Hexed (Deluxe Version) Children Of Bodom
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- 1This Road04:32
- 2Under Grass and Clover03:33
- 3Glass Houses03:27
- 4Hecate's Nightmare04:09
- 5Kick in a Spleen03:34
- 6Platitudes and Barren Words04:13
- 8Relapse (The Nature of My Crime)03:26
- 9Say Never Look Back04:23
- 10Soon Departed04:54
- 12I Worship Chaos (Live)03:34
- 13Morrigan (Live)04:58
- 14Knuckleduster (Remix)05:29
Info for Hexed (Deluxe Version)
Finnish melodeath icons Children of Bodom have revealed details on their upcoming album Hexed, set for release next March. The follow-up to 2015's I Worship Chaos sees the group in a self-described jazzy direction, as Alex Laiho comments, "People have said that the album is generally catchier. So I started thinking about that, perhaps the song structures are easier to grasp on initial listen. But there's some crazy shit in there, almost progressive or at least technical. There are certain melodies across the album that could have come from jazz songs, although they're completely metal with us, of course [Laughs]."
For the cover art, the group wanted to stray from the digital path they've been on with previous albums and hire an actual illustrator to construct something special for the record. Bassist Henkka Blacksmith recalls, "For some years already I have wanted to try a different approach with our cover art. We are so used to digital art so that is really hard to do something else. Doing it all the way with computer is somewhat safe and convenient. This time we all agreed to try it old school." To achieve this "old school" feel, they tapped Russian artist Deins Forkas whose work embodies an ethereal looseness and painterly expressiveness not often found in the death metal realm. Blacksmith continues, "It is very different from what we are used to, even the Reaper looks different, but at the same time very spooky."
Children Of Bodom
Children Of Bodom
In the last eight or so years, the band that darted to international fame with their debut, 1997’s “Something Wild”, has gone from being “this amazing band from Finland” to a household name in the metalscene. And that, of course, is obvious given the intensity, sheer quality of their material and the flawless execution.
Make no mistake, Children Of Bodom do not play around. They’re here to kill.
Formed in 1993 and hailing from the city of Espoo, Finland, this young Finnish group took their name from one of the biggest murder mysteries in the history of their home town and Finnish crime: the murders at the Lake Bodom. After starting out as a thrash-metal combo, the founding members Alexi Laiho (guitars and vocals), Jaska Raatikainen (drums), Henkka Seppälä (bass) and Alexander Kuoppala (guitars) soon found elements of classic heavy metal creeping into their music. After taking in keyboardist Janne Wirman to complete their line-up, they honed their combination of old schoold black metal, classic heavy, and death metal vocals into the sharpest instrument of its kind and headed out to a studio record a demo tape.
After Spinefarm Records received Children Of Bodom’s “Deadnight Warrior” demo, it didn’t take long for the company to figure out what they had in their hands back in late 1996. Three spins of ‘Deadnight Warrior’ later, the band was signed and ready to knock a few heads off.
Their debut single was the self-titled hit single "Children Of Bodom" which went straight to number 1 on the Finnish charts and sold platinum. The debut full-length album “Something Wild” was released in Finland in 1997, and the whole Finnish metal scene was on its knees. The Bodoms supported Dimmu Borgir at the band's Helsinki show in November and were hailed as the new kings of Finnish underground metal by the press. Licensing deal with Nuclear Blast for central Europe was inked quickly and soon after Middle Europe the album was also released in Japan and Thailand.
Soon CoB. was flying all over Europe and writing new material that would become the “Hatebreeder” album, which was released in February 1999. On “Hatebreeder” their music had found its true shape: the album was faster, heavier and more versatile than “Something Wild”. Pre-“Hatebreeder” single “Downfall” (which also included the cover song "No Commands" from the finnish thrash metal pioneers, Stone) went gold and ruled the Finnish charts.
During the summer -99 Children Of Bodom toured Finland and Europe. In June they did three sold out gigs in Japan with Dark Tranquillity and Sinergy and recorded the ultimate live CD: "Tokyo Warhearts-Live in Japan". For those of you who think it was way too early to release a live cd after just two studio albums, “Tokyo Warhearts” proves you wrong! "Tokyo Warhearts" came out as a limited digibook-edition in Europe in October and all the 20.000 copies of it were almost immediately sold out. The buzz around the band was reaching new heights.
Before heading to the studio again, CoB’s guitarist / vocalist Alexi Laiho found time to write songs and play on the Sinergy album "To Hell and Back", while keyboardist Janne Wirman recorded an extraordinary solo project "Unknown Soldier", under the guise of Warmen, proving that Children Of Bodom are no one man show, with every member contributing to their unique sound. In 2000 the single "Hate Me!" went #1 at the Finnish charts and sold gold in Finland in just a couple of weeks. Platinum sales (more than 10000 copies) soon followed. While the single was topping the charts, Children Of Bodom finished their studio sessions at Peter Tägtgren's Abyss Studio, and the third album "Follow the Reaper" saw the light of day on the 30th of October 2000.
"Follow the Reaper" was a glorious mixture of their debut album's heavy riffing raw sound, combined with "Hatebreeder" monstrous technical metal acrobatics. The most noticable thing however was how much the band had improved as a unit and in bringing the personal levels of musicianship to a new high.
After recording “Follow The Reaper” at Peter Tägtgren’s infamous Abyss Studio, the band decided to return to the loving arms of a CoB trustee, Anssi Kippo, and the bowels of Astia Studio. The result was nothing short of breathtaking.
On “Hate Crew Deathroll”, which was released in January 2003, not only did the band take their songwriting into new levels of aggressivity and heaviness but the way the songs were carried out pummeled everything they -or anyone, for that matter- had done into dust.
On “Hate Crew Deathroll” Alexi Laiho spits out his lyrics with vitriolic hate, the guitars (courtesy of Alexi and Alexander Kuoppala) shred everything in their wake with razorsharp precision while the rhythmsection (the demolition duo of Henkka T. Blacksmith & Jaska W. Raatikainen) pounds away like the world is about to end. As a final coup de gracé come the keyboards of Janne Warman, making sure the path of destruction is complete with the fervour and precision of a seasoned executioner on a killing spree.
In the Summer of 2003, Alexander Kuoppala left the band and was replaced by Roope Latvala, whose stellar playing had already graced countless of Finnish metal records. Being perhaps the most widely acclaimed metal guitarist in Finland ever, Roope’s flexible playing style and strange sense of harmony was a strong influence on CoB by the way of his early nineties speed metal band Stone.
In 2004 the band tested their new line-up on a four-track EP and a separate DVD-EP “Trashed, Lost & Strungout” that gave a little taster of the future alongside with two great cover songs. The EP was an introduction to a new-found drive, a rougher edge, still sounding definitely and unmistakeably very CoB.
After the relase of the successful mini-album, Children Of Bodom barricaded themselves into studio Hästholmen, Helsinki, to record their next full-length album together with producer / mixer / engineer guru Mikko Karmila. The result was “Are You Dead Yet?”, title of which is merely rhetorical: the fourth studio album from the trailblazing Finnish metal hate crew is killer stuff throughout.
Released through Universal Music worldwide in September 2005, “Are You Dead Yet?” ’s phenomenal success brought the world onto its knees, and the CoB HateCrew’s relentless live shows were extreme hits throughout the globe. Always on the road, the band’s AYDY-tour took the band from headlining shows in the States all the way to sold out gigs in Japan and Australia.
The successful AYDY-touring run was followed by the release of the Children’s first live DVD – “Chaos Ridden Years – Stockholm Knockout Live” in Autumn 2006. The massive show filmed in Sweden, at the Arenan in Stockholm, was directed by Patric Ullaeus of In Flames-fame, and proved to be one of the most successful DVD releases in Finland, and certainly the most wanted live release of the year amongst metal fans!
The live release gave the band a breather, and Alexi Laiho finally found some time to start writing material for their next full-length release. As a teaser CoB released “Tie My Rope”, a special single song sample of the forthcoming material which was only released commercially in the States.
Finally in August 2007 the band entered the Petrax-studios in the middle of the woods of Hollola, Finland. Stranded in the middle of nowhere, the band and their producer Mikko Karmila recorded mopre material for the album which was later dubbed “Blooddrunk”, a nine track killer of an album which shows Bodom at their heaviest and hardest yet.
Even more technical and more unforgiving than any of Children Of Bodom’s earlier albums, Blooddrunk shows the raw side of Alexi Laiho. No mercy given, no easy routes chosen, the whole album is pure death, terror and murder from the beginning until its end.
The title track of the album was shot into a video by German director Sandra Marschner, and the video displays the terrifying themes perfectly with a shot into the life of a dead, cold ghost town and its inhabitants.
With these Blooddrunk weapons at hand, CoB will head for tours next, starting their world domination from the States with the Gigantour, and continuing to wield their deadly scythe all over Europe, Japan and beyond. Children Of Bodom have come a long way since their humble beginnings, and today stand tall in the all time extreme metal hall of fame, commanding the respect and awe of both fans and colleagues alike. Children Of Bodom have been hugely influential, but still, eight years down the road east and west alike, remain the leaders of the genre.
It is not mere precision, but the metal-mad passion that makes COB unique in their craft.
This album contains no booklet.