Lalo: Symphonie espagnole - Bruch: Violin Concerto Renaud Capuçon

Cover Lalo: Symphonie espagnole - Bruch: Violin Concerto

Album info

Album-Release:
2016

HRA-Release:
22.01.2016

Label: Warner Classics

Genre: Classical

Subgenre: Concertos

Album including Album cover Booklet (PDF)

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  • Edouard Lalo (1823-1892): Symphonie espagnole Op. 21 D minor
  • 1I. Allegro non troppo07:48
  • 2II. Scherzando - Allegro molto04:18
  • 3III. Intermezzo - Allegretto non troppo06:33
  • 4IV. Andante06:11
  • 5V. Rondo - Allegro08:01
  • Pablo de Sarasate (1844–1908)
  • 6Zigeunerweisen, Op. 2008:01
  • Max Bruch (1838–1920): Violin Concerto No. 1 in G Minor, Op. 26
  • 7I. Vorspiele - Allegro moderato07:58
  • 8II. Adagio08:11
  • 9III. Finale - Allegro energico06:57
  • Total Runtime01:03:58

Info for Lalo: Symphonie espagnole - Bruch: Violin Concerto

Renaud Capuçon exudes a youthful air, but, now firmly established as one of the world’s leading violinists, he celebrates his 40th birthday on January 27th 2016. This release of the best-known works of three composers – Edouard Lalo, Pablo de Sarasate and Max Bruch – marks this important personal occasion in a suitably festive fashion. Capuçon made the recordings with Paavo Järvi and the Orchestre de Paris at the orchestra’s new home, the French capital’s Philharmonie, which opened in early 2015 and was immediately hailed for its superb acoustics. The Bruch concerto became the first piece to be recorded there, in May 2015.

As it happens, Capuçon shares a birthday with Edouard Lalo, born in 1823 – and with Wolfgang Amadeus Mozart too! Lalo’s Symphonie espagnole, first performed in Paris in 1874, inhabits the same Franco-Spanish musical world as Bizet’s Carmen, which received its premiere the following year. The piece also has a special connection with both Sarasate’s Zigeunerweisen [Gypsy Airs] and Bruch’s Concerto No1, as Renaud Capuçon explains:

“These three works, first heard between 1868 and 1878, are among the most famous in the history of the violin, and there are links of friendship and respect between their three composers – Lalo, Sarasate and Bruch: Lalo dedicated his Symphonie espagnole to Sarasate [born in northern Spain and one of the most celebrated violinists of his time]. Bruch dedicated his Scottish Fantasy to Sarasate some years later, but it was the great Joseph Joachim who gave the first performance of Bruch’s Concerto No 1.”

All three pieces also have a special significance for Capuçon: “I first approached these works when I was 12 years old and studying at the Paris Conservatoire with Veda Reynolds [a celebrated American violin teacher]. I played the Bruch in my first competitions; the Lalo was the first piece I played to Gerard Poulet [Capuçon’s other teacher at the Paris Conservatoire] and the Sarasate featured in my first proper recital."

The personal nature of this album is further emphasised by Renaud Capuçon’s wish to dedicate it to the memories of two people who meant a great deal to him: the broadcaster Jacques Chancel, who died in December 2014, and his father-in-law Gratien Ferrari, who died in October 2015.

Capuçon’s credentials in this kind of Romantic music are made clear in reviews of past performances and recordings. When he played the Lalo in London in 2012, the Guardian praised him for capturing “the full measure of the seriousness behind its grace and wit. Capuçon played with virile agility and tremendous nobility of tone,” while The Times extolled a “gorgeous performance from violin soloist Renaud Capuçon, laidback in manner, but so nimble, so fiery.” The Bruch concerto – with its rhapsodic first movement and energetic, dancing finale is close in spirit to the Brahms Violin Concerto, composed in 1878 and also dedicated to Joseph Joachim. Capuçon’s recording of the Brahms was released in 2012. Reviewing the CD, the Telegraph wrote that: “Capuçon has an impressive grasp of the concerto’s expressive contours, using his technical arsenal with finesse and tracing the music’s breadth of line and its arching shapes while maintaining its inner momentum. The rhythmic punch and energy of the finale are echoed by the orchestra’s powerful attack and buoyancy ... This is altogether a remarkable disc.”

“[The Lalo] gets a by turns flamboyant and dreamy reading from Capuçon, whose keen tone and easy bravura recall the great Arthur Grumiaux’s famous recordings. If the Bruch concerto is a less obvious bedfellow, Jarvi and his orchestra accompany the soloist expansively” (Sunday Times)

Renaud Capuçon, violin
Orchestre de Paris
Paavo Järvi, conductor


Renaud Capuçon
Born in Chambéry in 1976, Renaud Capuçon studied at the Conservatoire National Supérieur de Musique de Paris with Gérard Poulet and Veda Reynolds. He was awarded first prize for chamber music in 1992 and first prize for violin with a special distinction from the jury in 1993. In 1995 he won the Prize of the Berlin Academy of Arts. Then he studied with Thomas Brandis in Berlin, and later with Isaac Stern. Invited by Claudio Abbado in 1997, he continued his musical experiences as konzertmeister of the Gustav Mahler Jugendorchester during three summers with Pierre Boulez, Seiji Ozawa, Daniel Barenboim, Franz Welser-Moest and of course Claudio Abbado. In 2000 he was nominated “Rising Star” and “New talent of the Year” (French Victoires de la Musique), in 2005 “Soliste instrumental de l’année”, also by the French Victoires de la Musique, and in 2006 “Prix Georges Enesco” (Sacem).

He is playing with: Berlin Philharmonic, Leipzig Gewandhaus Orchestra, Dresden Staatskapelle, Munich Bayerische Rundfunk, DSO Berlin, Bamberger Symphoniker, Hessischer Rundfunk, NDR Hamburg and WDR Köln orchestras, Boston Symphony, Los Angeles Phiharmonic, Philadelphia Orchestra, Houston Symphony, Washington National Symphony Orchestra, Montreal Symphony, Simon Bolivar Orchestra, Budapest Festival Orchestra, Philharmonique de Radio France, Orchestre National de France, Orchestre de Paris, Lyon, Monte-Carlo, and Toulouse Orchestras, Gustav Mahler Jugendorchester, Moskow Radio Tchaikovsky Orchestra, Danish Royal Orchestra, Swedish Radio Orchestra, London Symphony, Academy of St-Martin-in-the-Fields, Chamber Orchestra of Europe, City of Birmingham Symphony, Mahler Chamber Orchestra, Firenze Maggio Musicale Orchestra, Milano Scala Philharmonic, Rome Santa Cecilia Orchestra, Tokyo Philharmonic, NHK Symphony, Orchestre de la Suisse Romande, Lausanne and Zurich Chamber Orchestras, under Marc Albrecht, Christian Arming, Lionel Bringuier, Semyon Bychkov, Myung-Whun Chung, Jesus Lopez Cobos, Thomas Dausgaard, Christoph von Dohnanyi Gustavo Dudamel, Charles Dutoit, Christoph Eschenbach, Ivan Fischer, Bernard Haitink, Daniel Harding, Gunther Herbig, Kristjan, Paavo and Neeme Järvi, Philippe Jordan, Emmanuel Krivine, Kurt Masur, Ludovic Morlot, Andris Nelsons, Yannick Nezet-Seguin, David Robertson, Dennis Russel-Davis, Wolfgang Sawallisch, Leonard Slatkin, Tugan Sokhiev, Robert Ticciati… In 2011 he toured USA with the China Philharmonic and Long Yu, played in China with the Guangzhou and Shanghai Symphonies and Claus Peter Flor and gave integrals of Beethoven Sonatas with F. Braley in Europe, Singapore and Hong-Kong.

Renaud Capuçon plays chamber music with Martha Argerich, Hélène Grimaud, Nicholas Angelich, Frank Braley, Yefim Bronfman, Myung-Whun Chung, Yuri Bashmet, Katia and Marielle Labèque, Mischa Maisky, Truls Mork, Maria Joao Pires, Mikhail Pletnev, Antoine Tamestit, Jean-Yves Thibaudet, Maxim Vengerov. He is invited by prestigious festivals: London Mostly Mozart, Edinburgh, Berlin, Ludwigsburg, Rheingau, Lucerne, Montreux, Lockenhaus, Verbier, Gstaad, Salzburg, Schwarzenberg, Jerusalem, Stavanger, Canarias, San Sebastian, Aix-en-Provence, Roque d’Anthéron, Menton, Saint-Denis, Strasbourg, Hollywood Bowl, Tanglewood…

Discography for EMI Classics: Mendelssohn and Haydn trios and the Triple Concerto by Beethoven with Martha Argerich, Schubert recital, Berlioz/Saint-Saëns/Milhaud/Ravel with Daniel Harding and the Deutsche Kammerphilharmonie, Ravel chamber music with Gautier Capuçon and Frank Braley, duos with his brother; Dutilleux Concerto with the Radio France Philharmonic under Myung-Whun Chung (« Grand Prix Académie Charles Cros », « Choc de la Musique », « Diapason d’Or », « Fonoforum/Sterne des Monates »), Saint-Saëns chamber music, Brahms Trios with Gautier Capuçon and Nicholas Angelich (Preis der Deutschen Schallplattenkritik), Schubert Trout, Mendelssohn/Schumann concertos with the Mahler Chamber Orchestra and Daniel Harding, Brahms Sonatas with Nicholas Angelich (Gramophone/Editor’s Choice-Scherzo/Excepcional-Diapason d’Or-Choc/Monde de la Musique), Brahms Double Concerto with Gautier Capuçon and the Gustav Mahler Jugendorchester (Gramophone/Editor’s Choice) and Brahms Quartets with Gautier, Gérard Caussé and Nicholas Angelich, Mozart Concertos and Sinfonia Concertante with the Scottish Chamber Orchestra / Louis Langrée and Antoine Tamestit, Beethoven/Korngold concertos with the Rotterdam Philharmonic and Yannick Nezet-Seguin, Beethoven Sonatas for violin/piano with Frank Braley, Fauré chamber music with N. Angelich, G. Capuçon, M. Dalberto, G. Caussé and Ebène Quartet.

Renaud Capuçon plays the Guarneri del Gesù “Panette” (1737) that belonged to Isaac Stern, bought for him by the Banca Svizzera Italiana (BSI). In June 2011 he is appointed “Chevalier dans l’Ordre National du Mérite” by the French Government.

Booklet for Lalo: Symphonie espagnole - Bruch: Violin Concerto

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