Simon Vincent: Stations of the Cross Simon Vincent

• 1Meditations on Christ in the Garden of Gethsemane06:12
• 2Stations of the Cross: First Offering: Opening01:52
• 3Station 1: Jesus, a man of truth, is comdemned to death by the crowd, through their government01:08
• 4Station 2: The truth is beaten and flogged and roped to the execution beam01:32
• 5Station 3: He falls under pressure from without01:00
• 6Station 4: He is helped by his mother01:16
• 7Station 5: He is helped by Simon of Cyrene01:36
• 8Station 6: He is helped by Veronica, who wipes his face01:36
• 9Station 7: He falls for the second time under pressure from within00:44
• 10Station 8: Jesus turning said, "Daughters of Jerusalem, do not weep for me but weep for yourselves and your children"01:22
• 11Station 9: Under great pressure from the crowd, he falls for the third time01:07
• 12Station 10: We strip him of his clothes00:57
• 13Station 11: Jesus is held down by the crowd as the tools of government drive in the nails01:13
• 14Station 12: He is executed on the cross02:20
• 15Station 13: The body of Jesus is held by his mother01:04
• 16Station 14: He is enclosed into his tomb02:00
• 17Station 15: Illumination: Awareness, Enlightenment, Insight, Inspiration, Understanding02:16
• 18Stations of the Cross: Second Offering: Conclusion02:44
• Total Runtime31:59

Info for Simon Vincent: Stations of the Cross

„Stations of the Cross“, a new work for solo piano by British composer and pianist Simon Vincent, was inspired by a visit to Jerusalem in 2015 and by William Fairbanks’ installation in Lincoln Cathedral. Entitled Forest Stations, the installation is a series of sculptures in wood and reflects Fairbanks’ love of timber and his concern about the preservation of forests and trees. The sculptures tell the story of Christ’s death, the ‘Stations of the Cross’ being the places on the route to the place of Crucifixion where Christ is said to have stopped. For the faithful, each station, or stopping point, provides a point of prayer and meditation on the Passion of Christ.

Simon Vincent’s „Stations of the Cross“ (2016) is a series of 17 short movements, depicting Christ’s spiritual, emotional and corporeal journey to his death on the cross.

„It is intended that the work opens up reflection and discussion of the image of a sole human figure weighed down with burden, an image which for me raises issues of the relationship of the individual to both a society and state which are not only capable of looking away but also of allowing suffering: themes of truly vital relevance to us today“ (Simon Vincent)

The work is prefaced by an earlier piece, ‘Meditations on Christ in the Garden of Gethsamane’ (2013) whose sombre, reflective mood prepares the listener for the main work on the disc. Musically, ‘Stations of the Cross’ owes much to Morton Feldman, master of stillness and controlled, deliberate silences, while the concept of a cycle of devotional meditations connects this work to Messiaen’s epic ‘Vingt Regards sur l’enfant Jesus’.

Vincent’s carefully-placed chords are infused with jazz harmonies, while subtleties of tonal colour are achieved through long, sustained notes and the piano’s resonance. It’s the kind of music that demands to be heard live, preferably in an acoustic which allows the timbres and unexpected fleeting clusters of notes and rhythmic fragments to linger in the air like memories.

It was Claude Debussy who declared that “music is the space between the notes”, and the pauses and fermatas which colour ‘Stations of the Cross’ allow one to fully appreciate every single note and chord. Into this void, the sounds reverberate and resonate with a meditative stillness and restrained expressive gravity. The effect is powerfully cumulative, despite the brevity of each movement, with a sense of the music building inevitably towards its contemplative conclusion.

Simon Vincent, piano

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