Glasgow Eyes The Jesus and Mary Chain

• 1Venal Joy03:27
• 2American Born03:04
• 3Mediterranean X Film04:24
• 4jamcod03:59
• 5Discotheque04:13
• 6Pure Poor05:18
• 7The Eagles and the Beatles03:10
• 8Silver Strings03:28
• 9Chemical Animal04:33
• 10Second of June03:56
• 11Girl 7103:08
• 12Hey Lou Reid06:15
• Total Runtime48:55

Info for Glasgow Eyes

Marking 40 years of The Jesus And Mary Chain, ‘Glasgow Eyes’ was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s ‘Damage and Joy’, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what ‘Glasgow Eyes’ is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.” ‘Glasgow Eyes’ not only extends The Jesus and Mary Chain's story, but feels simultaneously like a return to roots. From the incendiary ‘Psychocandy’ debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.

The Jesus And Mary Chain

The Jesus & Mary Chain
Few bands have had such a huge effect on musical culture, as The Jesus and Mary Chain. Their attitude alone, dressed in black, angry with the world, playing short sets drenched in feedback, set the bench mark in the post Sex Pistols music scene of London. Their seminal debut album Psychocandy would go on to change the course of popular music, channeling the sneering angst and noise distortion of the live shows into hypnotic sweet melodies layered with dark lyrics that would beguile and bewilder.

Released into the world, The Jesus and Mary Chain became the darlings of British press, as they searched to find the owner of the post punk crown in the mid 80’s. With strong Velvet Underground influences, and a despondent but melodic wall of noise, they went on to become the inspiration for such critically acclaimed bands such as My Bloody Valentine in the early 90’s. The band formed in East Kilbride, a wasteland on the outskirts of Glasgow, Scotland in 1983, around the writing partnership of the Reid brothers, William and Jim.

They soon moved to London and their “win or die trying” attitude and thrashing guitar sound, was bought to the attention of Alan Mcgee and Creation records, by Bobby Gillespie, vocalist with another Scottish band, Primal Scream. The first single “Upside Down” was released, and Gillespie joined the band as drummer. Gillespie pursued the Velvet Underground, single snare and floor tom sound that became prevalent on the recording of the Psychocandy album.

In stark contrast to the adrenaline fueled 15 minute live shows, that often ended in violence and riot, (as the Reid’s inflammatory interaction with the thrill hungry crowd, saw them provoking utter chaos,) the slow throbbing noise pop Psychcocandy album, spawned such classics as “Just Like Honey” and “Some Candy Talking.”

The Jesus and Mary Chain got picked up by US college radio, and amongst the heavy rotation playlist a North American Tour followed.

The Album Darklands was released, as the tour ended in more chaos following Jim Reid’s arrest for allegedly assaulting a member of the audience in Canada who heckled him.

In 1994 the Album, Stoned & Dethroned, was released, and a single taken from the album “Sometimes Always,” featuring Hope Sandoval from Mazzy Star, gave the band a commercial hit. They showcased the song on The Late Show with David Letterman bordering on a mainstream American breakthrough, in true Mary Chain style, it took another four years to put out another US Album: Munki, released by Seattle’s Sub Pop (original home of Nirvana, who were huge fans of the band.)

A succession of well documented break ups, fueled by brotherly love and internal tensions followed, as William took up resindence in Los Angeles and Jim returned to the UK.

The brothers came together in 2007 to perform at Coachella Music Festival, to be joined on stage by Scarlett Johansson, for the “Just Like Honey” hit.

In 2012, the band embarked on a series of North American dates, during which, Jim revealed that he and his brother had written songs for a new album.

“ We have a bunch of new stuff, there’s been this album that everyone has talked about.” Following the bands re acquaintance with Creation Management in 2014 they are engaged in a series of festival dates across the globe. Things have come full circle for the brothers Reid. Both William and Jim are totally invigorated by the prospect of performing live again and finishing off the elusive album as well as a slight wink towards the 2015, 30 year anniversary of Psychocandy.

This album contains no booklet.