Signals from Heaven Salaputia Brass & Jeroen Berwaerts
- 1L'Orfeo, SV 318: Toccata01:32
- 2Sacrae Symphoniae: Sonata Pian e Forte, Ch. 17504:43
- 3Porgy and Bess: Summertime08:07
- 4Sacrae Symphoniae: Canzon per sonar primi toni a 8, Ch. 17003:28
- 5Sometimes I Feel Like a Motherless Child04:13
- 6Signals from Heaven - Two Antiphonal Fanfares: I. Day Signal01:51
- 7Signals from Heaven - Two Antiphonal Fanfares: II. Night Signal02:56
- 8Sacrae Symphoniae: Canzon per sonar noni toni a 8, Ch. 17302:48
- 9Nobody Knows the Trouble I've Seen03:21
- 10Sacrae Symphoniae: Canzon per sonar septimi toni a 8, Ch. 17203:13
- 11Sacred Concert No. 1: Come Sunday04:55
- 12Canzoni per sonare con ogni sorte di stromenti (No. 1): Canzon I 'La Spiritata', Ch. 18602:39
- 13Swing Low06:20
Info for Signals from Heaven
This album showcases Jeroen Berwaerts’ musical versatility on several levels: he developed the concept of this album, performs as a trumpet soloist and jazz vocalist and directs the ensemble. Defying genre boundaries, spirituals and spiritual music by Takemitsu, Gabrieli, Monteverdi, Gershwin and Ellington are combined, creating a new harmony.
The Belgian musician does not believe in genre boundaries. He performs early music equally naturally as he does new music or jazz. No matter how diverse the musical styles, Berwaerts always looks for, and finds, one element in particular - a soulful profundity. "Signals from Heaven" combines spirituals and spiritual music by Takemitsu, Gabrieli, Monteverdi, Gershwin and Ellington. Historically, stylistically and geographically speaking, these musical styles could hardly be further apart. Listening carefully, however, it becomes apparent how close they can be. Defying the confines of epochs, continents and genres, they form a new harmony.
This search for a soulful profundity in music unites all participating artists, as well as the aim of connecting people through music. Jeroen Berwaerts' concept does not represent "crossover" but a combination of voices which have something to say to one another. And they do - the concept is audibly successful.
Jeroen Berwaerts, trumpet, vocals
Belgian trumpeter Jeroen Berwaerts is a musical force to be reckoned with whose all-embracing love of music knows no genre boundaries. Praised for his outstanding technical capabilities and sensitive musicality, his repertoire encompasses every epoch, from baroque to contemporary music and jazz.
He has appeared as a soloist with leading orchestras including the NHK Symphony, Vienna Symphony, Konzerthausorchester Berlin, NDR Symphony Orchestra and the Orchestre Philharmoniques of Strasbourg and Luxembourg, under conductors such as Alan Gilbert, Yakov Kreizberg, Jun Märkl and Matthias Pintscher. He is a regular guest of internationally renowned music festivals including the Schleswig-Holstein Music Festival, Niedersächsische Musiktage, Takefu International Music Festival in Japan, Ars Musica in Belgium, Festspiele Mecklenburg-Vorpommern and the Rheingau Musik Festival.
Placing the standard repertoire for trumpet in ingenious programmes and unusual contexts has become Jeroen Berwaerts’ calling card. One such programme places Handel’s Music for the Royal Fireworks and dances from Rameau’s opera Dardarus alongside chansons by Jacques Brel. The singing part in such programmes is generally taken by Jeroen Berwaerts himself, who has completed jazz vocal studies at the Royal Conservatory of Ghent alongside his active career as a trumpeter.
Jeroen Berwaerts’ extraordinary commitment to contemporary music is evident in the numerous premieres he has given, including Toshio Hosokawa’s second trumpet concerto Im Nebel and Francesco Filidei’s Carnevale. After Håkan Hardenberger he was the second trumpeter worldwide to add HK Gruber’s Busking (2007) to his repertoire. Following the high praise he received at the Musikfest Hamburg and the Bregenz Festival in 2014, this season he will perform Busking with the Bochum Symphony and the German Philharmonic Orchestra Rhineland-Palatinate.
Elsewhere in the 2017/18 season he will give performances of Péter Eötvös’ Jet Stream and Snatches of a Conversation with the Hungarian Radio Symphony Orchestra and Toshio Hosokawa’s Voyage VII with the Ensemble Resonanz at the Budapest Spring Festival. He will be joined by pianist Boris Giltburg for Shostakovich’s Concerto for Piano, Trumpet and Orchestra with the Kammerphilharmonie Bremen under Paavo Järvi – a work he will return to later this season with his long-standing chamber music partner Alexander Melnikov, together with the Swedish Dala Sinfonietta and the Finnish Tapiola Sinfonietta.
In 2017, Jeroen Berwaerts’ discography was complemented by the album Signals from Heaven, recorded with Salaputia Brass, with whom he is trumpeter, jazz-vocalist and ensemble director. His recording of Paul Hindemith’s trumpet sonata with Alexander Melnikov was released on Harmonia Mundi in 2015. He has already recorded Shostakovich’s Concerto for Piano, Trumpet and Orchestra under Teodor Currentzis with the Mahler Chamber Orchestra which was released in 2012, the same year as his recording of Toshio Hosokawa’s Voyage VII with the Orchestre Philharmonique du Luxembourg.
Jeroen Berwaerts studied in Karlsruhe with the celebrated trumpet-virtuoso Reinhold Friedrich. Since 2008, he has been a Professor of Trumpet at the Hochschule für Musik in Hannover. He is an official Yamaha Artist.