is a Brooklyn-based composer and guitarist with an affinity for complex, cathartic, endurance-based music at various intersections of rock, experimental, theater, and classical. Described as “fiercely aggressive but endlessly compelling” (The San Francisco Chronicle), "intricate and dynamic" (I Care If You Listen), "massive in its impact" (Sarasota Herald-Tribune), and “an exhilarating blast of energy” (Chicago Classical Review), his music aims to induce trance/flow states via repetition and amplification, inspired by experiences on 20-mile runs and performing in punk and metal bands. Brendon has written for classical musicians - pianists (Miki Sawada), string quartets (Friction Quartet), chamber ensembles (Exceptet), and orchestras (Chicago Symphony, Omaha Symphony) - as well for cross-genre/experimental groups like Bang on a Can, Dither, and Bearthoven. His work has received support from the Jerome Foundation, New Music USA, New York State Council for the Arts, the Guitar Foundation of America, the Foundation for Contemporary Arts, and ASCAP.
Brendon co-leads Invisible Anatomy, a multimedia avant-rock ensemble described as “sometimes haunting sometimes hilarious and consistently mesmerizing,” (I Care If You Listen) and Marateck, “a gripping math-rock band, combining shattered, wiry abstraction with moments of delicate atmosphere” (Tone Madison). He is a member of the Glenn Branca Ensemble, and has conducted the group since Branca’s death in 2018. He is a member of the absurdist art-rock band Ecce Shnak, and performs frequently with avant-electric guitar quartet Dither. As a freelancer, he has played with orchestras (China Philharmonic, Chicago Symphony, Atlanta Symphony), indie bands (Magik*Magik, Fay Kueen), contemporary classical groups (Ensemble Signal, Contemporaneous), and in operas and experimental theater (Opera Saratoga, Object Collection).
a New York based electric guitar quartet, is dedicated to an eclectic mix of experimental repertoire which spans composed, improvised and electronic music. Formed in 2007, the quartet has performed across the United States and abroad, presenting new commissions, original compositions, multimedia works, and large guitar ensemble pieces. Dither’s members are Taylor Levine, Joshua Lopes, James Moore and Gyan Riley.
Dither has performed and collaborated with a wide range of artists including Eve Beglarian, Nels Cline, Fred Frith, Mary Halvorson, David Lang, Ikue Mori, Phill Niblock, Lee Ranaldo, Lois V. Vierk, Yo La Tengo, and John Zorn. They have brought their live 13-guitar rendition of Steve Reich's Electric Counterpoint to The Barbican Center, Lincoln Center Out of Doors, The Ellnora Guitar Festival and WNYC's New Sounds Live. The quartet has also performed at the Guggenheim Museum, the Bang on a Can Marathon, The Performa Biennial, The Amsterdam Electric Guitar Heaven Festival, Hong Kong's Fringe Theater, The Winter Jazz Festival and the Borealis Festival.
Dither produces an annual Extravaganza, a raucous festival of creative music and art, which has been called an "official concert on the edge" by the New Yorker and "the here and now of New York's postclassical music scene" by Time Out New York. The quartet’s self-titled debut album was released on Henceforth Records in 2010 to critical acclaim. Their latest release Dither plays Zorn on Tzadik, featuring the premiere recordings of several of John Zorn's improvisational game pieces, was named one of Rolling Stone’s “top avant albums of 2015.”