The Mission Styx
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- 2Gone Gone Gone02:08
- 3Hundred Million Miles From Home03:40
- 4Trouble At The Big Show02:30
- 6Radio Silence04:19
- 7The Greater Good04:10
- 8Time May Bend02:31
- 9Ten Thousand Ways01:22
- 10Red Storm06:04
- 11All Systems Stable00:18
- 13The Outpost03:51
- 14Mission To Mars02:46
Info for The Mission
The Mission is a thrilling return to Styx's progressive roots, complete with a courageous & visionary concept. A captivating adventure unfolds across 14 tracks, 249 million miles from home! With a sound as big as a galaxy & two years in the making, it embodies a throw-back progressive-rock feel. Recorded at Blackbird Studios in Nashville, The Mission comes complete in a true hi-fidelity analog recording & mixed with a larger than life sound. For the first time in 14 years, an all-new studio album is set to launch on June 16, 2017. The Mission is a go!
Styx's sonically sweet 16th studio album is ambitious and challenging. "Gone Gone Gone" is the first single from the 2017 released album. This true Hi-Fidelity analog recording is a return to the band's progressive rock roots, complete with a courageous & visionary concept! A captivating adventure unfolds across 14 tracks with a story set in the future but recorded in the sound of the near past.
"The planets truly aligned for THE MISSION, and I couldn't be prouder," says vocalist/guitarist Tommy Shaw, who co-wrote the album's storyline with longtime collaborator Will Evankovich (Shaw/Blades, The Guess Who). "It's our boldest, most emblematic album since PIECES OF EIGHT."
"A throwback to the styles of classic Styx records like THE GRAND ILLUSION and PIECES OF EIGHT, THE MISSION is a wonderful mix of knotty, '70s-era progressive rock madness alongside the melodic power pop the band does so well. Todd Sucherman might be the baby of the group, but he's an old soul when it comes to finding the right flavor for the new material—and he's not shy to provide a healthy slab of blazing hand technique, elevating parts to a whole other level of excitement." (Ilya Stemkovsky, Modern Drummer)
Chuck Panozzo, bass, backing vocals
James "J.Y." Young, guitar, backing, lead vocals
Tommy Shaw, guitar, lead and backing vocals
Todd Sucherman, drums
Lawrence Gowan, lead and backing vocals, keyboards
Ricky Phillips, bass, backing vocals, guitar
Tommy Shaw, James “JY” Young, Lawrence Gowan, Todd Sucherman and Ricky Phillips (along with the occasional surprise appearance by original bassist Chuck Panozzo), have performed more live since ’99 than all of the previous years of its career combined. Two Super-Bowl appearances, Pollstar Box Office chart-topping tours with Def Leppard, Journey, Boston, REO Speedwagon, Bad Company (to name only a few), two more studio albums and no end in sight, STYX continues to conquer the planet, one venue at a time.
Spawned from a suburban Chicago basement in the early ‘70s, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for big rockers and soaring power ballads.
Early on, Styx's music reflected such then-current prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced by such releases as 1972's self-titled debut, 1973's Styx II, 1974's The Serpent Is Rising, and 1975's Man of Miracles. While the albums (as well as non-stop touring) helped the group build a substantial following locally, Styx failed to break through to the mainstream, until a track originally from their second album, "Lady" started to get substantial airplay in late '74 on the Chicago radio station WLS-FM. The song was soon issued as a single nationwide, and quickly shot to number six on the singles chart, as Styx II was certified gold. By this time, however, the group had grown disenchanted with their record label, and opted to sign on with A&M for their fifth release overall, 1975's Equinox (their former label would issue countless compilations over the years, culled from tracks off their early releases). On the eve of the tour in support of the album, original guitarist John Curulewski abruptly left the band, and was replaced by Tommy Shaw. Shaw proved to be the missing piece of the puzzle for Styx, as most of their subsequent releases throughout the late '70s earned at least platinum certification (1976's Crystal Ball, 1977's The Grand Illusion, 1978's Pieces of Eight, and 1979's Cornerstone), and spawned such hit singles and classic rock radio standards as "Come Sail Away," "Renegade," "Blue Collar Man" and "Fooling Yourself.”
The band decided that their first release of the '80s would be a concept album, 1981's Paradise Theater, which was loosely based on the rise and fall of a once-beautiful theater (which was supposedly used as a metaphor for the state of the U.S. at the time -- the Iranian hostage situation, the Cold War, Reagan, etc.). Paradise Theater became Styx's biggest hit of their career (selling over three million copies in a three-year period), as they became one of the U.S. top rock acts due to such big hit singles as "Too Much Time on My Hands". It also marked the first time in history that a band released four consecutive triple-platinum albums.
A career-encompassing live album, Caught in the Act, was issued in 1984, before Styx went on hiatus, and the majority of its members pursued solo projects throughout the remainder of the decade. A re-recording of their early hit, "Lady" (titled "Lady" '95"), for a Greatest Hits compilation, finally united Shaw with his former Styx bandmates, which led to a full-on reunion tour in 1996. But drummer John Panozzo fell seriously ill at the time (due to a long struggle with alcoholism), which prevented him from joining the proceedings -- as he passed away in July of the same year. Although grief-stricken, Styx persevered with new drummer Todd Sucherman taking the place of Panozzo, as the Styx reunion tour became a surprise sold-out success, resulting in the release of a live album/video, 1997's "Return to Paradise," while a whole new generation of rock fans were introduced to the grandiose sounds of Styx via a humorous car ad which used the track "Mr. Roboto," as well as songs used in such TV shows as South Park and Freaks & Geeks.
This album contains no booklet.