John White: Piano Sonatas, Vol. 2 Jonathan Powell

Album info

Album-Release:
2020

HRA-Release:
07.02.2020

Label: Convivium Records

Genre: Classical

Subgenre: Instrumental

Artist: Jonathan Powell

Composer: John White

Album including Album cover

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FLAC 96 $ 14.50
  • John White (b. 1936):
  • 1Piano Sonata No. 10503:05
  • 2Piano Sonata No. 10603:25
  • 3Piano Sonata No. 10707:03
  • 4Piano Sonata No. 12002:51
  • 5Piano Sonata No. 12303:49
  • 6Piano Sonata No. 12705:25
  • 7Piano Sonata No. 13102:36
  • 8Piano Sonata No. 13202:57
  • 9Piano Sonata No. 13304:37
  • 10Piano Sonata No. 13604:12
  • 11Piano Sonata No. 13805:31
  • 12Piano Sonata No. 13904:06
  • 13Piano Sonata No. 14603:07
  • 14Piano Sonata No. 14703:02
  • 15Piano Sonata No. 15202:48
  • 16Piano Sonata No. 15301:51
  • 17Piano Sonata No. 15602:35
  • 18Piano Sonata No. 16404:41
  • Total Runtime01:07:41

Info for John White: Piano Sonatas, Vol. 2



“I write a lot for piano for two main reasons: being a pianist allows me to be in touch with a rich and exciting repertoire, which gives me a great variety of role models in terms of vo-cabulary and gesture with which to formulate and ‘clothe’ the ideas which come to me and seem to need expression. Being an idealistic rather than a “career” composer, I find the piano a handy vehicle for the uttering (‘outering’) of compositional thought, in that the inspiration goes directly into a performable medium without the salesmanship required for getting ensem-ble pieces played.” (John White)

f any composer from the last hundred years can be said to have redefined the piano sonata, that composer is John White. A unique figure in British music, his vast compositional output documents a long involvement with the worlds of dance, theatre, experimentalism and electronica as well as with that of the concert hall.

His 180 piano sonatas cover a more or less continuous period from No.1 (1956) to the present day, but with gaps, and no less than thirty-four date from 1973.

An overall view would inevitably attempt to divide them into groups, successfully to a degree, although this is less easy in recent years as they have become more varied and relatively sporadic. More often than not, they have been composed without either request or any specific performance in mind, as is indicated in his introduction (left). As such, in contrast to other areas of his output, they can be regarded as ‘semi-private’ pieces—entries in a diary rather than public statements perhaps. ...

Jonathan Powell, piano



Jonathan Powell
is a pianist and composer. After studies with Denis Matthews and Sulamita Aronovsky, he established an international career as a soloist, his programmes ranging from standard Classical and Romantic repertoire to contemporary and little-known 20th century works. He has performed widely in Europe, as well as in Russia and the US; he has also appeared on national radio of many countries and recorded about 20 CDs.

Over the last decade, concert work has taken him to New York, the Musica Nova Festival in Helsinki, the Festival Radio France et Montpellier, Festival de Chaillol (Hautes-Alpes France), the Raritäten der Klaviermusik am Schloss vor Husum, the Reggello Festival (Italy), Vredenburg Muziekcentrum in Utrecht, De Toonzaal in ‘S Hertogenbosch, Gigant in Apeldoorn, and concerts in the Conservatoire and Russian Academy of Music in Moscow, and the Sheremetevsky Palace (St Petersburg), in the Altes Rathaus, Vienna (at the invitation of the Joseph Marx Society) and in masterclass and concert tours of Denmark. In the UK, his concerts have taken him to venues ranging from the Royal Festival Hall to university departments and local town halls.

He has recently appeared in many concert halls in Eastern Europe: since October 2010 he has undertook tours in Slovakia, the Czech Republic (including a residency at the Janacek Academy in Brno), Ukraine, Russia and Lithuania, performing repertoire ranging from John Field and Chopin, to contemporary music.

Powell has worked with many of today’s most prominent composers such as Ambrosini, Finnissy and Staud. As well as giving UK premières of pieces by Sciarrino, Feldman and Salonen, he has commissioned many new works.

Powell is a self-taught composer — he has recorded several of his own works for BBC broadcasts and has received performances by the London Sinfonietta, the Arditti Quartet, Valdine Anderson, Sarah Leonard, Darragh Morgan and Nicolas Hodges among others. His articles on many aspects of Russian music appear in the New Grove Dictionary of Music; his articles have been published by International Piano and the Finnish musicological journal Musiikki-lehti. He recently contributed to a book on the pianist-composer Samuil Feinberg, and co-edited the publication Rimsky-Korsakov and his Heritage.

This album contains no booklet.

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