Portraits - The Clarinet Album Andreas Ottensamer
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- George Gershwin (1898-1937): Three Preludes for piano solo
- 11. Allegro ben ritmato e deciso01:50
- Aaron Copland (1900-1990): Clarinet Concerto
- 21. Slowly and expressively08:47
- 32. Rather fast08:14
- Claude Debussy (1862-1918): Préludes - Book 1, L. 117
- 4La fille aux cheveux de lin02:56
- Domenico Cimarosa (1749-1801): Oboe Concerto in C, arr. for Clarinet and Strings
- 51. Introduzione - attacca03:02
- 62. Allegro02:35
- 73. Siciliana02:45
- 84. Allegro giusto02:26
- Amy Marcy Beach (1867-1944): Three Pieces for Violin & Piano, Op.40
- 92. Berceuse (Arr. for Clarinet & Orchestra by Stephan Koncz)03:11
- Louis Spohr (1784-1859): Clarinet Concerto No.1 in C minor, Op.26
- 101. Adagio - Allegro10:58
- 112. Adagio03:38
- 123. Rondo (Vivace)06:47
Info for Portraits - The Clarinet Album
Deutsche Grammophon is delighted to release the debut album of Austrian clarinettist Andreas Ottensamer, the first ever solo clarinettist to sign an exclusive agreement with the Yellow Label. Portraits – The Clarinet Album features concertos by Copland, Spohr and Cimarosa, plus arrangements of short pieces. Andreas Ottensamer is accompanied on the recording by the Rotterdam Philharmonic under Yannick Nézet-Séguin, a rising star in the Deutsche Grammophon firmament.
Portraits – The Clarinet Album takes us from the early-Romantic intensity of Spohr to the jazz inflections of Copland, and from the operatic gestures of Cimarosa to the poised serenity of Debussy. It includes a prelude by Gershwin, Debussy’s evocative La Fille aux cheveux de lin, and a Berceuse by Amy Beach, the first great female American composer.
Andreas Ottensamer says of the choice of repertoire: “This is a personal choice of pieces where I feel the clarinet’s full expressive range is portrayed. It goes beyond the standard repertoire, certainly with the arrangements, but while the three concertos form the framework, all the music is linked by similar moods.”
Andreas Ottensamer was born in 1989 into an Austro-Hungarian family of musicians. After studying piano and cello he turned to the clarinet and gained his first orchestral experience in the orchestra of the Vienna State Opera and the Vienna Philharmonic and as a member of the Gustav Mahler Jugendorchester. In 2009 he interrupted his liberal arts studies at Harvard University to become a scholar of the Orchestra Academy of the Berliner Philharmoniker. Ottensamer is currently principal clarinet with the Berliner Philharmoniker, a post he took up in March 2011, having previously held the same position with the Deutsches Symphonie-Orchester Berlin.
'Andreas Ottensamer melts with his clarinet … he is an ‘übersolist’ and a phenomenon ... In his natural musicality Ottensamer turned out to be an ideal partner for chief conductor Yannick Nézet-Séguin.' (NRC Handelsblad)
'...he plays with a vitality that pushes boundaries.' (Der Tagesspiegel)
'Solo clarinettist Andreas Ottensamer played with particular finesse ...and a touch of melancholy.' (MusicalAmerica.com)
Andreas Ottensamer, clarinet
Rotterdam Philharmonic Orchestra
Yannick Nézet-Séguin, conductor
has captured audiences and critics alike with the singular beauty of tone that he coaxes from the instrument. At one stage he studied the cello, which perhaps has helped to imbue his approach to the clarinet with a soulful depth. His Viennese instrument, with a wider bore than the closely related German-system clarinet, produces a particularly dark, expansive and warm tone, which he exploits to full advantage.
Born in 1989, Ottensamer comes from an Austro-Hungarian family of musicians and was drawn to music early, receiving his first piano lessons when he was four. At the age of ten he began studying cello in his home town at the University of Music and Performing Arts Vienna, then changed to the clarinet under Johann Hindler in 2003.
Andreas Ottensamer gained his first orchestral experience as a deputy in the orchestra of the Vienna State Opera and the Vienna Philharmonic and as a member of the Gustav Mahler Jugendorchester. In 2009 he interrupted his Harvard studies to become a scholar of the Orchestra Academy of the Berliner Philharmoniker.
As principal clarinettist he has played with the Deutsches Symphonie-Orchester Berlin from July 2010 to February 2011 and with the Berliner Philharmoniker.
Ottensamer has won first prize in competitions for clarinet, cello and piano, and performs as a soloist and chamber musician throughout the world in venues such as Musikverein Wien, Konzerthaus Wien, Brucknerhaus Linz, Musikverein Graz, Philharmonie Berlin, Tempodrom Berlin, De Doelen Rotterdam, and Seoul Arts Center. His artistic partnerships include work with Murray Perahia, Leif Ove Andsnes, Leonidas Kavakos, Janine Jansen, Clemens Hagen and Yo-Yo Ma. In 2005 Andreas Ottensamer founded the clarinet trio The Clarinotts with his father Ernst and brother Daniel, both solo clarinettists in the orchestra of the Vienna State Opera and the Vienna Philharmonic. Several works have been dedicated to the ensemble.
In February 2013 Andreas Ottensamer entered an exclusive recording partnership with Deutsche Grammophon/Mercury Classics, making him the first ever solo clarinettist to sign an exclusive agreement with the Yellow Label. His first album, Portraits – The Clarinet Album, will be released in the summer and features concertos by Copland, Spohr and Cimarosa, plus arrangements of short pieces. His partners are the Rotterdam Philharmonic Orchestra under Yannick Nézet-Séguin.
He said of the recording: “This album poses the challenge of jumping between different styles and ways of playing, but at the same time I set a high priority on maintaining my personal interpretation and sound.”
For a man who is so dedicated to music, Andreas Ottensamer is also passionate about sport. For many years he was a tennis tournament player, and together with his brother he founded his own football club, the Wiener Virtuosen, in 2007. The team plays successfully in the Wiener DSG league and Ottensamer still travels to Vienna for matches whenever his schedule permits.
In 2013 this schedule includes performances of the Busoni Clarinet Concertino and Copland Clarinet Concerto at the Seoul Arts Center in Korea (March), concerts with the Brahms Ensemble Berlin in Baden-Baden and Japan and appearances with his own Clarinotts at the Musikverein in Vienna (April). In May he undertakes a Japanese tour, playing repertoire from his debut album – including performances as a soloist with the Nagoya Philharmonic Orchestra – and giving masterclasses in Tokyo and other cities.
Apart from his extensive activities within the world of classical music, Andreas Ottensamer has widened his horizon to other musical fields, resulting in a collaboration and recording with Tori Amos on her album Night of Hunters.
The beauty of tone and distinct musicality over a wide range of styles have won extensive critical plaudits for Andreas Ottensamer. Sybill Mahlke wrote in Der Tagesspiegel of his “limitless dynamic range . . . he plays with a vitality that pushes boundaries.” NRC Handelsblad said: “Andreas Ottensamer melts with his clarinet . . . he is an ‘übersolist’ and a phenomenon.” Rebecca Schmid wrote for MusicalAmerica.com: “Solo clarinettist Andreas Ottensamer played with particular finesse . . . and a touch of melancholy.”