Hanns Eisler: Ernste Gesänge, Lieder mit Klavier Matthias Goerne

• Hanns Eisler (1898-1962): rnste Gesänge für Instrumentalensemble & Bariton
• 1Vorspiel und Spruch01:22
• 21. Asyl02:37
• 32. Traurigkeit01:52
• 43. Verzweiflung00:47
• 54. Hoffnung01:04
• 65. XX. Parteitag00:40
• 76. Komm ins Offene, Freund!01:43
• 87. Epilog02:58
• Lieder mit Klavier
• 9Hotelzimmer 194201:52
• 10Die Flucht00:48
• 11An den kleinen Radioapparat00:49
• 12In der Fruehe01:23
• 13Fruehling01:11
• 14Speisekammer 194201:07
• 15Die Heimkehr01:59
• 16Die Landschafts des Exils01:19
• 17Und es sind die finstern Zeiten00:24
• 18Ueber den Selbstmord02:21
• 19Verfehlte Liebe00:49
• 20Ostersonntag01:31
• 21Vom Sprengen des Gartens00:57
• 22Der Kirschdieb01:18
• Sonate op.1
• 23I. Allegro05:17
• 24II. Intermezzo. Andante con moto03:33
• 25III. Finale. Allegro04:08
• 26Lied von der belebenden Wirkung des Geldes04:03
• 27Ballade vom Wasserrad03:27
• 28Solidaritaetslied02:43
• Total Runtime54:02

Info for Hanns Eisler: Ernste Gesänge, Lieder mit Klavier

From 1920s Vienna and the Berlin of the Weimar Republic to emigration to the USA, then back to Vienna after the defeat of Nazism, to end his days in East Berlin: Hanns Eisler’s life was one long exile against the backcloth of the artistic, technical, and political revolutions of the 20th century. Distance, irony, and melancholy are the aesthetic corollaries that characterise the lieder presented here, their atmosphere often evoking the despair of those dark times. The early piano sonata gained the young Eisler an admiration that has never dimmed since.

„Matthias Goerne offers an excellent new disc of songs by Hanns Eisler. After Kaufmann and Verdi's operatic largesse, Goerne and Eisler prove you can also thrillingly expressive wielding a delicate whisper, a pungent shout, and irony's stiletto heel.' (Geoff Brown, The Times)

'It is a fascinating and hugely rewarding disc.' (Andrew Clements, The Guardian),

“Goerne's heartfelt contribution is plainly central to this project...The baritone enjoys a close artistic collaboration with composer-pianist Thomas Larcher and the sonic quality is first-rate...Eisler's 'classical' side is strikingly well served.” (Gramophone Magazine)

Matthias Goerne, baritone
Thomas Larcher, piano (Tracks 9-28)
Ensemble Resonanz (Tracks 1-8)

Matthias Goerne
is one of the most internationally sought-after vocalists and a frequent guest at renowned festivals and concert halls. He has collaborated with leading orchestras all over the world. Conductors of the first rank as well as eminent pianists are among his musical partners.

Since his opera début at the Salzburg Festival in 1997 (Papageno), Matthias Goerne has appeared on the world’s principal opera stages, including the Royal Opera House, Covent Garden; Teatro Real, Madrid; Paris National Opera; Vienna State Opera; and the Metropolitan Opera, New York. His carefully chosen roles range from Wolfram, Amfortas, Kurwenal and Orest right up to the title roles in Alban Berg’s Wozzeck, Bartók’s Duke Bluebeard’s Castle, Paul Hindemithʼs Mathis der Maler and Aribert Reimann’s Lear. Goerne’s artistry has been documented on numerous recordings, many of which have received prestigious awards. He is currently recording a series of selected Schubert songs (The Goerne/Schubert Edition – 11 CDs) for Harmonia Mundi.

From 2001 through 2005 Matthias Goerne taught as an honorary professor of song interpretation at the Robert Schumann Academy of Music in Düsseldorf. In 2001, he was appointed an Honorary Member of the Royal Academy of Music in London. Born in Weimar, he studied with Hans-Joachim Beyer in Leipzig, and with Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau.

Highlights of the 2011/12 season included a tour with the Vienna Philharmonic, appearances at the Vienna State Opera and the Saito Kinen Festival (Bluebeard with Seiji Ozawa) and song recitals with Christoph Eschenbach and Leif Ove Andsnes in Paris, Vienna and New York (Carnegie Hall).

In 2012/13, Matthias Goerne sings Wolfram at the Bavarian State Opera and Amfortas in concert with the Teatro Real in Madrid. Concert highlights include appearances with the Orchestre de Paris (Bluebeard), Berlin Philharmonic (War Requiem), Leipzig Gewandhaus Orchestra (Beethoven’s Ninth Symphony), Filarmonica del Teatro alla Scala (Mahler Lieder) and San Francisco Symphony (Wagner arias) as well as song recitals with Pierre-Laurent Aimard and Schubert cycles with Christoph Eschenbach at the Vienna Musikverein.

Booklet for Hanns Eisler: Ernste Gesänge, Lieder mit Klavier