Queen Of Soul,' Aretha Franklin is peerless. This 2005 recipient of a Presidential Medal Of Freedom honor (the U.S.A.'s highest honor), 17 Grammy Awards (and counting), a Grammy Lifetime Achievement Award and a Grammy Living Legend Award. She has received countless international and national awards and accolades. Aretha has achieved global recognition on an unprecedented scale. She has influenced generations of singers from Chaka Khan, Natalie Cole and Mary J. Blige to 'American Idol' winner Fantasia Burrino and Oscar- winning Jennifer Hudson. Her ever-distinctive soulful, to-the-bone vocal style has graced the music charts for over four decades and while her 'live' performances have touched the hearts of literally millions since she began her musical journey as a gospel-singing child prodigy, it is her rich legacy of recordings that are a testament to the power, majesty and genius of this one-of-a-kind artist of the first order.

Beyond the timeless classic hits such as 'Respect,' 'A Natural Woman,' 'Chain Of Fools,' 'Think,' 'Daydreaming' and 'Freeway Of Love' among the dozens of chart-topping records that have established her as a cultural icon, Aretha Franklin's catalog of over forty albums informs listeners of her unmatched, unparalleled artistry as an interpreter of song, bar none. Her elevation to 'royal' status is indeed not just a function of her hitmaking ability but of her unique inventiveness as a musician who fuses art and soul seamlessly. Indeed, it's often been said that Aretha could take 'happy birthday' and turn it into a veritable opus and while those who know her will testify to her culinary skills in the kitchen, it is her mastery as a musical chef that is evident on each and every one of those forty-plus albums, many of which have achieved gold and platinum status.

As is widely known, Aretha, born in Memphis, (reared in Buffalo but a longtime resident of Detroit,) began her personal musical journey singing at her much-revered father Reverend C.L. Franklin's New Bethel Baptist Church at a very young age. While she was unquestionably influenced by the presence of such gospel luminaries as Clara Ward (a strong influence), Mahalia Jackson and the Reverend James Cleveland in the Franklin household, it was secular performers such as Dinah Washington and Sam Cooke (also visitors to the Franklin residence) who helped shape Aretha's wide-ranging interest in popular music. Young Aretha also heard the doo-wop sounds of Nolan Strong and The Diablos, The Moonglows, The 5 Royales and The Satins as well as popular '50s hitmakers such as Johnny Ace, Little Willie John, Jackie Wilson, Big Maybelle and Little Esther on the radio.

Aretha's interest in a wide range of popular music became evident when she began her own recording career at Columbia Records, although it should be noted that her powerful, emotive style was first heard on a gospel recording made in 1956 with her father and released by Chess Records in the mid-'60s. With the support of her father, Aretha traveled to New York City in 1960 and after a demo which contained her version of a Helen Humes tune titled 'Today I Sing The Blues' made its way to the ears of executive John Hammond (responsible for signing such artists as Billie Holiday, Bessie Smith and Bob Dylan), Aretha was signed to Columbia in 1960. For more information please visit the Aretha Franklin homepage.

This album contains no booklet.