Chausson, Ravel, Enescu Les Dissonances & David Grimal

Cover Chausson, Ravel, Enescu

Album info

Album-Release:
2021

HRA-Release:
10.09.2021

Label: La Dolce Volta

Genre: Classical

Subgenre: Chamber Music

Artist: Les Dissonances & David Grimal

Composer: Maurice Ravel (1875-1937), George Enescu (1881-1955), Ernest Chausson (1855-1899)

Album including Album cover Booklet (PDF)

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FLAC 48 $ 13.20
  • Ernest Chausson (1855 - 1899):
  • 1Chausson: Poème pour violon et orchestre, Op. 2515:23
  • Maurice Ravel (1875 - 1937):
  • 2Ravel: Tzigane, Rhapsodie de concert pour violon et orchestre, M. 7610:09
  • George Enescu (1881 - 1955): Caprice roumain pour violon et orchestre:
  • 3Enescu: Caprice roumain pour violon et orchestre: I. Ben moderato13:21
  • 4Enescu: Caprice roumain pour violon et orchestre: II. Tempo di Hora04:07
  • 5Enescu: Caprice roumain pour violon et orchestre: III. Lento06:15
  • 6Enescu: Caprice roumain pour violon et orchestre: IV. Allegro molto04:47
  • Total Runtime54:02

Info for Chausson, Ravel, Enescu



The works of George Enescu, a Romanian composer nurtured on the musical traditions of his country, also has deep roots in the French musical world of the early twentieth century. This disc explores that twofold ancestry, which made Enescu, an outstandingly charismatic personality, a veritable bridge between Romania and France. Interpretations and explorations with David Grimal . . .

George Enescu is a major figure of twentieth-century music who is perhaps still little-known to the general public. When and how did you discover his oeuvre?

More than thirty years ago, I was overwhelmed when I heard his Sonata no.3 ‘dans le caractère populaire roumain’ (in Romanian folk style), which he himself recorded with Dinu Lipatti. His personality fascinated me, both the man and the musician. His music has been my constant companion over the years since then. (David Grimal)

David Grimal, artistic direction, violin
Les Dissonances



David Grimal
is a musician who enjoys an international reputation for the originality of his musical career. In his tireless quest to reflect on the role of his art in society, he juxtaposes perspectives in order to make music differently by reinventing the sense of the collective.

As an internationally renowned soloist, he has been invited to perform under the direction of the leading conductors (Christoph Eschenbach, Heinrich Schiff, Lawrence Foster, Emmanuel Krivine, Mikhail Pletnev, Rafael Frühbeck de Burgos, Peter Eötvös, Andris Nelsons, Jukka- Pekka Saraste, Christian Arming, Andrés Orozco-Estrada, Stanisław Skrowaczewski, Michel Plasson, Hubert Soudant, François-Xavier Roth, Pascal Rophé, Gerard Korsten, James Judd, Matthias Bamert, Lawrence Foster, Jaap van Sweden etc.) with such formations as the Orchestre de Paris, the Orchestre Philharmonique de Radio France, the Chamber Orchestra of Europe, the Berliner Symphoniker, the Russian National Orchestra, the New Japan Philharmonic, the English Chamber Orchestra, the Mozarteum Orchester Salzburg, the Jerusalem Symphony, the Prague Philharmonia, the Gulbenkian Orchestra Lisbon, Sinfonia Varsovia, the Florida Philharmonic and the Hungarian Radio Symphony Orchestra…

He is a welcome guest in the world’s foremost concert halls, among them Suntory Hall in Tokyo, the Philharmonie de Paris, the Vienna Musikverein, the Amsterdam Concertgebouw, the Berlin Konzerthaus, Wigmore Hall in London, the Zurich Tonhalle, Lincoln Center in New York, the Tchaikovsky Conservatory in Moscow, the Ferenc Liszt Academy in Budapest, the Victoria Hall in Geneva, the Auditorio Nacional in Madrid, the Théâtre des Champs-Élysées in Paris, the National Concert Hall in Taiwan and Bozar in Brussels.

Many composers have dedicated works to him, including Marc-André Dalbavie, Brice Pauset, Thierry Escaich, Lisa Lim, Jean-François Zygel, Alexandre Gasparov, Victor Kissine, Fuminori Tanada, Ivan Fedele, Philippe Hersant, Anders Hillborg, Oscar Bianchi, Guillaume Connesson, Frédéric Verrières, Richard Dubugnon, Eric Montalbetti …

An indefatigable researcher, he re-examines the early music repertory and in particular explores historically informed performance practice with such musicians as Andreas Staier, Brice Pauset, Mathieu Dupouy and Maude Gratton. He is a sought-after pedagogue, and currently teaches at the Hochschule für Musik in Saarbrücken, where he also develops conductorless projects with the student orchestra. He plays the 1710 “Ex-Roederer” Stradivarius with bows by Pierre Tourte, Léonard and François-Xavier Tourte and Pierre Grunberger.

David Grimal is regularly invited to sit on the juries of international competitions and gives masterclasses all over the world.

Les Dissonances
The violinist David Grimal, equally committed to the solo and chamber repertories, appears in the world’s leading classical music venues. As an innovative artist, he aims to reinvent musical practice by leading several projects successfully developing the spirit of “working together”.

For the past ten years he has devoted part of his career to developing Les Dissonances, of which he is artistic director. In this laboratory of ideas, conceived as a collective of musicians, David Grimal and his friends experience music as a joy rediscovered and tackle the symphonic repertory in the spirit of chamber music. The only ensemble that explores the large-scale symphonic repertory without a conductor, Les Dissonances have established residencies in prestigious institutions that offer long-term collaborations, including the Philharmonie de Paris, the Opéra de Dijon and Le Volcan in Le Havre, and appear regularly all over Europe.

Inspired by his experience with Les Dissonances, David Grimal develops projects as artistic director with other orchestras and regular ensembles.

As an artistic director, he develops the concept ‘Let’s play together!’ based on his experience with Les Dissonances. David Grimal rehearses the entire concert programme with the musicians in order to prepare them to play without a conductor at the concert. He shares the platform with them also by performing a concerto. He is invited by many orchestras to work with them and play the great violin concertos, notably Budapesti Vonosok, Anima Chamber Orchestra, Sinfonietta Cracovia, Moscow Chamber Orchestra, Orquesta Sinfónica de Galicia, Orchestra Sinfonica de Murcia, Bilbao Orkestra Sinfonikoa, Orchestre de l’Opéra national de Lorraine, National Orchestra of Metz, Orchestre Philharmonique de Strasbourg, Taipei Symphony Orchestra…

Booklet for Chausson, Ravel, Enescu

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