For That Beautiful Feeling The Chemical Brothers

• 1 Intro 01:09
• 2 Live Again 05:10
• 3 No Reason 04:52
• 4 Goodbye 05:50
• 5 Fountains 03:45
• 6 Magic Wand 02:28
• 7 The Weight 03:44
• 8 Skipping Like A Stone 04:43
• 9 The Darkness That You Fear (Harvest Mix) 04:10
• 10 Feels Like I Am Dreaming 06:58
• 11 For That Beautiful Feeling 04:15
• Total Runtime 47:04

Info for For That Beautiful Feeling

The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.

For That Beautiful Feeling somehow sums the duo’s new project up perfectly. Recorded in the band’s own studio just near the UK’s south coast, this is a record that hunts for and captures that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.

Each track on For That Beautiful Feeling was born out of a desire to find that point of vision in the studio, a point that could then be refracted back onto the dancefloor through the music. As a result, it’s a collection of music that’s vividly colorful and confident and deeply psychedelic; impossible beauty carved from noise and chaos and endless fluid rhythm.

From the towering four to the floor rollercoaster ride of “Live Again” and the glorious analogue noise breakdown of “Goodbye,” through the return of Beck (previously heard on the Chemical Brothers’ 2015 single Wide Open) on the propulsive and dreamy “Skipping Like A Stone” and on to the deep, hypnotic swoon of the album’s title track, it’s clear that the duo’s tenth album comes from and is made for that beautiful feeling – that transcendent state that they evoke like no one else in modern music.

“On their 10th album, The Chemical Brothers remain the best in the business.” - NME

"The Chemical Brothers pick up up where 2019’s No Geography left off, with a nonsense-free reaffirmation of the dance duo’s greatest strength – making largely instrumental psychedelic house and techno somehow sound like pop music… That beautiful feeling must be pure pleasure.” - The Observer

“One mighty magnificent trip” - Mojo

“Irresistible euphoria… sounds like it’s blazing out of a festival speaker stack” - Uncut

“Their best and most contemporary work since ‘Surrender’” - Mixmag

“Nearly 30 years on from Exit Planet Dust, it's remarkable how commanding Rowlands and Simons remain. Given that their live show is still the best immersive visual spectacle in any genre, they could easily do a Kraftwerk and just settle for great concerts. Instead, they're still making God-tier bangers. That feels kinda beautiful.” - Classic Pop

The Chemical Brothers

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Tom Rowlands (b. Henley-on-Thames, Oxfordshire, England) and Edward Simons (b. Dulwich, London, England) met while studying history at Manchester Polytechnic in the late 80s. Rowlands became a member of the Balearic group Ariel, which put out a number of releases on Deconstruction Records. At the same time the pair found a common interest in acid house, techno and hip-hop and began DJing at house parties, calling themselves the Dust Brothers after the west coast hip-hop producers. They subsequently played at a club called "Naked Under Leather" and began writing their own material to use. One track, "Song To The Siren", was picked up by Junior Boy's Own Records and released early in 1993. The pair were consequently invited to remix Lionrock's "Packet Of Peace" and tracks by various other artists, including Leftfield/John Lydon, Republica and the Sandals. The next year the Dust Brothers released the EPs 14th Century Sky, which became well-known for the track "Chemical Beats", and My Mercury Mouth.

Following the success of these records and the Sunday Social, a club that they ran in London in conjunction with Heavenly Records, they signed to Virgin Records in early 1995 as the Chemical Brothers, after the threat of legal action from the original US Dust Brothers. Their first releases included the single "Leave Home" and the album Exit Planet Dust on their own subsidiary, Freestyle Dust. As well as their trademark sound of guitars, heavy breakbeats and analogue noise, the album surprisingly included vocals from the Charlatans' Tim Burgess ("Life Is Sweet") and Beth Orton ("Alive: Alone"). During 1995 the duo promoted the album with successful performances at many rock and dance music festivals throughout the UK and Europe and also toured America alongside Orbital and Underworld. A live mix album appeared alongside remixes for Dave Clarke, the Manic Street Preachers and Method Man. In the autumn of 1996, the pair released "Setting Sun', which featured lead vocals by Oasis' Noel Gallagher, and became their first number 1 single. The Chemical Brothers" huge popularity was confirmed with the release of their second album, Dig Your Own Hole, which also received critical acclaim, being nominated for Mercury and BRIT Awards in the UK, while the number 1 single "Block Rockin' Beats' won a Grammy for Best Rock Instrumental (despite featuring vocals). The Chemical Brothers" big beat music became the crossover success of the year, appealing to rock and dance fans in equal measure.

Remix work for Spiritualized, Mercury Rev and the original Dust Brothers followed in 1998, as well as another mix album. The duo returned to the UK pop charts in June 1999 with the Top 5 single, "Hey Boy Hey Girl", and the chart-topping Surrender. The album featured guest vocal turns from New Order's Bernard Sumner, Primal Scream's Bobby Gillespie and Mazzy Star's Hope Sandoval. Rowlands and Simons sustained their remarkable creativity with their first album of the new millennium, Come With Us.