Beethoven - Complete works for piano and cello Margarita Höhenrieder & Julius Berger

• Ludwig van Beethoven (1770 - 1827): Sonata No.1 in F Major Op. 5 No. 1:
• 1Sonata No.1 in F Major Op. 5 No. 1: Adagio Sostenuto02:57
• 2Sonata No.1 in F Major Op. 5 No. 1: Allegro13:57
• 3Sonata No.1 in F Major Op. 5 No. 1: Rondo - Allegro vivace06:43
• Sonata No. 2 in G minor Op. 5 No. 2:
• 4Sonata No. 2 in G minor Op. 5 No. 2: Adagio sostenuto ed espressivo04:15
• 5Sonata No. 2 in G minor Op. 5 No. 2: Allegro molto più tosto presto12:30
• 6Sonata No. 2 in G minor Op. 5 No. 2: Rondo - Allegro08:39
• Sonata No. 3 in A Major Op. 69:
• 7Sonata No. 3 in A Major Op. 69: Allegro ma non tanto11:37
• 8Sonata No. 3 in A Major Op. 69: Scherzo - Allegro molto04:56
• 9Sonata No. 3 in A Major Op. 69: Adagio cantabile01:35
• 10Sonata No. 3 in A Major Op. 69: Allegro vivace06:54
• Sonata No. 4 in C Major Op. 102 No. 1:
• 11Sonata No. 4 in C Major Op. 102 No. 1: Andante02:45
• 12Sonata No. 4 in C Major Op. 102 No. 1: Allegro vivace04:45
• 13Sonata No. 4 in C Major Op. 102 No. 1: Adagio - Tempo d' Andante02:53
• 14Sonata No. 4 in C Major Op. 102 No. 1: Allegro - Allegro vivace04:13
• Sonata No. 5 in D Major Op. 102 No. 2:
• 15Sonata No. 5 in D Major Op. 102 No. 2: Allegro con brio05:56
• 16Sonata No. 5 in D Major Op. 102 No. 2: Adagio con molto sentimento d'affetto07:22
• 17Sonata No. 5 in D Major Op. 102 No. 2: Allegro - Allegro fugato04:15
• Ludwig van Beethoven:
• 18Zwölf Variationen G-Dur WoO 45 über ein Thema aus "Judas Maccabäus"12:59
• 19Zwölf Variationen F-Dur Op. 66 über "Ein Mädchen oder Weibchen" aus "Die Zauberflöte"09:18
• 20Sieben Variationen Es-Dur Wo0 46 über "Bei Männern, welche Liebe fühlen" aus "Die Zauberflöte"09:22
• Total Runtime02:17:51

Info for Beethoven - Complete works for piano and cello

Who would I need to be to be able to talk about a man who is still growing (Adam Zagajewski: The late Beethoven) Margarita Höhenrieder and I have known it all our lives: the elucidations of Carl Czerny or Rudolf Kolisch, the latest Urtext editions that will lead us to faithfulness to the text, the disquisitions from Romain Rolland to Eleonore Büning we read, we discuss, it all seems helpful and necessary. At the end of the day it is the mature individual, the serious exponent, who makes the decision led by the promptings of conscience, and who simultaneously senses this growing of which Zagajewski speaks. We climb a steep path, in order to approach Beethoven more closely. The summit of this path is visible, but not attainable. That is why we keep returning to this path, endless as it is. Beethoven lives in us, as he changes, as we change. Life aspires to art, art is a way forward, life is our way forward. Beethoven changes us through his growth. We grow with him!

Julius Berger, cello
Margarita Höhenrieder, piano

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