Best From The West - Modern Sounds From California, Vol. 2 Various Artists

Album info

Album-Release:
2015

HRA-Release:
17.12.2015

Label: Blue Note

Genre: Jazz

Subgenre: Hard Bop

Album including Album cover

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  • 1Van Nuys Indeed02:53
  • 2Here's Pete04:02
  • 3The Blindfold Test No. 304:30
  • 4Burbank Bounce03:54
  • 5Arcadia04:28
  • 6No Love, No Nothing03:58
  • Total Runtime23:45

Info for Best From The West - Modern Sounds From California, Vol. 2

One of the most obscure 50s releases from Blue Note Records – part of a pair of 10" albums recorded on the west coast – which was quite a change from the label's usual east coast home! The album's originally came with no full artist information, and were released as a "blindfold test" under the supervision of Leonard Feather – in which the listener was supposed to guess the players! The musicians on the original record were not named – probably because of contractual reasons – but artists include the cream of the LA scene of the time – Conte Candoli on trumpet Jimmy Giuffree and Charlie Mariano on reeds, Howard Roberts on guitar, and Marty Paich on piano – all coming together with a fresh, clean sound that's more like the classic 50s sessions on the Mode or Bethelehm labels instead of Blue Note. Titles on volume 2 includes "Here's Pete", "Blindfold Test No 3", "Arcadia", and "Burbank Bounce“.

Digitally remastered

A compilation dedicated to funk and pre – zouk period, which has never been documented before. It is compilated by specialists of the genre: Julien Achard (Digger's Digest) and Nicolas SKLIRIS (ex-Superfly Records).

After the success of Kouté Jazz, Heavenly Sweetness comes back with a dancefloor but not jazz compilation, enough to move your feet at through the whole summer ! 13 disco, boogie and Zouk tracks recorded in the 80’s in the West Indies.

The advantage of this selection is precisely that it reveals a broader spectrum than the zouk music style that are badly defined. Most of the tracks, were not much broadcasted even if interpreted by some big names in Caribbean music (Pierre-Edouard Decimus / Patrick St. Eloi / Eddy La Viny). They were too fast classified as Zouk. These Tracks reveal this will of singularity, this merger between traditional and other rhythms genres (funk, disco, afro-beat, Latin Brazilian ...), with the addition of new instruments such as synthesizers and drums machine in the creative process.

In many zouk’s albums, this period often included one or even several, tracks that were qualified as "proto-zouk" and "funky-zouk" or the "boogie-zouk" to emphasize the fusion of genres . But these tracks have remained unknown to the general public because only the "hits" were played on the radio, dance floors (the famous "tan" or “zouk”), clubs and bus.

This album contains no booklet.

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