Bach: Inventions & Sinfonias BWV 772-801 Simone Dinnerstein

• Johann Sebastian Bach (1685–1750): Inventions 1-15
• 1Invention No. 1 in C Major, BWV 77201:28
• 2Invention No. 2 in C Minor, BWV 77302:00
• 3Invention No. 3 in D Major, BWV 77400:50
• 4Invention No. 4 in D Minor, BWV 77501:33
• 5Invention No. 5 in E-Flat Major, BWV 77601:07
• 6Invention No. 6 in E Major, BWV 77702:53
• 7Invention No. 7 in E Minor, BWV 77801:00
• 8Invention No. 8 in F Major, BWV 77900:42
• 9Invention No. 9 in F Minor, BWV 78002:22
• 10Invention No. 10 in G Major, BWV 78100:59
• 11Invention No. 11 in G Minor, BWV 78201:43
• 12Invention No. 12 in A Major, BWV 78301:13
• 13Invention No. 13 in A Minor, BWV 78401:05
• 14Invention No. 14 in B-Flat Major, BWV 78501:33
• 15Invention No. 15 in B Minor, BWV 78601:24
• Sinfonias 1-15
• 16Sinfonia No. 1 in C Major, BWV 78700:51
• 17Sinfonia No. 2 in C Minor, BWV 78803:03
• 18Sinfonia No. 3 in D Major, BWV 78901:02
• 19Sinfonia No. 4 in D Minor, BWV 79002:45
• 20Sinfonia No. 5 in E-Flat Major, BWV 79102:48
• 21Sinfonia No. 6 in E Major, BWV 79200:52
• 22Sinfonia No. 7 in E Minor, BWV 79302:32
• 23Sinfonia No. 8 in F Major, BWV 79401:03
• 24Sinfonia No. 9 in F Minor, BWV 79503:22
• 25Sinfonia No. 10 in G Major, BWV 79601:06
• 26Sinfonia No. 11 in G Minor, BWV 79702:56
• 27Sinfonia No. 12 in A Major, BWV 79801:14
• 28Sinfonia No. 13 in A Minor, BWV 79902:18
• 29Sinfonia No. 14 in B-Flat Major, BWV 80002:10
• 30Sinfonia No. 15 in B Minor, BWV 80101:12
• Total Runtime51:06

Info for Bach: Inventions & Sinfonias BWV 772-801

On her new album, Bach Inventions & Sinfonias, renowned pianist Simone Dinnerstein reconnects with the foundation of her musical career and what she's best known for a solo album of J.S. Bach's keyboard works. The recording was made at the Academy of Arts and Letters in New York by Grammy-winning producer Adam Abeshouse. The Inventions and Sinfonias, commonly known as the 3-part inventions, were originally written in 1723 as a musical guide for keyboard players and remain a core part of the piano repertoire for students, amateurs, and professional musicians alike. Bach Inventions & Sinfonias features beautiful, well-known music by one of the most popular composers of all time, performed by the premiere Bach pianist of our time.

Bach’s Inventions and Sinfonias (commonly known as the 3-part Inventions) are the foundation of keyboard students’ study. Likewise most musicologists will study part of the Inventions at some stage of their theoretical education. Simone is keen to reach young students, their parents and musicologists, in addition to her usual fan base and plans a series of short videos on a selection of the inventions to connect with this audience.

Simone Dinnerstein says: “The first keyboard pieces of Bach that I remember hearing were his Inventions, when I was nine years old. The music seemed impossibly expressive and virtuosic at the time, and wholly beyond my abilities. Here were two continuous and independent voices, neither of which was subservient to the other. Until then I had thought of music as melody and accompaniment. An instrumental training is as much a training in how to listen as in how to play. In the text that accompanies the Inventions, Bach calls them ‘an honest guide.’ His Inventions and Sinfonias are marvels in demonstrating just how potent counterpoint is as an aid to expression, and how powerful a cantabile voice can be when surrounded by contradiction and elaboration. These small masterpieces have snippets of dances in them, laments and celebrations, simplicity and complexity.”

'An utterly distinctive voice in the forest of Bach interpretation' (New York Times)

“this is a romantic approach, with a limpid, legato touch in many of the Inventions. There is a dynamic rise and fall which emphasises the shape of phrases, and there is a vocal clarity to the contrapuntal strands which keeps us soundly on message for the most part...In the end, most of these performances are very good indeed on their own, but only your individual taste will dictate if you respond to Dinnerstein’s approach.” (MusicWeb International)

Simone Dinnerstein, piano

Simone Dinnerstein
American pianist Simone Dinnerstein is a searching and inventive artist who is motivated by a desire to find the musical core of every work she approaches. The Independent praises the “majestic originality of her vision” and NPR reports, “She compels the listener to follow her in a journey of discovery filled with unscheduled detours . . . She’s actively listening to every note she plays, and the result is a wonderfully expressive interpretation.” The New York-based pianist gained an international following because of the remarkable success of her recording of Bach’s Goldberg Variations, which she raised the funds to record. Released in 2007 on Telarc, it ranked No. 1 on the U.S. Billboard Classical Chart in its first week of sales and was named to many “Best of 2007” lists including those of The New York Times, The Los Angeles Times, and The New Yorker.

The four solo albums Dinnerstein has released since then – The Berlin Concert (Telarc), Bach: A Strange Beauty (Sony), Something Almost Being Said (Sony), and Bach: Inventions & Sinfonias (Sony) – have also topped the classical charts. Dinnerstein was the bestselling instrumentalist of 2011 on the U.S. Billboard Classical Chart and was included in NPR’s 2011 100 Favorite Songs from all genres. In spring 2013, Simone Dinnerstein and singer-songwriter Tift Merritt released an album together on Sony called Night, a unique collaboration uniting classical, folk, and rock worlds, exploring common terrain and uncovering new musical landscapes. Dinnerstein was among the top ten bestselling artists of 2014 on the Billboard Classical Chart.

In February 2015, Sony Classical released Dinnerstein’s newest album Broadway-Lafayette, which celebrates the time-honored transatlantic link between France and America and includes Ravel’s Piano Concerto in G Major, Gershwin’s Rhapsody in Blue and Philip Lasser’s The Circle and the Child: Concerto for Piano and Orchestra, written for Dinnerstein. The album was recorded with conductor Kristjan Järvi and the MDR Leipzig Radio Symphony Orchestra by Grammy-winning producer Adam Abeshouse.

Upcoming and recent highlights include Dinnerstein’s Italy debut with RAI Turin under Jeffrey Tate; a recital in Seattle for the UW World Series; her return to Istanbul; the New York premiere of Philip Lasser’s The Circle and The Child with Face the Music; a tour of Germany performing Bach concertos with Bach Collegium Musicum; performances with the Colorado and Fort Worth Symphonies; recitals at The Barns at Wolf Trap and New York’s Metropolitan Museum; and a performance of The Circle and The Child with MDR Leipzig at Germany’s Gewandhaus.

Dinnerstein’s performance schedule has taken her around the world since her triumphant New York recital debut at Carnegie Hall's Weill Recital Hall in 2005 to venues including the Kennedy Center for the Performing Arts, Vienna Konzerthaus, Berlin Philharmonie, Metropolitan Museum of Art, and London's Wigmore Hall; festivals that include the Lincoln Center Mostly Mozart Festival, the Aspen, Verbier, and Ravinia festivals, and the Stuttgart Bach Festival; and performances with the Frankfurt Radio Symphony Orchestra, Vienna Symphony Orchestra, Dresden Philharmonic, Staatskapelle Berlin, Royal Scottish National Orchestra, Czech Philharmonic, New York Philharmonic, Minnesota Orchestra, Atlanta Symphony, Baltimore Symphony, Orchestra of St. Luke's, Kristjan Järvi's Absolute Ensemble, Montreal Symphony Orchestra, Calgary Philharmonic Orchestra, Danish National Symphony Orchestra, and the Tokyo Symphony.

Dinnerstein is interested in exploring ways to subtly change the traditional concert experience, and has created a new program with thereminist Pamelia Kurstin and actor Alvin Epstein that combines classical music and avant-garde cabaret, and weaves together poetry, music, improvisation, and narration. The program debuted at New York's popular West Village club, Le Poisson Rouge, in 2012. Committed to bringing music by living composers to today's audiences, Dinnerstein frequently performs pieces written for her by Philip Lasser and Daniel Felsenfeld. In addition to performing the new works written for her by Nico Muhly and Philip Lasser this season, she premiered a piano quintet by Grammy-nominated composer Jefferson Friedman with the Chiara String Quartet at the Library of Congress in December 2014.

Dinnerstein has played concerts throughout the United States for the Piatigorsky Foundation, an organization dedicated to bringing classical music to non-traditional venues. Notably, she gave the first classical music performance in the Louisiana state prison system when she played at the Avoyelles Correctional Center. She also performed at the Maryland Correctional Institution for Women, in a concert organized by the Baltimore Symphony Orchestra to coincide with her BSO debut.

Dedicated to her community, in 2009 Dinnerstein founded Neighborhood Classics, a concert series open to the public hosted by New York City public schools. The series features musicians Dinnerstein has met throughout her career, and raises funds for the schools. The musicians performing donate their time and talent to the program. Neighborhood Classics began at PS 321, the Brooklyn public elementary school that her son attended and where her husband teaches fourth grade. Artists who have performed on the series include Richard Stoltzman, Maya Beiser, Pablo Ziegler, Paul O'Dette and many more. In addition, Dinnerstein has staged three all-school “happenings” at PS 321 – a Bach Invasion, a Renaissance Revolution, and a Violin Invasion – which immersed the school in music, with dozens of musicians performing in all of the school’s classrooms throughout the day. In early 2014, she launched her Bachpacking initiative, bringing a digital piano provided by Yamaha from classroom to classroom in public schools, presenting interactive performances and encouraging musical discussion among the students.

Dinnerstein is a graduate of The Juilliard School where she was a student of Peter Serkin. She was a winner of the Astral Artist National Auditions, and has received the National Museum of Women in the Arts Award and the Classical Recording Foundation Award. She also studied with Solomon Mikowsky at the Manhattan School of Music and in London with Maria Curcio. Simone Dinnerstein (pronounced See-MOHN-uh DIN-ner-steen) lives in Brooklyn, New York with her husband and son. She is managed by Tanja Dorn at IMG Artists and is a Sony Classical artist.

This album contains no booklet.