Bach, Chopin, Beethoven Rachmaninov & Puccini: Piano Works James Rhodes

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Label: Signum Classics

Genre: Classical

Subgenre: Instrumental

Album including Album cover


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  • Johann Sebastian Bach (1685 - 1750): The Well-Tempered Clavier, Book 1, BWV 846-869:
  • 1Prelude No. 1 in C Major, BWV 84601:52
  • Frédéric Chopin (1810 - 1849):
  • 2Fantasy in F Minor, Op. 4912:38
  • Polonaise-fantaisie in A-Flat Major, Op. 61 (Live):
  • 3Polonaise No. 7 in A-Flat Major, Op. 61, "Polonaise-fantaisie"12:33
  • Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 31 in A-Flat Major, Op. 110:
  • 4I. Moderato cantabile molto espressivo06:49
  • 5II. Allegro molto01:51
  • 6III. Adagio ma non troppo -11:18
  • Frédéric Chopin (1810 - 1849):
  • 7Nocturne No. 17 in B Major, Op. 62, No. 108:21
  • Nocturne in C Minor, Op. 48 No. 1:
  • 8Nocturne No. 13 in C Minor, Op. 48, No. 106:29
  • Sergei Rachmaninoff (1873 - 1943): Études-tableaux, Op. 39:
  • 9No. 5 in E-Flat Minor: Appassionato04:54
  • 13 Preludes, Op. 32: 13 Preludes, Op. 32:
  • 10No. 13 in D-Flat Major: Grave - Allegro05:23
  • Yvar Mikhashoff (1941 - 1993), Giacomo Puccini (1858 - 1924): Gianni Schicchi (arr. Y.E. Mikhashoff for piano):
  • 11O mio babbino caro (arr. Y.E. Mikhashoff for piano)02:50
  • Total Runtime01:14:58

Info for Bach, Chopin, Beethoven Rachmaninov & Puccini: Piano Works

Released in conjunction with the his new book of the same name (published by Quercus), Fire On All Sides is the soundtrack to James Rhodes’ intimate exploration of what it’s like to be a celebrated pianist embarking on a world tour, when you have multiple voices jostling in your head, sabotaging your happiness and sapping your confidence.

James Rhodes writes: “So in 2016 I did an extensive tour of around twenty cities in a few short weeks. I wrote a book about it called Fire On All Sides and this recording is the soundtrack to that book. Like every other area of my life, it’s heavily based on fantasy. A huge thank you both to those who came to the gigs and also to these immense composers for supplying the tools required to help put out the flames.”

„There is real pain in the pivotal chords that shift the mood in the last movement of Beethoven’s piano sonata No 31 in A flat major; aching tenderness and stately grandeur in two Chopin nocturnes (B major, Op 62 No 1 and C minor, Op 48 No 1) and glorious triumph against the odds in Rachmaninov’s prelude in D flat minor, Op 32 No 13.“ (The Observer)

James Rhodes, piano

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