formed in 2000 and named after Heinrich Isaac's famous instrumental piece, is among the leading formations specializing in the performance of European music traditionally referred to as 'late Medieval' and / or 'early Renaissance' (roughly c1300-c1500).
A melting pot of national temperaments, the ensemble makes its home in Basle, the cultural capital of Switzerland, where research into the 'early music' and its performance has been practiced for many decades. Under the artistic leadership of Corina Marti and Michal Gondko, La Morra re-defines itself according to the requirements of the projects it undertakes.
La Morra has performed at some of the most prestigious European and North-American Early Music events, including Festival van Vlaanderen (Belgium), Rencontres de Musique Médiévale du Thoronet and Voix et Route Romane (France), Tage alter Musik in Regensburg (Germany), Kilkenny Arts Festival (Ireland), Festival Oude Muziek Utrecht (The Netherlands), Oslo Internasjonale Kirkemusikkfestival (Norway), Misteria Paschalia and Muzyka w Raju (Poland), Festival Internacional de Música da Póvoa de Varzim (Portugal), Freunde alter Musik Basel and Forum Alte Musik Zürich (Switzerland), Houston Early Music, The Da Camera Society of Mount St. Mary's College, The Chamber Music Society of Saint Cloud and the Early Music Guild of Seattle (USA). Concert tours have also taken the ensemble to Cyprus, Estonia, Finland, Italy, Spain and the United Kingdom.
La Morra’s CD releases are enthusiastically received. Among the proofs of this are such distinctions as the Gramophone Award Nomination, Classical Music Awards Nomination, Diapason d’Or, Preis and Jahrespreis der Deutschen Schallplattenkritik and the constantly high ratings in the international music press.