Myrtle and Rose: Songs by Clara and Robert Schumann Kyle Stegall & Eric Zivian

• Robert Schumann (1810 - 1856): Liederkreis, Op. 39:
• 1Liederkreis, Op. 39: I. In der Fremde02:06
• 2Liederkries, Op. 39: II. Intermezzo01:53
• 3Liederkreis, Op. 39: III. Waldesgespräch02:31
• 4Liederkreis, Op. 39: IV. Die Stille01:40
• 5Liederkries, Op. 39: V. Mondnacht03:31
• 6Liederkries, Op. 39: VI. Schöne Fremde01:20
• 7Liederkries, Op. 39: VII. Auf einer Burg02:56
• 8Liederkries, Op. 39: VIII. In der Fremde01:27
• 9Liederkries, Op. 39: IX. Wehmut02:28
• 10Liederkries, Op. 39: X. Zwielicht02:58
• 11Liederkries, Op. 39: XI. Im Walde01:30
• 12Liederkries, Op. 39: XII. Frühlingsnacht01:22
• Clara Schumann (1819 - 1896): 6 Lieder, Op. 13:
• 136 Lieder, Op. 13: I. Ich stand in dunklen Träumen02:09
• Lorelei:
• 14Lorelei02:25
• Mein Stern:
• 15Mein Stern01:56
• Lieder, Op. 12:
• 16Lieder, Op. 12: IV. Liebst du um Schönheit02:22
• 6 Lieder, Op. 23:
• 176 Lieder, Op. 23: VI. O Lust, o Lust01:53
• Robert Schumann: Liederkries, Op. 24:
• 18Liederkries, Op. 24: I. Morgens steh' ich auf01:13
• 19Liederkries, Op. 24: II. Es treibt mich hin01:24
• 20Liederkries, Op. 24: III. Ich wandelte unter den Bäumen03:23
• 21Liederkries, Op. 24: IV. Lieb' Liebchen01:09
• 22Liederkries, Op. 24: V. Schöne Wiege meiner Leiden04:30
• 23Liederkries, Op. 24: VI. Warte, warte, wilder Schiffsmann02:06
• 24Liederkries, Op. 24: VII. Berg' und Burgen schau'n herunter04:14
• 25Liederkries, Op. 24: VIII. Anfangs wollt' ich fast verzagen01:00
• 26Liederkries, Op. 24: IX. Mit Myrthen und Rosen04:10
• Total Runtime59:36

Info for Myrtle and Rose: Songs by Clara and Robert Schumann

Myrtle & Rose features two of Robert Schumann's most beloved song cycles ? Liederkreis Opp. 24 and 39 - alongside several rarely-recorded songs by his wife Clara, in a beautifully captured partnership of tenor Kyle Stegall and fortepianist Eric Zivian.

Myrtle & Rose - the title taken from the Heinrich Heine poem which Robert Schumann set as the final song of his Liederkreis, Op. 24 - features two of his most beloved song cycles (the other being Liederkreis, Op. 39) along with several rarely-recorded songs by his wife Clara. The album beautifully captures the artistic partnership of tenor Kyle Stegall and fortepianist Eric Zivian, who first collaborated at the Valley of the Moon Music Festival in Sonoma, California. Stegall's "lovely tone and ardent expression" (The New York Times) and Eric Zivian's original 1841 Rausch fortepiano from Vienna ? built exactly when the songs were written ? combine in these inspired and illuminating interpretations. The release celebrates the 200th anniversary of the birth of Clara Schumann. A unique bonus is the inclusion of Kyle Stegall's new English translations of the sung texts in the booklet.

"a gentle tone that melted the hearts of all" (OperaWire, Kyle Stegall)

"the last word in low key virtuosity" (San Francisco Classical Voice, Eric Zivian)

Kyle Stegall, tenor
Eric Zivian, piano

Kyle Stegall
is a dedicated teacher of singing and maintains a private studio year-round. Kyle's certified music degrees come from three of the most highly-respected music schools in the country (University of Missouri, University of Michigan, Yale University). His teaching is based on a fundamental approach to efficient singing; appropriate and active connectivity to one's breath support, conscious body alignment and purposeful tension monitoring. Kyle's students benefit from his breadth and depth of experience as an international soloist and clinician, as well as his dedication to the development of each individual.

Tenor, Kyle Stegall, has garnered praise around the world for his “lovely tone and ardent expression” (NY Times), as well as his “blemish-free production” (Sydney Morning Herald). Already at this early stage of his career, Kyle has performed as soloist under the baton of many of the world’s most celebrated conductors including Manfred Honeck, Jeffrey Thomas, William Christie, Nicholas McGegan, and Jerry Blackstone among others. A versatile artist with a reputation for an intimate and genuine approach to vocalism, Kyle’s repertoire spans the early baroque to the most contemporary of works with many world-premier performances to his credit. A specialist in music of the baroque, Kyle’s interpretations of the Bach evangelists and the leading roles of Handel and Charpentier are characterized by an unfailing attention to style and detail.

Eric Zivian
is a fortepianist, modern pianist and composer. He has performed with the Philharmonia Baroque Orchestra, the Portland Baroque Orchestra, the Santa Rosa Symphony and the Toronto Symphony, among others. He is a founder and Music Director of the Valley of the Moon Music Festival, a festival in Sonoma specializing in Classical and Romantic music on period instruments.

Eric has given solo recitals in Toronto, New York, Philadelphia, and the San Francisco Bay Area. He has performed extensively on fortepiano since 2000 and is a member of the Zivian-Tomkins Duo and the Benvenue Fortepiano Trio, performing at Chamber Music San Francisco, the Da Camera series in Los Angeles, Boston Early Music, the Seattle Early Music Guild and Caramoor. On modern piano, he is a member of the Left Coast Chamber Ensemble and has performed with the Empyrean Ensemble, Earplay, and the San Francisco Contemporary Music Players.

Eric’s compositions have been performed widely in the United States and in Tokyo, Japan. He was awarded an ASCAP Jacob Druckman Memorial Commission to compose an orchestral work, Three Character Pieces, which was premiered by the Seattle Symphony in March 1998.

Eric studied piano with Gary Graffman and Peter Serkin and composition with Ned Rorem, Jacob Druckman, and Martin Bresnick. He attended the Tanglewood Music Center both as a performer and as a composer.

This album contains no booklet.