Franz Schubert: Lieder with Orchestra Benjamin Appl, Munich Radio Orchestra & Oscar Jockel

• Franz Schubert (1797 - 1828):
• 1Schubert: Abendstern02:39
• 2Schubert: Romanze aus “Rosamunde”03:02
• 3Schubert: Einleitung – Tanz I und II aus "10 Deutsche Tänze"03:22
• 4Schubert: Geheimes01:36
• 5Schubert: Du bist die Ruh04:18
• 6Schubert: Tränenregen04:40
• 7Schubert: Tanz III – IV – V aus "10 Deutsche Tänze"02:27
• 8Schubert: Ganymed04:22
• 9Schubert: Der Tod und das Mädchen02:10
• 10Schubert: Gruppe aus dem Tartarus03:02
• 11Schubert: Ihr Bild02:45
• 12Schubert: Die Forelle01:51
• 13Schubert: Tanz VI – VII – VIII aus "10 Deutsche Tänze"03:30
• 14Schubert: Im Abendrot03:25
• 15Schubert: An die Musik02:31
• 16Schubert: An Silvia02:22
• 17Schubert: Der Wegweiser03:20
• 18Schubert: Nacht und Träume03:44
• 19Schubert: Ständchen03:32
• 20Schubert: Tanz IX und X aus "10 Deutsche Tänze"02:09
• 21Schubert: Prometheus05:32
• 22Schubert: Litanei auf das Fest Allerseelen03:25
• 23Schubert: Erlkönig03:59
• Total Runtime01:13:43

Info for Franz Schubert: Lieder with Orchestra

Time and again, composers – well-known and lesser-known – have arranged Franz Schubert's piano songs for orchestra. These versions are not in any way intended to cast doubt upon the powerful quality of the originals, they merely place them in a different light, and/or attempt to make them easier to perform on a larger scale – when an art song cannot be performed in an intimate salon or chamber music hall, it can also make an impact in a large concert hall. Baritone Benjamin Appl has compiled nineteen such arrangements from the 19th and 20th centuries for this new album from BR-KLASSIK. The Münchner Rundfunkorchester, conducted by Oscar Jockel, provides accompaniment that is subtle and in keeping with the work. "To my ear, it is often quite insulting, in a giant hall and after an orchestral number, to have to listen to a singer performing lieder to a spindly piano accompaniment!”

Max Reger scolded, and he went on to take appropriate action by orchestrating several piano songs, including thirteen by Schubert. Many famous composers were not above taking on the role of arranger. Indeed, they even saw an artistic challenge in "staging" the Lied in a new and colourful way using the possibilities of the orchestra – and without altering the musical substance in the process. The versions of Schubert's "An die Musik", "Im Abendrot", "Nacht und Träume", "Prometheus" and "Erlkönig" recorded here are by Max Reger; Anton Webern created those for "Du bist die Ruh", "Tränenregen" or "Der Wegweiser"; Johannes Brahms arranged "Geheimes", Jacques Offenbach the "Ständchen", and Benjamin Britten "Die Forelle". Further arrangements are by conductor Felix Mottl ("Der Tod und das Mädchen"), lied accompanist Alexander Schmalcz ("Abendstern", "An Silvia") and composer Kurt Gillmann ("Ganymed"). The album is rounded off by the first recording of Johann von Herbeck’s orchestrations of Schubert's dances, thus establishing a connection between folk music and Schubert's art songs.

Benjamin Appl, baritone
Munich Radio Orchestra
Oscar Jockel, conductor

Benjamin Appl
Hailed as ‘the most promising of today’s up-and-coming song recitalists’ (Financial Times), baritone Benjamin Appl is celebrated by audiences and critics alike for a voice that ‘belongs to the last of the old great masters of song’ with ‘an almost infinite range of colours’ (Suddeutsche Zeitung), ‘exacting attention to text’ (New York Times), and artistry that’s described as ‘unbearably moving’ (The Times). Named Gramophone Award Young Artist of the Year in 2016, Appl was a member of the BBC New Generation Artist scheme from 2014-16, as well as a Wigmore Hall Emerging Artist and ECHO Rising Star for the 2015-16 season, appearing at major venues throughout Europe, including the Barbican Centre London, Concertgebouw Amsterdam, Wiener Konzerthaus, Philharmonie Paris and Cologne and the Laeiszhalle Hamburg. He was signed exclusively to SONY Classical between 2016 and 2021. He recently partnered up with Alpha Classics for a long term collaboration of multiple albums.

Appl started in music as a young chorister at the renowned Regensburger Domspatzen, later continuing his studies at the Hochschule für Musik und Theater München and eventually at the Guildhall School of Music & Drama in London. He had the good fortune of being mentored by the legendary singer Dietrich Fischer-Dieskau. Appl says, ‘my years of working with Fischer-Dieskau were invaluable and had a hugely formative influence on me. He is an inspiration – someone who is always searching and seeking a deeper understanding of music and of life. He was a role model for how to prosper as an artist, never just delivering, but each time creating.’

Appl is increasingly in demand on the world’s most prestigious stages, collaborating with ensembles such as the NHK Symphony Orchestra, Die Deutsche Kammerphilharmonie Bremen, Staatskapelle Dresden, Philharmonia Orchestra, Seattle Symphony, Vienna Symphony, Akademie für Alte Musik Berlin, Tonhalle Orchestra Zürich, Hamburg Ballet, Academy of Ancient Music, Gabrieli Players & Consort, Les Violons du Roy, Concerto Köln, and with multiple BBC orchestras. He made his BBC Proms debut in September 2015 singing Brahms’ Triumphlied with Marin Alsop and the Orchestra of the Age of Enlightenment.

An established recitalist, he has performed at the Ravinia, Rheingau, Schleswig Holstein, Edinburgh International, Life Victoria Barcelona, Leeds Lieder and Oxford Lieder festivals, deSingel Antwerp, Heidelberger Frühling, and at the KlavierFestival Ruhr. He has performed at major concert venues including Festspielhaus Baden-Baden, Het Concertgebouw, Amsterdam, Elbphilharmonie Hamburg and the Musée de Louvre, Paris, in addition to which he is a regular recitalist at Wigmore Hall and at the Schubertiade Hohenems and Schwarzenberg. He works closely with pianists Graham Johnson and James Baillieu.

Appl is equally sought for his work in oratorio; notable past works include Bach’s Magnificat, St John and St Matthew passions, Brahms’ Ein deutsches Requiem, Händel’s The Messiah, Haydn’s The Creation and Britten’s War Requiem. In 2017 he performed in the internationally televised ZDF Adventskonzert concert at the Dresden Frauenkirche with the Staatskapelle Dresden and Christian Thielemann.

Recent highlights include his role debut as Guglielmo Così fan tutte with Classical Opera Company; Aeneas Dido and Aeneas in concert with the London Philharmonic Orchestra and Sir Roger Norrington; three recitals at New York City’s Park Avenue Armory featuring all three Schubert song cycles; a debut performance of Bach’s Mass in B Minor with the Philadelphia Orchestra and Yannick Nézet-Séguin; his Paris orchestral debut at the Saint-Denis Festival with the Orchestre National de Lille; and debut recitals at Grand Théâtre in Geneva, Linz Brucknerhaus, Salzburg Mozarteum and Spivey Hall, Atlanta. He was honoured to have been invited by the Federal President of Germany to appear as soloist at the commemoration of November 9th 2021 (a date of great significance in Germany) where he performed to German Chancellor Angela Merkel and other esteemed guests. Additionally, Benjamin recently appeared on BBC Radio 3 in his own programme A Singer’s World.

The 2021-22 season will open with Appl making his operatic debut at the Liceu, Barcelona as Harlequin Ariadne auf Naxos. This is followed by a full schedule of concerts across Europe and the USA, including recitals and concerts at Salle Gaveau Paris, Berlin Konzerthaus, Berlin Philharmonie, Hamburg Elbphilharmonie, Wigmore Hall, Boston Celebrity Series and Dallas Opera; concerts with the Sofia Philharmonic, NDR Radiophilharmonie, and the Berlin Barock Solisten and ongoing residencies with the Jenaer Philharmonie and Hamburg Ballet.

Appl’s growing discography includes Schumann duets with Ann Murray (DBE), accompanied by Malcolm Martineau; his debut solo disc ’Stunden, Tage, Ewigkeiten’ accompanied by James Baillieu, which was released in April 2016 on Champs Hill records; and a live recording of Schubert lieder with Graham Johnson for the Wigmore Hall Live label. His first solo album for SONY Classical, ‚Heimat’, was Gramophone nominated and won the prestigious Prix Dietrich Fischer-Dieskau (Best Lieder Singer) at the 2017/18 Académie du Disque Lyrique Orphées d’Or. Most recently, Appl released a recording of Bach with Concerto Köln for SONY Classical, as well as Sibelius’s Kullervo with the BBC Scottish Symphony and Thomas Dausgaard for Hyperion Records.

This album contains no booklet.