...of Waters Making Moan Teodoro Anzellotti & Christophe Desjardins

• Gérard Pesson (1958)
• 1Peigner le vif09:42
• Rebecca Saunders (1967)
• 2...Of Waters Making Moan20:05
• Marco Stroppa (1959)
• 3Il peso di un pensiero: Famelico01:30
• 4Il peso di un pensiero: Amoroso, sognante02:45
• 5Il peso di un pensiero: Elettrizzato02:49
• 6Il peso di un pensiero: Rivoltato03:48
• 7Il peso di un pensiero: Inerme03:42
• Hans Zender (1936)
• 8Ein Wandersmann...zornig... (Hölderlin lesen V)12:49
• Jonathan Harvey (1939-2012)
• 9Chant03:13
• Marco Stroppa (1959)
• 10Nous sommes l'air, pas la terre...08:25
• Total Runtime01:08:48

Info for ...of Waters Making Moan

The accordion and viola together seem not a common combination and everyday, yet many contemporary composers have adopted these two great tools in a single work. Stars of 'Making Of Waters Moan' are precisely Teodoro Anzellotti, extraordinary musician, accordion, and violinist Christophe Desjardins, the viola; directed by Rebecca Saunders protagonist of the composition which takes its name from the words of a poem by James Joyce.

Christophe Desjardins, Viola
Teodoro Anzellotti, Accordion

Teodoro Anzellotti
Born in Apulia in southern Italy, Teodoro Anzellotti grew up near Baden-Baden. He pursued his accordion studies at the Hochschulen in Karlsruhe and Trossingen and quickly achieved victories at various international competitions.

Since the 1980s he has been a regular guest at the major festivals and with leading orchestras. Teodoro Anzellotti has successfully contributed to integrating the accordion into the sphere of classical music.

This has occurred principally through his service to New Music: through his development of performing techniques he has enlarged the tone-color capabilities and sonic profile of his instrument.

More than 300 new works have been written for Teodoro Anzellotti, by composers such as George Aperghis, Brice Pauset, Heinz Holliger, Toshio Hosokawa, Mauricio Kagel, Michael Jarrell, Isabel Mundry, Gerard Pesson, Matthias Pintscher, Wolfgang Rihm, Salvatore Sciarrino, Marco Stroppa, Jörg Widmann und Hans Zender.

Luciano Berio created for him his Sequenza XIII, which Mr. Anzellotti premiered in Rotterdam in 1995 and subsequently performed at major festivals worldwide. Since 1987 he has taught at the Hochschule der Künste Bern, and since 2002 at the Musikhochschule Freiburg im Breisgau as well.

His discography embraces a spectrum reaching from Bach and Scarlatti to Janácek and Satie to John Cage and Matthias Pintscher.

Christophe Desjardins
is willingly and passionately involved in two complimentary spheres: creation, for which he is an interpreter much sought after by international standing composers, and having the repertoire of his instrument opened to the widest range of audience.

As a soloist, he has premiered works by Berio, Boulez, Boesmans, Jarrell, Fedele, Nunes, Manoury, Pesson, Levinas, Harvey, Widmann, Stroppa, Cresta, Sebastiani and Rihm. He plays as a soloist with such orchestras as the Concertgebouw of Amsterdam, the NDR, WDR and SWR Sinfonie Orchestern, the Orchestra of the Toscanini Foundation, the National Orchestra of Lyon, the Portuguese Symphonic Orchestra and many other ensembles and orchestras throughout Europe.

After his solo appearance with the Théâtre de la Monnaie of Brussels , he became a member of the Ensemble InterContemporain.

His discography includes Diadèmes by Marc-André Dalbavie, under the direction of Pierre Boulez, Surfing by Philippe Boesmans, AssonanceIV and …someleavesII… by Michael Jarrell, LesLettresenlacéesII by Michaël Levinas and SequenzaVI by Luciano Berio, recorded for Deutsche Grammophon.

His CD Voix d’Alto (Viola voices), dedicated to the performance of Luciano Berio and Morton Feldman’s works, was published in January, 2005, with the label Aeon; it has since received the most prestigious acclaim from the French press: Diapason d’Or, 4F from Télérama, Choc du Monde de la Musique.

Booklet for ...of Waters Making Moan