Dependent Arising Rachel Barton Pine, Royal Scottish National Orchestra & Tito Muñoz

• Dmitri Shostakovich (1906 - 1975): Violin Concerto No. 1 in A minor, Op. 77:
• 1Shostakovich: Violin Concerto No. 1 in A minor, Op. 77: I. Nocturne11:36
• 2Shostakovich: Violin Concerto No. 1 in A minor, Op. 77: II. Scherzo06:26
• 3Shostakovich: Violin Concerto No. 1 in A minor, Op. 77: III. Passacaglia12:55
• 4Shostakovich: Violin Concerto No. 1 in A minor, Op. 77: IV. Burlesque05:02
• Earl Maneein (b. 1976): Dependent Arising (Violin Concerto):
• 5Maneein: Dependent Arising (Violin Concerto): I. Grasping at the self.14:13
• 6Maneein: Dependent Arising (Violin Concerto): II. The crows already knew of your grief11:18
• 7Maneein: Dependent Arising (Violin Concerto): Gate gate paragate...06:02
• Total Runtime01:07:32

Info for Dependent Arising

Violinist Rachel Barton Pine’s 24th recording for Cedille Records, Dependent Arising, reveals surprising confluences between classical and heavy metal music by pairing Shostakovich’s Violin Concerto No. 1 in A minor, Op. 77 with Earl Maneein’s “Dependent Arising” — Concerto for Violin and Orchestra, performed with the Royal Scottish National Orchestra under the baton of Tito Muñoz.

Known for her virtuosity, expressive playing, and extensive repertoire, Pine discovered her love for heavy metal as a teenager, and later performed at rock radio stations where she would intersperse covers of songs by Black Sabbath, AC/DC, and Metallica with works by Paganini and Ysaÿe.

The album explores connections between modern classical music and heavy metal and showcases Pine’s unique journey with these two seemingly disparate genres.

Now a staple of the classical concerto repertory, Shostakovich’s emotionally charged Violin Concerto No. 1 also holds a special place among metal enthusiasts, with its diverse movements ranging from haunting Nocturne to relentless Burlesque.

Earl Maneein is an acclaimed violinist and composer known for his unique and innovative fusion of western classical music, heavy metal, and hardcore punk. His “Dependent Arising” pushes the boundaries of traditional concerto composition and draws inspiration from the Western European classical music tradition, the world of “Extreme Metal,” and the composer’s practice as a Buddhist.

Both concertos explore themes of struggle, oppression, and defiance, which define Shostakovich’s oeuvre and resonate deeply with the essence of heavy metal music.

The album was produced by the Grammy-winning team of James Ginsburg and engineer Bill Maylone, with session engineering by the RSNO’s Hedd Morfett-Jones. It was recorded January 7–8, 2022 at Scotland’s Studio, Glasgow.

Rachel Barton Pine, violin
Royal Scottish National Orchestra
Tito Muñoz, conductor

Rachel Barton Pine
In both art and life, violinist Rachel Barton Pine has an extraordinary ability to connect with people. Celebrated as a leading interpreter of classical works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction across an extensive repertoire. Audiences are thrilled by her dazzling technique, lustrous tone, and infectious joy in music-making.

Pine has appeared as a soloist with many of the world’s most prestigious ensembles including the Chicago, Montreal, Vienna, and Baltimore Symphonies; the Philadelphia Orchestra; the Royal Philharmonic, the Mozarteum, Scottish, and Israel Chamber Orchestras; and the Netherlands Radio Kamer Filharmonie. She has worked with such renowned conductors as Charles Dutoit, Zubin Mehta, Erich Leinsdorf, Neeme Järvi, John Nelson, Marin Alsop, and Placido Domingo.

Her festival appearances have included Marlboro, Ravinia, and Salzburg. Her recital performances have included the complete Paganini Caprices, all six Bach Sonatas and Partitas, Beethoven’s complete works for violin and piano, and the world premiere of the last movement of Samuel Barber’s long-lost 1928 Violin Sonata. She regularly plays and records with John Mark Rozendaal and David Schrader as the period instrument ensemble Trio Settecento.

Pine writes her own cadenzas to many of the works she performs, including concertos by Beethoven, Brahms, Mozart, and Paganini. She is the first living composer to be published as part of Carl Fischer’s “Masters Collection” with the release of The Rachel Barton Pine Collection, including original compositions, arrangements, cadenzas, and editions penned or arranged by Pine. Pine is also music advisor and editor of “Maud Powell Favorites,” the only published compilation of music dedicated to, commissioned by, or closely associated with Powell, the first native-born American violinist to achieve international recognition.

Pine won the gold medal at the J.S. Bach International Violin Competition (Leipzig, 1992) and holds prizes from several other leading competitions including the Queen Elisabeth (Brussels, 1993), Kreisler (Vienna, 1992), Szigeti (Budapest, 1992), and Montreal (1991) International Violin Competitions. She won honors for her interpretation of the Paganini Caprices at the Szigeti Competition and Paganini International Violin Competition (Genoa, 1993).

Her Rachel Elizabeth Barton Foundation assists young artists through various projects including the Instrument Loan Program, Grants for Education and Career, Global HeartStrings (supporting classical musicians in developing countries), and a curricular series in development with the University of Michigan: The String Students’ Library of Music by Black Composers. She teaches chamber music, coaches youth orchestras, gives master classes, conducts workshops at universities, adjudicates music competitions, creates special programs for children and school groups, and offers spoken program notes or pre-concert conversations for audiences of all ages.

This album contains no booklet.