Cover La Fonosofia Del Signoricci

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  • Marco Fornaciari, fonè ensemble:
  • 1Vivaldi: Concerto in La min op.3 nr.9 per violino e archi, allegro02:47
  • Kate Mc Garry:
  • 2Greer, Klages: Just you, just me 05:13
  • Salvatore Accardo, Orchestra da Camera Italiana:
  • 3Paganini: Cantabile 04:33
  • Todd Cochran:
  • 4Monk: Brilliant Corners 05:19
  • Rocco Filippini, Michele Campanella:
  • 5Chopin: Gran Duo Concertant su temi di Robert le Diable 12:39
  • James Leary:
  • 6Feldman: Joshua 07:42
  • Marco Fornaciari, fonè ensemble:
  • 7Biber: Sonata nr.12 L’Ascensione in do magg. 04:31
  • Scott Hamilton:
  • 8Mandel, Webster: The shadow of your smile 05:36
  • Edoardo Bellotti:
  • 9Bach: Concerto in do min. BWV 981, op. 1 nr. 3, Grave 02:54
  • Munyungo Jackson:
  • 10Rayford, Jackson: Drums, Drums, Drums 04:19
  • Salvatore Accardo:
  • 11Bach: Partita I per violino solo in si min. BWV 1002, corrente 03:52
  • Salvatore Accardo, Orchestra da Camera Italiana:
  • 12Piazzolla: Milonga del angel 07:04
  • Myung-Wung Chung, Orchestra dell’Accademia Nazionale di Santa Cecilia:
  • 13Rossini: L’Italiana in Algeri, sinfonia 08:24
  • Marco Fornaciari, fonè ensemble, Corale Valdera:
  • 14Vivaldi: dal Gloria Rv 589 - Gloria in excelsis Deo 02:25
  • Total Runtime01:17:18

Info for La Fonosofia Del Signoricci

A compilation of classical and jazz music by various artists, featuring compositions by Vivaldi, Paganini, Thelonious Monk, Chopin, Bach, Rossini and more!

Conceived, recorded and produced by Fone's Giulio Cesare Ricci. This is the "soundtrack" of a book that is scheduled to be released later, focused on the life of Giulio Cesare Ricci.

One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on. The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the "Living Stereo" recordings.

No biography found.

Booklet for La Fonosofia Del Signoricci

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