Rauchenecker: Orchestral Works Sebastian Bohren, Sarastro Quartett, Musikkollegium Winterthur & Howard Griffiths

• Georg Wilhelm Rauchenecker (1844 - 1906): Symphonisches Tonwerk im Stil einer Ouvertüre in E Major:
• 1Rauchenecker: Symphonisches Tonwerk im Stil einer Ouvertüre in E Major14:36
• Symphony No. 1 in F Minor:
• 2Rauchenecker: Symphony No. 1 in F Minor: I. Allegro ma non troppo08:25
• 3Rauchenecker: Symphony No. 1 in F Minor: II. Adagio con espressione05:15
• 4Rauchenecker: Symphony No. 1 in F Minor: III. Allegro impetuoso05:45
• 5Rauchenecker: Symphony No. 1 in F Minor: IV. Moderato05:00
• Orientalische Phantasie:
• 6Rauchenecker: Orientalische Phantasie13:01
• Total Runtime52:02

Info for Rauchenecker: Orchestral Works

Rauchenecker, a versatile virtuoso. Although almost completely forgotten today, Georg Wilhelm Rauchenecker was an exceptionally versatile musician of European stature: as founder and conductor of the first professional orchestra of the city of Winterthur (1875), composer, ardent Wagnerian, city organist, music dealer and pedagogue, he left weighty and far-reaching traces in Germany, Switzerland and France.

The two orchestral works presented here were written for "his" Winterthur City Orchestra (as the Musikkollegium Winterthur was called until 2000), while the Oriental Fantasy is an early work by the 21-year-old. Rauchenecker's symphonic debut seems in some ways to have been his artistic calling card: few of his other works were performed as often, and the piece remained in the repertoire until at least 1932.

Despite Rauchenecker's close contact with the works of the New German school and his personal acquaintance with Richard Wagner, this work shows the composer to be a preserver of the symphonic tradition. In a certain sense, the work speaks of a commitment to "absolute music", for programmatic allusions as well as explicitly coloristic instrumental effects are completely dispensed with.

His technically extremely demanding Oriental Fantasy combines the virtuoso demands of a solo concerto with a rhapsodically free form and was one of Rauchenecker's own showpieces as a violinist.

Sebastian Bohren, violin Sarastro QuartettMusikkollegium WinterthurHoward Griffiths, conductor

Sebastian Bohren
is a violinist who, as both concerto soloist and chamber musician, strikes a distinctive balance in his interpretations and his choice of repertoire, which favours the Classical and early Romantic eras, the 20th century and the present day.

In 2022, the Swiss Violin School Foundation awarded the “Golden Bow” to Sebastian Bohren. With the award, Sebastian Bohren joins an illustrious line of artists. Among them: Thomas Zehetmair, Tabea Zimmermann, Patricia Kopatchinskaja, Kim Kashkashian, Isabelle van Keulen, Thomas Demenga and Leonidas Kavakos.

The Süddeutsche Zeitung has described Bohren as “one of the most serious-minded, forthright musicians of his generation” while BBC Music Magazine’s 5* review of his Avie recording of Mozart violin concertos praised his “gorgeous solo playing … vividly alert to the music’s every shift and turn.” Gramophone magazine described the album, recorded in 2021 with CHAARTS Chamber Artists and conductor Gábor Takács-Nagy, as “a listening experience that commands the attention from start to finish,” and asked: “Which way will Sebastian Bohren’s questing approach to repertoire take him next?”

Over the coming seasons, Bohren’s performances as a soloist will embrace works by Mozart, Mendelssohn, Beethoven, Brahms, Bartók, Szymanowski, Korngold, Frank Martin, Kurt Weill, Magnus Lindberg, Alfred Schnittke, Peteris Vasks, Loris Tjeknavorian and Peter Eötvös. He has made concerto appearances in his native Switzerland with the Sinfonieorchester Basel, Luzerner Sinfonieorchester, Orchestra Svizzera Italiana, Musikkollegium Winterthur, Argovia Philharmonic, Zürcher Kammerorchester, Kammerorchester Basel, Festival Strings Lucerne and CHAARTS Chamber Artists, and internationally with the St. Petersburg State Academic Cappella, Royal Liverpool Philharmonic Orchestra, Deutsche Staatsphilharmonie Rheinland-Pfalz, Münchner Kammerorchester, Kölner Kammerorchester, Göttinger Sinfonieorchester, Philharmonie Reutlingen, WKO Heilbronn, Stuttgarter Kammerorchester, Romanian Chamber Orchestra and Orchestra di Padova e del Veneto. Conductors with whom he has collaborated include Elim Chan, Michael Sanderling, Cristian Macelaru, Andrew Manze, Thierry Fischer, Marc Minkowski, James Gaffigan, Heinz Holliger, Axel Kober, Patrick Lange, Andrew Litton, Christoph Poppen, Gábor Takács-Nagy and Mario Venzago.

In 2019 he gave the premiere of an arrangement for violin and orchestra of Prokofiev’s Violin Sonata No 1, which he commissioned from Ukrainian percussionist Andrei Pushkarev; a live recording with the Georgian Chamber Orchestra Ingolstadt was released on Sony Classical in 2019. Among his future recording projects is the Violin Concerto No.1 by Magnus Lindberg. This will expand a discography that already includes concertos by Beethoven, Mendelssohn, Karl Amadeus Hartmann and Britten (praised by The Strad for “a varied tonal palette that is as beguiling as his technique is striking”), the first instalment of a projected complete recording of Bach’s Sonatas and Partitas (judged “consistently enlightening” by Fanfare and of “radiant insight” by the Neue Zürcher Zeitung), and works by Schubert, Schumann, Respighi, Shostakovich, Vasks and Kancheli.

An avid chamber musician, Sebastian Bohren's partners have included violinists Roby Lakatos, Hansheinz Schneeberger and Dmitry Sitkovetsky, pianists Andreas Haefliger, Konstantin Lifschitz and Yekwon Sunwoo, violist Antoine Tamestit, cellists Thomas and Patrick Demenga, Anastasia Kobekina, Julia Hagen and Christian Poltera, and clarinettist Reto Bieri.

Sebastian Bohren is artistic director of Stretta Concerts in Brugg, Switzerland. He plays a 1761 violin made in Parma by Giovanni Battista Guadagnini, the “Ex-Wanamaker-Hart”.

Booklet for Rauchenecker: Orchestral Works