Crossing the Ocean Bridget Kibbey & Dawn Upshaw

• David Bruce (b. 1970): Caja de Música:
• 1Bruce: Caja de Música: I. Energetico04:03
• 2Bruce: Caja de Música: II. Nocturnal, Seductive04:33
• 3Bruce: Caja de Música: III. Tempo di Joropo03:32
• Kati Agócs (1975): Northern Lights:
• 4Agócs: Northern Lights: Prelude. I. Carillon (Church Bells, Montréal)02:06
• 5Agócs: Northern Lights: II. À la Claire fontaine (Québec)01:46
• 6Agócs: Northern Lights: III. I's the B'ye (Newfoundland)01:38
• 7Agócs: Northern Lights: IV. Huron Carol - 'Twas in the Moon of Wintertime (Ontario)03:07
• 8Agócs: Northern Lights: V. Aurora Rising01:43
• Avner Dorman (b. 1975): 3 Butterfly Songs:
• 9Dorman: 3 Butterfly Songs: No. 1, Blue Butterfly Day03:26
• 10Dorman: 3 Butterfly Songs: No. 2, Anosia Plexippus02:49
• 11Dorman: 3 Butterfly Songs: No. 3, The butterfly counts not months, but moments…02:42
• Kinan Azmeh (b. 1976): It's About Time:
• 12Azmeh: It's About Time04:25
• Paquito D'Rivera (b. 1948): Bandoneon:
• 13D'Rivera: Bandoneon05:17
• Du Yun (b. 1977): The Ocean Within:
• 14Yun: The Ocean Within06:09
• Total Runtime47:16

Info for Crossing the Ocean

Harpist Bridget Kibbey makes her Pentatone debut with Crossing the Ocean. Via virtuosic soundscapes to driving grooves, Kibbey takes the concert harp to uncharted territory in precision, sound, and verve, by merging traditional music with the contemporary via six newly-commissioned works she has curated, by an international set of composers: Kati Agócs, Kinan Azmeh, David Bruce, Avner Dorman, Paquito d’Rivera, and DuYun. Solo harp, with special guest Soprano Dawn Upshaw, who makes her Pentatone debut. Kibbey poses “…What is the rock from which you’re cut, and how does it resonate within your current surroundings? Through this question, each composer has opened a world in which I swim, as we dialogue about their origins and effects on their writing today. This process has richly broadened my perspective on the harp and the world, as we synthesize the past with the present. My musical neighbors – composers and performers – continue to bless me in countless ways, by broadening my perspective on the harp and the world. This record is my first ‘love letter’ to these communities and friends.”

Bridget Kibbey, harp
Dawn Upshaw, soprano

Bridget Kibbey
Announcing Kibbey’s newest solo recording, releasing October 13th with Pentatone Records, Crossing the Ocean. Kibbey asked six composers from six countries to write for the harp, based on the music they grew up hearing. The result? A set of cultural snapshots that delve into origin stories and preserving the past while moving forward into a new life in the United States. Soprano Dawn Upshaw is a special guest.

Kibbey recently made her solo NPR Tiny Desk Debut, is a winner of a prestigious Avery Fisher Career Grant, a Salon de Virtuosi SONY Recording Grant, the only harpist to win a place in the Chamber Music Society of Lincoln Center’s Bowers Program, Premiere Prix at the Journées de les Harpes Competition in Arles, France, among others. She has toured and recorded with luminaries Placido Domingo, Dawn Upshaw, Kathleen Battle and Gustavo Santaollalo for SONY Records and Deutsche Grammaphon; and, her own solo debut album, Love is Come Again, was named one of the Top Ten Releases by Time Out New York. Ms. Kibbey's solo performances have been broadcast on NPR's Performance Today, New York's WQXR, WNYC's Soundcheck, WETA’s Front Row Washington, WRTI’s Crossover, and on television in A&E's Breakfast with the Arts.

Using her harp as a musical passport, Kibbey synthesizes the past with the vanguard of the new, via her signature keyboard transcriptions, newly-commissioned works from the record, then inviting two special guests on stage (NY Gypsy All-Star Clarinetist Ismail Lumanovski and Latin-Grammy winning percussionist Samuel Torres) as she acts as bandleader in the live launch of a new touring project celebrating today's Nuevo Latino luminaries.

"Kibbey has the world at her fingertips." The Star Tribune.

Dawn Upshaw
Joining a rare natural warmth with a fierce commitment to the transforming communicative power of music, Dawn Upshaw has achieved worldwide celebrity as a singer of opera and concert repertoire ranging from the sacred works of Bach to the freshest sounds of today. Her ability to reach to the heart of music and text has earned her both the devotion of an exceptionally diverse audience, and the awards and distinctions accorded to only the most distinguished of artists. In 2007, she was named a Fellow of the MacArthur Foundation, the first vocal artist to be awarded the five-year “genius” prize, and in 2008 she was named a Fellow of the American Academy of Arts & Sciences.

Her acclaimed performances on the opera stage comprise the great Mozart roles (Susanna, Ilia, Pamina, Despina, and Zerlina) as well as modern works by Stravinsky, Poulenc, and Messiaen. From Salzburg, Paris and Glyndebourne to the Metropolitan Opera, where she began her career in 1984 and has since made nearly 300 appearances, Dawn Upshaw has also championed numerous new works created for her including The Great Gatsby by John Harbison; the Grawemeyer Award-winning opera, L’Amour de Loin and oratorio La Passion de Simone by Kaija Saariaho; John Adams’s Nativity oratorio El Niño; and Osvaldo Golijov’s chamber opera Ainadamar and song cycle Ayre.

It says much about Dawn Upshaw’s sensibilities as an artist and colleague that she is a favored partner of many leading musicians, including Gilbert Kalish, the Kronos Quartet, James Levine, and Esa-Pekka Salonen. In her work as a recitalist, and particularly in her work with composers, Dawn Upshaw has become a generative force in concert music, having premiered more than 25 works in the past decade. From Carnegie Hall to large and small venues throughout the world she regularly presents specially designed programs composed of lieder, contemporary works in many languages, and folk and popular music. She furthers this work in master classes and workshops with young singers at major music festivals, conservatories, and liberal arts colleges. She is the Head of the Vocal Arts Program at the Tanglewood Music Center and was the founding Artistic Director of the Vocal Arts Program at the Bard College Conservatory of Music.

A five-time Grammy Award winner, Dawn Upshaw is featured on more than 50 recordings, including the million-selling Symphony No. 3 by Henryk Gorecki for Nonesuch Records. Her discography also includes full-length opera recordings of Mozart’s Le nozze di Figaro; Messiaen’s St. Francois d’Assise; Stravinsky’s The Rake’s Progress; John Adams’s El Niño; two volumes of Canteloube’s “Songs of the Auvergne,” a dozen recital recordings, and an acclaimed three-disc series of Osvaldo Golijov’s music for Deutsche Grammophon. She received the 2014 Best Classical Vocal Solo Grammy for Maria Schneider’s Winter Morning Walks on the ArtistShare Label.

Dawn Upshaw holds honorary doctorate degrees from Yale, the Manhattan School of Music, the Juilliard School, Allegheny College, and Illinois Wesleyan University. She began her career as a 1984 winner of the Young Concert Artists Auditions and the 1985 Walter W. Naumburg Competition, and was a member of the Metropolitan Opera Young Artists Development Program.

Ms. Upshaw has recorded extensively for the Nonesuch label. She may also be heard on Angel/EMI, BMG, Deutsche Grammophon, London, Sony Classical, Telarc, and on Erato and Teldec in the Warner Classics Family of labels.

This album contains no booklet.