Beethoven: Symphonies Nos. 5 & 7 NDR Radiophilharmonie & Andrew Manze
- Ludwig van Beethoven (1770 - 1827): Symphony No. 5 in C Minor, Op. 67:
- 1Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio07:34
- 2Symphony No. 5 in C Minor, Op. 67: II. Andante con moto09:53
- 3Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro05:07
- 4Symphony No. 5 in C Minor, Op. 67: IV. Allegro11:16
- Symphony No. 7 in A Major, Op. 92:
- 5Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace14:03
- 6Symphony No. 7 in A Major, Op. 92: II. Allegretto08:41
- 7Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto09:01
- 8Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio08:21
Info for Beethoven: Symphonies Nos. 5 & 7
After their prize-winning Mendelssohn symphonies cycle and acclaimed Mozart symphonies album, the NDR Radiophilharmonie and its chief conductor Andrew Manze now present Beethoven’s Fifth and Seventh symphonies. While Beethoven’s Fifth is arguably the most famous symphony in the history of music, the Seventh counts as one of the most rhythmically-advanced pieces of nineteenth-century music; an “apotheosis of dance”, to quote Richard Wagner. Both works display Beethoven’s mastery of and audacious approach to musical form as well as the richness of his melodic invention, and are generally praised as paragons of symphonic composition.
Andrew Manze brings his experience in the field of historically informed performance to the polished symphonic sound of the NDR Radiophilharmonie, providing an ambience that fits these early nineteenth-century works like a glove.
Andrew Manze, conductor
Sensuously Mediterranean sounds and Northern solemnity shake hands on this recording of Mendelssohn’s Italian and Reformation symphonies (Nos. 4 and 5). This is the second release in a series of recordings in multi-channel surround sound for PENTATONE by the conductor Andrew Manze and the NDR Radiophilharmonie. Expectations are high after the first album of this series, a recording of Mendelssohn’s first and third symphonies, was crowned with a 2017 Jahrespreis der deutschen Schallplattenkritik.
It’s no wonder that Robert Schumann dubbed Mendelssohn the “Mozart of the nineteenth century”; with his felicitous gift for melody and meticulous craftsmanship, his music positively brims with youthful spontaneity and exuberance, blending dreamy poetic flights with moments of affecting tenderness and serenity. All this comes together in his Italian symphony, that is so full of joie de vivre, so sparkling with energy and esprit, so full of Mediterranean gaiety. Far beyond the picturesque, the piece offers Mendelssohn’s profoundly personal reflection, transformed into music, on the impressions made on his senses by the landscape, architecture, lifestyle, and people of Italy.
Equally personal is Mendelssohn’s Reformation symphony, in which the devoutly Christian composer aimed to combine elements and traditions of sacred instrumental music with those of an autonomous symphony. The result is highly original: a so-called finale symphony, in which the programmatic destination of the entire work is oriented towards the finale, based on the Lutheran chorale “A mighty fortress is our God”.
Renowned for his boundless energy and scholarly knowledge and with many critically acclaimed recordings in a broad repertoire, Manze is celebrated as one of the most stimulating and inspirational conductors of his generation.
“Manze's take is wholly individual,” wrote the Guardian. “[Brahms’ symphonies] burst with life, by turns wistful, yearning, sharp-edged and blisteringly incisive … this is the composer reinvented for the 21st century.”
In September 2014 Andrew Manze became the Principal Conductor of the NDR Radiophilharmonie in Hannover and immediately made headlines.
Andrew Manze, conductor