Love Songs And Funky Beats: The John Morales Mixes Teena Marie

Album info

Album-Release:
2023

HRA-Release:
10.03.2023

Label: UNI/MOTOWN

Genre: R&B

Subgenre: Contemporary

Artist: Teena Marie

Album including Album cover

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  • 1 I Need Your Lovin' (John Morales M+M Mix) 09:11
  • 2 It Must Be Magic (John Morales M+M Mix) 07:43
  • 3 Aladdin's Lamp (John Morales M+M Mix) 06:39
  • 4 First Class Love (John Morales M+M Mix) 06:30
  • 5 Now That I Have You (John Morales M+M Mix) 07:17
  • 6 I'm A Sucker For Your Love (Live / John Morales M+M Mix) 08:54
  • 7 Behind The Groove (John Morales M+M Mix) 08:30
  • 8 Love Just Wouldn't Be Right (John Morales M+M Mix) 04:44
  • 9 Portuguese Love (John Morales M+M Mix) 10:34
  • 10 Chains (John Morales M+M Mix) 08:37
  • 11 365 (John Morales M+M Mix) 06:11
  • 12 Wasn't I Good To You (John Morales M+M Mix) 04:33
  • 13 Square Biz (John Morales M+M Mix) 08:03
  • 14 More Love (John Morales M+M Mix) 06:07
  • 15 You Got Away (John Morales M+M Mix) 05:50
  • 16 You're All The Boogie I Need (John Morales M+M Mix) 06:52
  • 17 Lonely Desire (John Morales M+M Mix) 06:06
  • 18 Fire And Desire (John Morales M+M Mix) 11:22
  • Total Runtime 02:13:43

Info for Love Songs And Funky Beats: The John Morales Mixes



Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’.

“Teena is somewhat underrated, and people don’t really know much about her.” Says Morales. “I set out to immerse people in her music and represent what she really did. That meant for me a dive into more than her R&B hits, to dig into her ballads and dance cuts. People know she was talented. I don’t really think they really knew the depth of her abilities, her complete confidence to take it upon herself to do everything – singing, producing, arranging, songwriting. Teena Marie was the total package.”

John Morales had the pleasure of mixing many of Teena Marie’s original records over the years, so it felt natural to dig into the archives and select his favourite cuts to rework, extend and subtly update in his own distinctive style. While by no means a definitive collection of Lady Tee’s expansive musical catalogue, ‘Love Songs & Funky Beats’ represents a fitting tribute to a multifaceted and important voice in popular music, by one of the most storied mix engineers and remixers of our age.

Jumping into the music industry deep end in 1979 with a three-year mentorship from Berry Gordy & Rick James at Motown, Teena Marie then spent seven fertile years with Epic, which yielded her greatest commercial successes (including the classic album ‘Starchild’). After founding an independent label ‘Sarai’, Marie took a ten-year hiatus which ended in 2004 in a deal with hip hop label Cash Money Records; a less unlikely partnership than some might assume, given that Teena was one of the first ‘mainstream’ artists to perform a rap verse, on 1981’s ‘Square Biz’.

Teena Marie Brockert forged a unique path through the industry, an artist in-charge of her own destiny, influencing (and heavily sampled by) both the hip hop and R&B sounds of the 90’s and early 2000’s. Her 1982 lawsuit against Motown records resulted in “The Brockert Initiative”, which has benefitted literally thousands of other artists by making it illegal for record companies to ‘shelve’ artists by keeping them under contract without releasing their material. She continued to tour regularly and deliver commercially successful, expertly sculpted music, right up until her untimely passing in 2010.

Teena Marie, vocals

All tracks remixed and engineered by John Morales at M+M Studios, New Jersey, USA.

Digitally remastered


Teena Marie
Before her untimely death at the age of 54 on the day after Christmas 2010, Teena Marie, known as “Lady Tee,” the Ivory Queen of Soul, wrote, produced, arranged and sang on 13 albums that have sold 2.5 million copies in the soundscan era. Starting with her 1979, Rick James-produced debut, Wild and Peaceful, Teena Marie’s many soul and R&B hits include “Square Biz,” “Behind the Groove,” “I Need Your Lovin’,” “Fire and Desire,” “Lovergirl” and “Ooo La La La,” a song famously sampled by the Fugees.

Teena Marie was working on her 14th and latest album for Universal Music Enterprises, Beautiful, at the time of her passing, the follow-up to 2009′s Congo Square, which peaked at #4 on the R&B chart and went to #20 on the album chart, producing the Top 12 Urban AC hit, “Can’t Last A Day.” Recorded at her Pasadena home studio and finished except for final mixes, Beautiful was seen through to its conclusion by Teena’s 20-year-old daughter Alia Rose, who sings with her Mom on two tracks, a cover of Curtis Mayfield’s “Give Me Your Love” and “Rare Breed,” which she co-wrote (Alia co-wrote two more songs on the album, “Sweet Tooth” and the title song). The first single, “Luv Letter,” which has just gone to radio, is just that, an homage to Tee’s Motown roots, with nods to Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours,” and a dedication to Alia’s father, who just happened to be a postman, like in the Marvelettes’ song of the same name.

The project, with its intimations of death, was a difficult one for Alia, with her mom seemingly prescient about her destiny on songs like “Rare Breed,” where she sings, “I could say I have the world here in my hands and I believe/The angels slept beside me to protect my very dreams.” She even plays a radio DJ “broadcasting to you from a heavenly station” in “The Long Play.” “It was a very dark and emotional time for me,” explains Alia, who has just opened a Hollywood recording facility, Chateau Marie, as a memoriam, with partner, Odd Future’s “Syd tha Kyd” Bennett, using much of the equipment from her mom’s home studio. “The project was a bittersweet thing. I knew that only I could get it done, but I almost didn’t want to finish because I knew it would be the last time I’d get to work on it.”

The album was co-produced by Teena’s longtime musical director, bassist/composer Doug Grigsby, whose credits include Michael Jackson, Patti LaBelle, Mariah Carey, Stephanie Mills, Teddy Pendergrass, Rick James and Luther Vandross, among others. It was recorded and mixed by Erik Zobler, whose studio credits include Jackson’s Off the Wall as well as recording projects with Miles Davis, Natalie Cole, Whitney Houston, Anita Baker and Gladys Knight, among many others. But the real impetus came from Teena’s only daughter, who made sure this final product would do justice to her mom’s legacy.

“If you listen to the lyrics, it’s almost as if she was making that transition to the spiritual world as the record was being made, which is incredible,” says Alia. “It’s like we’re going on this journey with her.” Songs like “Rare Breed,” which also features the late Rick James’ daughter Ty lending vocal support, “The Long Play” and the closing, Middle-Eastern flavored “The Perfect Feeling,” a track which was originally slated to go on Tee’s 2004 comeback album, La Dona, lend to the eerie sensation that the late performer is speaking to us from the other side, almost as if she knew her time was up.

“That made the album very hard for me to listen to,” agrees Alia, who acknowledges her mom dedicated the record, as well as its title song, to her. “I’ve been on a journey myself. And when we began mixing it, my life and perception of things started to change. Hearing the complete work, it’s an amazing, incredible piece. I honestly don’t know how it got done. She just left it there for me to do.”

Indeed, Beautiful‘s title track is a lush ballad composed by Teena Marie when she was vacationing on the Turks and Caicos Islands with Alia, who recalls is gestation, “just walking on the beach, having fun in the sand… thinking about how much of herself was in me.”

The sexy, sassy “Sweet Tooth,” which Alia co-wrote and sings on, was a tribute to “old-school West Coast hip-hop…She was thinking of Snoop when she did that.” “Love Starved,” “Definition of Down,” “The Long Play” (featuring Tee’s longtime back-up singer De De O’Neal) and “Cart Blanc” (co-written with close friend Daphne Wayne) are love songs dedicated to finding a true romance and then sticking with them through thick and thin. “I think my mom had many experiences in romance,” says Alia. “She was a bit of a hopeless romantic, so much so that I don’t think she was ever completely satisfied. I think that’s why she wrote such amazing love songs. That was her expertise.”

The finale, “The Perfect Feeling,” about the commingling of two souls in eternity, is rooted in the Beatles’ trip to India and George Harrison’s sitar-flavored songs like “Within You, Without You” and “While My Guitar Gently Weeps.”

“My mother was a Beatles fanatic,” says Alia. “She was crazy about them. That’s why I love the song. It has that vibe. I jut listen to it and cry. It’s that beautiful.”

Now that Beautiful is about to be released, Alia is looking forward to thinking about her own future in music with her new recording studio. “I get to help other people, and if something comes along for me, of course, I will take that opportunity,” she says. “My mom always intended for her studio to be used by my friends, and now that’s going to be what happens.” At the end of the day, though, Alia Rose is a young woman that lost her mother, who just happened to be a “rock star,” as she describes her, at a too-young age.

“My mom and I were very close,” she says. “We talked. I’m very much like my mother. She was not just my mom, she was my best friend and my sister. We fought like sisters, too. I know what real love is from my mom.” As for preserving her mom’s legacy on Beautiful, Alia says, “I want people to view it as the beautiful piece of art is it. I want the fans to enjoy it because my mother loved her fans more than anything. I’m going to let them decipher what it’s all about, because it’s pretty self-explanatory. It’s pretty amazing. It actually does sound like a final project.”

Beautiful is a mother’s gift to her daughter, who returns the gesture the only way she knows how, by completing it. The end result is a true labor of love.

This album contains no booklet.

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