Dans notre nuit Margaux Poguet, Joséphine Ambroselli, Jules Billé

• Kurt Weill (1900 - 1950): Marie Galante:
• 1 Weill: Marie Galante: Le train du ciel 05:28
• 2 Weill: Marie Galante: Le grand Lustucru 03:16
• Viktor Ullmann (1898 - 1944): Six Sonnets de Louise Labé, Op. 34:
• 3 Ullmann: Six Sonnets de Louise Labé, Op. 34: No.1, Claire Vénus 03:45
• 4 Ullmann: Six Sonnets de Louise Labé, Op. 34: No. 2, On voit mourir 03:44
• Kurt Weill: 3 Chansons:
• 5 Weill: 3 Chansons: No. 1, Complainte de la Seine 04:15
• Viktor Ullmann: Six Sonnets de Louise Labé, Op. 34:
• 6 Ullmann: Six Sonnets de Louise Labé, Op. 34: No. 3, Je vis, je meurs 01:35
• Kurt Weill: Nannas Lied:
• 7 Weill: Nannas Lied 04:13
• Alban Berg (1885 - 1935): Sieben frühe Lieder:
• 8 Berg: Sieben frühe Lieder: No. 1, Nacht 04:34
• 9 Berg: Sieben frühe Lieder: No. 2, Schilflied 02:27
• 10 Berg: Sieben frühe Lieder: No. 3, Die Nachtigall 02:17
• 11 Berg: Sieben frühe Lieder: No. 4, Traumgekrönt 02:46
• 12 Berg: Sieben frühe Lieder: No. 5, Im Zimmer 01:27
• 13 Berg: Sieben frühe Lieder: No. 6, Liebesode 02:07
• 14 Berg: Sieben frühe Lieder: No. 7, Sommertage 02:12
• Kurt Weill: Je ne t'aime pas:
• 15 Weill: Je ne t'aime pas 04:52
• Viktor Ullmann: Six Sonnets de Louise Labé, Op. 34:
• 16 Ullmann: Six Sonnets de Louise Labé, Op. 34: No. 4, Luth, compagnon 03:03
• 17 Ullmann: Six Sonnets de Louise Labé, Op. 34: No. 5, Baise m'encor 02:20
• Kurt Weill: Und was bekam des Soldaten Weib?:
• 18 Weill: Und was bekam des Soldaten Weib? 03:59
• Wie lange noch?:
• 19 Weill: Wie lange noch? 04:29
• Marie Galante:
• 20 Weill: Marie Galante: J'attends un navire 05:21
• Youkali:
• 21 Weill: Youkali 06:53
• Total Runtime 01:15:03

Info for Dans notre nuit

Under heavy Viennese skies or in Berlin smoky cabarets, Berg, Ullmann and Weill dive into the “soul of the Seine sewers in Paris” or into the very depths of Louise Labé’s enamoured soul. They “search for oblivion everywhere”… each of them pursuing the hoped-for Youkali in a dark period of history which is so close to our own.

This is how the soprano singer Margaux Poguet captures heat: she offers us a bundle of Lieder coming from the lushest post-Romantic forest, lit with a sparkle of raw expressionism and sulphurous realism.

Margaux Poguet, soprano
Josephine Ambroselli, piano
Jules Billé, double bass

Margaux Poguet
sings to tell stories.

She first explored music through the bassoon and theater at the Conservatoire of Bourges before graduating with distinction and the jury’s highest honors from the Conservatoire National Supérieur de Musique et de Danse de Paris in 2023.

In the 2024/2025 season, she makes several important role debuts in the Mozartian repertoire, including Elvira (Don Giovanni), Fiordiligi (Così fan tutte), and Vitellia (La clemenza di Tito), with appearances at the Théâtre de l’Athénée, Atelier Lyrique de Tourcoing, Théâtre Impérial de Compiègne, and the Opéra de Massy.

Passionately committed to artistic diversity, Margaux regularly collaborates with young composers on contemporary creations and expands her stage experience through musical theater projects at venues such as Lido 2 Paris and the Opéra de Toulon.

A laureate of the Fondation Royaumont, the Festival Ravel Academy, and the Villecroze Academy, she has also received support from the Lions Club Foundation, the Fondation Meyer, and patron Patrick Petit.

For her debut recording, she offers a program of German music weaving together Alban Berg’s Sieben frühe Lieder, Viktor Ullmann’s settings of poems by Louise Labé, and songs by Kurt Weill arranged for trio with piano and jazz double bass.

Margaux also holds a research master’s degree in philosophy from Paris 1 Panthéon-Sorbonne University.

Josephine Ambroselli
Her first vivid memory of music is of her father at the piano, belting out the orchestral lines of Schumann’s concerto. From that moment, the piano quickly became the center of her life.

Trained in Leipzig, Brussels, Cologne and at the CNSM in Paris, she studied with Jean-Claude Vanden Eynden, Piotr Anderzewski, Anthony Spiri, Anne Le Bozec, Susan Manoff, Emmanuel Olivier and Maria Belooussova.

She has a deep love for chamber music and has specialized in vocal collaboration. A prizewinner in several international competitions, she won First Prize for Voice-Piano Duo at the Nadia et Lili Boulanger competition in 2015, with soprano Marie Perbost. Their CD Une jeunesse à Paris was released by Harmonia Mundi in 2019.

Her album Ljus – Swedish Songs, recorded with mezzo-soprano Marine Chagnon and released by Mirare in 2022, highlights her strong affinity for Swedish music.

Her passion for blending art forms also nourishes her stage work. Among her multidisciplinary creations are “Fugue en fuite”, “Le ciel était trop bleu”, “Une jeunesse à Paris”, “Le travail du peintre” and “Taxi Folie”.

Joséphine currently teaches and works as a collaborative pianist at the CRR de Paris, the Chœur de l’Orchestre de Paris, and the Maîtrise Populaire de l’Opéra-Comique.

Jules Billé
began playing the double bass as a child. After studying classical double bass and jazz in La Roche-sur-Yon and Nantes (France), he entered the Jazz and Improvised Music department at the Conservatoire National Supérieur de Musique et de Danse de Paris, where he studied with Riccardo Del Fra.

He discovered Hindustani music with Nicolas Delaigue and took up the cello and the colascione, a Renaissance bass lute, at the same time as practicing jazz.

He plays with Paul Lay, Alban Darche, Etienne Manchon.

Since 2021, he has been a member of the Armel Dupas Trio, with whom he has released several albums.

Jazz musician based in Paris, he is experimenting with a wide range of musical styles, from French song to musical and Balkan music.

Booklet for Dans notre nuit