From Whence We Came Ensemble Galilei

• 1Iris03:12
• 2Suite in D Minor: V. Menuet - Caprice02:46
• 3Sitting in the Stern - Whistle O'er the Lave't - Lord Balgonie's Favorite - Marry Me Now - The Very Last Straw08:12
• 4An Bonnan Bui - The Collier's Reel - Last Night's Fun05:09
• 5Douglas and Fiona Shearer02:17
• 6Bonnie at Morn - Amy's06:52
• 7Sophie's Slip Jig - The Sanctuary - Far from Home03:08
• 8Innestafrid'n efter Arvid Brannlund - Amanda05:53
• 9John Come Kiss Me Now02:35
• 10Uti Dahlin - Miss Abbott03:27
• 11Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: Largo - Vals efter Jonte i Byom05:23
• 12Lindsay's Keys04:04
• 13Ginger's - Be Thou My Vision03:27
• Total Runtime56:25

Info for From Whence We Came

From Whence We Came. From the first notes of this album, you know you are hearing something new and groundbreaking. Each track tells its own story. A tragedy from Sweden, a joke from Ireland, a lament from Scotland, a life well lived from America. The musicians of Ensemble Galilei have brought together a repertoire unparalleled in breadth, and they perform these pieces with unfettered virtuosity. Borders crossed, genres bent, new approaches to old music, this album is unbelievably compelling as a work of art, rapturously accessible as a piece of music. Carolyn Surrick explains: “Sue brought “Miss Abbott,” a tune she wrote years ago for her mother and I brought “Uti Dahlin,” a Swedish song sung by my great-grandmother to her children. Jackie brought “Amy’s” and “Sophie’s Slip Jig,” the first a tune written for his wife, the second for his daughter. I wrote “Lindsay’s Keys” for my dear friends’ wedding and “Ginger’s,” a chant for strength and faith. I first heard “Innerståfrid’n (Innermost Peace),” and “Vals efter ‘Jonte i Byom' at Walter Reed, not always a place for cheery, upbeat music. These tunes perfectly express a solemn, soulful, reflection of a world where goodness does not always triumph and darkness is not a curse. There are storied histories to the other tunes – Ryan’s long and deep love of Scottish music made manifest in the “Sitting on the Stern of the Boat” set, Isaac and his pipe set from Ireland, Kathryn Montoya’s perfect partnership with Jackie on “John Come Kiss Me Now,” and the Telemann and Marais, pieces for the gamba that have been a part of my life for more than thirty years.”

Founded in 1990, Ensemble Galilei is an ensemble of players from both classical and Celtic backgrounds, playing Irish and Scottish airs and dance tunes, early and medieval music, and original compositions. This recording features Isaac Alderson (uilleann pipes, Irish flute, whistle), Ryan McKasson (fiddle), Kathryn Montoya (baroque oboe and recorder), Jackie Moran (drums, percussion, banjo, vocals), Sue Richards (Celtic harp), and Carolyn Surrick (viola da gamba). The Ensemble takes their name and inspiration from the life of composer Vincenzo Galilei, whose influence, some four hundred years ago, helped restore a vital element of passion to the music of the day. The Ensemble infuses ancient music with a spirit of improvisation and liveliness. To achieve their unique Celtic sound, Ensemble Galilei has melded the elegance of chamber music with the energy and excitement of traditional music. An intricate blend of instruments grants listeners passage to another world, evoking musical images of the ancient Celts and bringing these images to life for today's audiences. They have performed and toured globally for almost twenty-five years, and have been featured on multiple recordings and radio performances. They have notably collaborated with National Geographic in the documentary “First Person: Stories from the Edge of the World” and with the Metropolitan Museum of Art exhibit for “First Person: Seeing America.”

'Virtuoso technique, an instinctive feeling for the idiom, and the courage to improvise…they play with energy, splendid ensemble, good humor and imagination.” (The Washington Post)

Ensemble Galilei:
Isaac Alderson, uilleann pipes, Irish flute, whistles
Ryan McKasson, fiddle
Kathryn Montoya, recorders, whistles
Jackie Moran, percussion, banjo
Sue Richards, Celtic harp
Carolyn Surrick, viola da gamba

Ensemble Galilei
The spirit of the ancient music of the Celtic Isles is resurrected by Ensemble Galilei. Combining classical and folk instrumentation and incorporating a high level of improvisation, the all-woman, Washington, D.C.-based, band creates a sound that seamlessly blends the old world and modern influences. The Ensemble Galilei's unique approach to eighteenth century Irish airs, jigs and reels, Welsh songs and Breton dance tunes earned them a WAMMIE award from the Washington Area Music Association as "Best Chamber Ensemble", in 1994. "The Washington Post' praised the group for its "Virtuoso technique, an instinctive feeling for the idiom and the courage to improvise". Reviewing a peformance by the band, "The San Francisco Bay Guardian" wrote, "medieval and renaissance tunes, beautifully rendered". The Ensemble Galilei, which takes its name from 16th century composer Vincenzo Galilei, was formed by Maggie Sansone (hammered dulcimer), Carolyn Anderson Surrick (viola de gamba), Sue Richards (Celtic harp), Marcia Diehl (recorder, pennywhistle, bowed psaltery) and Jim Brooks. After numerous personnel changes, the group currently features Nancy Karpeles (percussion), Liz Knowles (fiddle), Deborah Nuse (pipes), Sarah Weiner (oboe, pennywhistles), Surrick and Richards. The Ensemble Galilei's debut album, "Music In The Great Hall" was recorded during a Washington D.C. concert. Their second album, "Ancient Noels", sold over 17,000 copies in the first three months after its release in 1994. Four years later, the group recorded, "The Mystic And The Muse", an album-length tribute to women composers of the past six centuries.

Booklet for From Whence We Came