Dvořák: String Quartet, Op. 106; Coleridge-Taylor: Fantasiestücke Takács Quartet

• Samuel Coleridge-Taylor (1875 - 1912): 5 Fantasiestücke Op 5 (1895):
• 1Coleridge-Taylor: 5 Fantasiestücke Op 5 (1895): I. Prelude. Allegro ma non troppo04:28
• 2Coleridge-Taylor: 5 Fantasiestücke Op 5 (1895): II. Serenade. Andante molto03:44
• 3Coleridge-Taylor: 5 Fantasiestücke Op 5 (1895): III. Humoresque. Presto03:02
• 4Coleridge-Taylor: 5 Fantasiestücke Op 5 (1895): IV. Minuet - Trio. Allegro moderato03:55
• 5Coleridge-Taylor: 5 Fantasiestücke Op 5 (1895): V. Dance. Vivace04:31
• Antonín Dvořák (1841 - 1904): String Quartet in G major Op 106 (1895):
• 6Dvořák: String Quartet in G major Op 106 (1895): I. Allegro moderato09:59
• 7Dvořák: String Quartet in G major Op 106 (1895): II. Adagio ma non troppo10:28
• 8Dvořák: String Quartet in G major Op 106 (1895): III. Molto Vivace06:40
• 9Dvořák String Quartet in G major Op 106 (1895): IV. Andante sostenuto - Allegro con fuoco10:54
• Andante appassionato in F Major, B. 40a
• 10Dvořák: Andante appassionato in F Major, B. 40a06:07
• Total Runtime01:03:48

Info for Dvořák: String Quartet, Op. 106; Coleridge-Taylor: Fantasiestücke

Dvořák's String Quartet Op 106 & Coleridge-Taylor's Fantasiestücke make a particularly satisfying pairing in July's album of the Month: two works which are complementary and contemporaneous, albeit from very different stages in their composers' careers. Dvořák's quartet is one of the first major works to result from his return to Prague in 1895 after a lengthy sojourn in the United States, while the Coleridge-Taylor (so much more than a curtain-raiser) is the creation of a precocious student at the Royal College of Music. The advocacy of the Takács Quartet makes for thrilling results in both. In Anthems, Vol. 1, Stephen Layton and Trinity College Choir Cambridge present a selection of eight examples (plus a dazzling organ solo played by Harrison Cole) which demonstrate the genre at its vigorous best. Recorded in the majestic surroundings of Ely Cathedral, favourites from Elgar and Howells sit alongside contributions from contemporary figures including Sir James MacMillan to prove that the composition of sacred choral works remains a vital, living tradition.

Takács Quartet

Takács Quartet
The world-renowned Takács Quartet is now entering its forty-ninth season. Edward Dusinberre, Harumi Rhodes (violins), Richard O’Neill (viola) and András Fejér (cello) are excited about the 2023-2024 season that features varied projects including a new work written for them. Nokuthula Ngwenyama composed ‘Flow,’ an exploration and celebration of the natural world. The work was commissioned by nine concert presenters throughout the USA. July sees the release of a new recording of works by Samuel Coleridge-Taylor and Dvořák for Hyperion Records, while later in the season the quartet will release works by Schubert including his final quartet in G major. In the Spring of 2024 the ensemble will perform and record piano quintets by Price and Dvořák with long-time chamber music partner Marc-Andre Hamelin.

As Associate Artists at London’s Wigmore Hall the Takács will perform four concerts featuring works by Hough, Price, Janacek, Schubert and Beethoven. During the season the ensemble will play at other prestigious European venues including Berlin, Geneva, Linz, Innsbruck, Cambridge and St. Andrews. The Takács will appear at the Adams Chamber Music Festival in New Zealand. The group’s North American engagements include concerts in New York, Boston, Philadelphia, Baltimore, Washington DC, Vancouver, Ann Arbor, Phoenix, Berkeley, Los Angeles, Portland, Cleveland, Santa Fe and Stanford. The ensemble will perform two Bartók cycles at San Jose State University and Middlebury College and appear for the first time at the Virginia Arts Festival with pianist Olga Kern.

The members of the Takács Quartet are Christoffersen Fellows and Artists in Residence at the University of Colorado, Boulder. For the 23-24 season the quartet enter into a partnership with El Sistema Colorado, working closely with its chamber music education program in Denver. During the summer months the Takács join the faculty at the Music Academy of the West, running an intensive quartet seminar.

In 2021 the Takács won a Presto Music Recording of the Year Award for their recordings of string quartets by Fanny and Felix Mendelssohn, and a Gramophone Award with pianist Garrick Ohlsson for piano quintets by Amy Beach and Elgar. Other releases for Hyperion feature works by Haydn, Schubert, Janáček, Smetana, Debussy and Britten, as well as piano quintets by César Franck and Shostakovich (with Marc-André Hamelin), and viola quintets by Brahms and Dvorák (with Lawrence Power). For their CDs on the Decca/London label, the Quartet has won three Gramophone Awards, a Grammy Award, three Japanese Record Academy Awards, Disc of the Year at the inaugural BBC Music Magazine Awards, and Ensemble Album of the Year at the Classical Brits. Full details of all recordings can be found in the Recordings section of the Quartet's website.

The Takács Quartet is known for its innovative programming. In 2021-22 the ensemble partnered with bandoneon virtuoso Julien Labro to premiere new works by Clarice Assad and Bryce Dessner, commissioned by Music Accord. In 2014 the Takács performed a program inspired by Philip Roth’s novel Everyman with Meryl Streep at Princeton, and again with her at the Royal Conservatory of Music in Toronto in 2015. They first performed Everyman at Carnegie Hall in 2007 with Philip Seymour Hoffman. They have toured 14 cities with the poet Robert Pinsky, and played regularly with the Hungarian Folk group Muzsikas.

In 2014 the Takács became the first string quartet to be awarded the Wigmore Hall Medal. In 2012, Gramophone announced that the Takács was the first string quartet to be inducted into its Hall of Fame. The ensemble also won the 2011 Award for Chamber Music and Song presented by the Royal Philharmonic Society in London.

The Takács Quartet was formed in 1975 at the Franz Liszt Academy in Budapest by Gabor Takács-Nagy, Károly Schranz, Gabor Ormai and András Fejér, while all four were students. The group received international attention in 1977, winning First Prize and the Critics’ Prize at the International String Quartet Competition in Evian, France. The Quartet also won the Gold Medal at the 1978 Portsmouth and Bordeaux Competitions and First Prizes at the Budapest International String Quartet Competition in 1978 and the Bratislava Competition in 1981. The Quartet made its North American debut tour in 1982. Members of the Takács Quartet are the grateful beneficiaries of an instrument loan by the Drake Foundation.

Booklet for Dvořák: String Quartet, Op. 106; Coleridge-Taylor: Fantasiestücke