Rococo - Musique à Sanssouci Dorothee Oberlinger

• Gottfried Finger (1660-1730):
• 140 Airs anglos pour la flute, 3me livre: A Ground03:22
• Georg Friedrich Händel (1685-1759):
• 2Concerto doppio in C Minor, HWV deest: I. Adagio01:13
• 3Concerto doppio in C Minor, HWV deest: II. Allegro03:51
• 4Concerto doppio in C Minor, HWV deest: III. Adagio02:06
• 5Concerto doppio in C Minor, HWV deest: IV. Tempo di Menuet02:30
• Johann Gottlieb Janitsch (1708-1763):
• 6Quadro in G Major: I. Adagio02:22
• 7Quadro in G Major: II. Allegro ma non tanto06:59
• 8Quadro in G Major: III. Vivace04:54
• Johann Gottlieb Graun (1703-1771):
• 9Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: I. Allegro02:35
• 10Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: II. Adagio03:53
• 11Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: III. Allegro02:36
• Johann Joachim Quantz (1697-1773):
• 12Fantasies and Preludes, Giedde I.45: Sarabande in G Major02:58
• Carl Philipp Emanuel Bach (1714-1788):
• 13Flute Sonata in E Minor, Wq 124: I. Adagio02:09
• 14Flute Sonata in E Minor, Wq 124: II. Allegro01:40
• 15Flute Sonata in E Minor, Wq 124: III. Menuett02:15
• 16Trio Sonata in F Major, Wq 163: I. Un poco andante03:54
• 17Trio Sonata in F Major, Wq 163: II. Allegretto04:20
• 18Trio Sonata in F Major, Wq 163: III. Allegro02:48
• Ernst Gottlieb Baron (1696-1760):
• 19Concerto a flauto dolci, au luth in D Minor: I. Adagio01:55
• 20Concerto a flauto dolci, au luth in D Minor: II. Allegro01:37
• 21Concerto a flauto dolci, au luth in D Minor: III. Siciliana02:19
• 22Concerto a flauto dolci, au luth in D Minor: IV. Gigue02:16
• Johann Joachim Quantz:
• 23Fantasies and Preludes, Giedde I.45: Vivace alla Francese01:30
• Johann Christoph Schultze (1733-1813):
• 24Concerto à 5 in B-Flat Major: I. Allegro05:32
• 25Concerto à 5 in B-Flat Major: II. Adagio02:02
• 26Concerto à 5 in B-Flat Major: III. Allegro05:13
• Total Runtime01:18:49

Info for Rococo - Musique à Sanssouci

Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.

Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan at some of the most prestigious venues such as the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne.

She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.

Dorothee Oberlinger collaborates with the top Italian ensemble "Sonatori de la Gioiosa Marca", with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press.

She directs her own "Ensemble 1700", which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.

Dorothee Oberlinger, recorder

Dorothee Oberlinger
is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.

Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan at some of the most prestigious venues such as the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne.

She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.

Dorothee Oberlinger collaborates with the top Italian ensemble "Sonatori de la Gioiosa Marca", with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press.

She directs her own "Ensemble 1700", which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.

Booklet for Rococo - Musique à Sanssouci