Home Ground Stephen Emmer
- 1A New Day To Come04:09
- 2Close To Life03:54
- 3Interlude #100:17
- 4Home Ground04:00
- 5Soul Glow03:25
- 6Interlude #200:25
- 7Under Your Spell03:51
- 8Everybody’s Movin’04:25
- 9Interlude #300:18
- 10Own Again04:29
- 12Interlude #400:23
- 13Place Delight04:32
- 14God It’s Hot (Today)03:19
- 15Yesterday Oh Yesterday04:58
Info for Home Ground
Stephen Emmer’s latest musical offering Home Ground combines the eloquence of spiritual, orchestral soul music with socially conscious lyrics. It addresses contemporary concerns within the timeless musical excellence of classic soul combined with the sonic impact of the 21st century. The Home Ground songs are vocally performed by a careful selection of musical icons from the last 5 decades.
Featured artists include Chaka Khan, Leon Ware, Patti Austin, Kendra Foster, Andy Bey, Mary Griffin, Frank McComb, Dwight Trible and Ursula Rucker.
The main lyrical thrust of Home Ground is the world that is in constant conflict or war, whether over land, religion or race; this is not just black against white, it’s also poor against rich, justice against injustice, and the myriad other ongoing conflicts that beset our world.
In an effort to help make this world a better place the Home Ground campaign will be in support of charity. Based on the lyrical context and the fact that the project is music based we immediately thought of War Child as the perfect fit. Especially since they use both music and creativity as an important tool in their program for children to overcome fear, depression and aggression.
The campaign will therefore focus on creating further awareness for the amazing work of War Child. At the same time we'll be donating a fair share of proceedings to support them in helping ‘our’ children, the best thinkable cornerstone of a future world in peace.
Stephen Emmer, piano, bass, acoustic & electric guitars, keyboards, drum programming
John Beasley, piano
Hein Offermans, double bass
Lau Kagenaar, drums
Yoran Vroom, drums
Martijn Bosman, drums
Joost Kroon, drums
Jeroen de Rijk, percussion
Murk Jiskoot, vibraphone, glockenspiel
Tom Beek, horns
Matthias Konrad, horns
Martijn de Laat, horns
Bert Pfeiffer, horns
Robbert Scherpenisse, horns
Vera van der Bie, strings
Marieke de Bruijn, strings
Ian de Jong, strings
Merel Jonker, strings
Eilidh Martin, strings
Ben Mathot, strings
Isabella Petersen, strings
Jasper van Rosmalen, strings
Jan Willem Troost, strings
Alex Welch, strings
Judith Petra, backing vocals
Denise van Donselaar, backing vocals
Ivar Vermeulen, backing vocals
Laurens Kagenaar, backing vocals
Shirma Rouse, backing vocals
Mixed by Bob Power in New York
Mastered by Chris Gehringer, Sterling Sound, New York
Produced by Stephen Emmer
is an independent Dutch composer/arranger/artist hailing from Amsterdam in the Netherlands. He’s the son of former news anchorman Fred Emmer and ballet dancer/actress Roekie Aronds.
He has recorded for and written, performed and collaborated with a variety of great artists such as Lou Reed, Chaka Khan, Patti Austin, Leon Ware, Midge Ure, Julian Lennon, Glenn Gregory, Billy MacKenzie, Mary Griffin, Peter Coyle, Claudia Brucken and Martha Ladley to name but a few. On top of that he has worked with legendary producers like Tony Visconti, Flood, Trevor Horn, Steve Power, Martin Hannett, Nigel Gray and Bob Power.
In the 70’s he started writing avant-garde type music whilst playing in various bands, like Minny Pops, The Associates and The Lotus Eaters. He’s also known as a composer for media projects and became Holland’s first in-house composer for the Dutch public broadcasting organization NOS, next to creating musical work for art exhibitions, experimental film projects, show events, radio shows, documentaries and short feature films.
Next to being responsible for the ‘custom made award for best tv music’ for Promax BDA he was the judge-president for the official Dutch Music and Sounddesign Award and the main founder of the Buma Music In Motion conference.
Childhood: He spent the majority of his childhood living with his mom, with whom he traveled abroad due to the nature of her work. She initially took him to India where he learned how to play a local wind instrument in an ashram. They then moved to the Caribbean. In Aruba he was taught to play voodoo infused percussion whereas in Suriname he learned how to play the guitar.
In the early 70’s they returned to Amsterdam. After having finished his education at the Amsterdams Lyceum, where he played in several schoolbands, he got involved in a variety of bands such as an experimental free jazz group called the Chris Frankemoller Trio and a symphonic rock group with Dennis Duchart and legendary Dutch singer Mathilde Santing.
Minny Pops: In 1979 Stephen decided to join an avant garde new wave electro-noise band called Minny Pops, where he played the guitar. Soon the band got signed by Factory Records in the UK next to Joy Division and played alongside New Order, which gained them considerable international cult status ever since. Next to being the first international band signed to Factory Records, Minny Pops was also the first Dutch band to do a session for the legendary BBC Radio dj John Peel in the UK.
Vinyl & Radio: In the 80’s he was co-founder and chief editor of new Dutch music magazine ‘Vinyl’, next to hosting and producing various national radioshows, like for instance RadioNome for Dutch broadcasting organization VPRO. In 2003 Emmer starts hosting his own radioshow Synsation (Concertzender). Next to that he acted as compiler for NPS Blackbox on public Dutch radio channel Radio 4 and presented ‘O.S.T.’ on KX Radio, a program with a clear and distinct focus on film music.
Vogue Estate: Back in 1982 Emmer’s musical idealism led him to create and produce a solo mini album called “Vogue Estate,”. It got signed to and released by WEA/Idiot Records as part of their new mini album series. The idea behind the album was to create a soundtrack for an imaginary film. Whereas it mainly consists of instrumental work one track is with vocals from the late Billy McKenzie (The Associates), who appears on ‘Wish on’, whereas Martha Ladley, known from Canadian new wave band Martha and the Muffins, contributed to ‘Eleven and then left’. Stephen’s good friend Michael Dempsey, former bass guitar player of The Cure also appears on the album. It got produced at Trident Studios in London by legendary producer Flood, aka Mark Ellis, known for the production of albums for amongst others Nick Cave, Depeche Mode, U2 and Smashing Pumpkins. In 2015 ’Vogue Estate’ got re-mastered at Zownd Studios in Leiden (NL), resulting in a fresh and now sounding timeless masterpiece of new wave.
The Associates: That same year he joined Billy MacKenzie’s The Associates from Schotland, where he played alongside Alan Rankine, Michael Dempsey and Steve Goulding (former Elvis Costello drummer).
The Lotus Eaters: 1984 sees Emmer and Dempsey join The Lotus Eaters from Liverpool, followed by Act with Claudia Brucken (ex-Propaganda) and Continental Cast from Amsterdam. As a guitar player Emmer can also be heard on the successful Richenel album ‘Deep As Blue'.
Royal College Of Music: That same year him and Dempsey decided to follow a Summer course called ‘Scoring for Television’ at the Royal College Of Music in London.
Prix de Rome: Throughout the years he won several awards for artistic excellence, such as an award at the prestigious Prix de Rome back in 1988.
Recitement: Around 2006 Emmer felt a sudden urge to be temporarily liberated from this ‘musical warzone’ and decided to return to his musical idealism of the early years to find what he was searching for; inspiration through catharsis. To that end, he created 17 compositions based on literary text fragments for a project called ‘Recitement’. The album features music and modern spoken word performed by famous writers, singers and actors. The album got mixed and produced in New York by Tony Visconti at the legendary Looking Glass Studios owned by Philip Glass.
The album features vocal contributions by Lou Reed, Kazu Makino (Blonde Redhead), Richard Burton, Andrea Piovan, Sylvia Kristel, Ken Nordine, Michael Parkinson aka Shyrock, Jorge Luis Borges, Tony Visconti, Alan Ginsberg, Michael Lonsdale, Carlos Drummond de Andrade, Sylvina Ocampo and Kurt Schwitters. On top of that it contains lyrical contributions from Yoko Ono, Jorge Luis Borges, Remco Campert, Hugo Claus and even Vincent van Gogh.
International Blue: In 2014 Stephen then released his ‘International Blue’ album. What initially started as a plan to release a new EP eventually resulted in so many song sketches that he simply couldn’t resist creating yet another album. The idea behind ‘International Blue’ was to pay tribute tot the rare art and elegance of the pop-crooner. Emmer’s latest album infuses a modern twist to the genre with contemporary sounds & beats, studio techniques, insights and lyrical meaning in ten new and original compositions. The album was inspired by and meant as a tribute to the epic chamber music of Burt Bacharach, Scott Walker, Nick Cave and David Bowie.
Emmer’s ultimate search for the right voices for ‘International Blue’ resulted in inspiring collaborations with 4 of the great baritone voices the UK had on offer, like Glenn Gregory (Heaven17), Midge Ure (Ultravox), Liam McKahey (Cousteau) and Neil Crossley (Furlined). The album again got produced by Tony Visconti, the man behind Iggy Pop, Morrissey and David Bowie, amongst others. Production took place in legendary studios like Avatar Studios in New York and Abbey Road Studios in London.
International Blue was very well received by the press, resulting in amazing reviews in The Times (‘as classy as a gleaming vintage Rolls’), Mojo Magazine (‘International Blue is about its instantly timeless songs’), Q Magazine, Der Spiegel and Classic Pop Magazine. Dutch newspaper De Telegraaf listed the album as the #2 album in 2014, next to describing it as ‘The most beautiful orchestrated, arranged and composed album of the year’.
Home Ground: Stephen has just finished producing his new Home Ground album in New York with legendary producer Bob Power.
This album contains no booklet.