Martha Argerich - Debut Recital Martha Argerich
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- 1Scherzo No.3 in C sharp minor, Op.3906:30
- 2Rhapsody (2) for Piano in B minor, Op.79, No.108:29
- 3Rhapsody (2) for Piano in G minor, Op.79, No.206:31
- 4Toccata for Piano in D minor, Op. 1104:08
- 5Jeux d'eau05:26
- 6Barcarolle for Piano in F sharp, Op.6008:06
- Piano Sonata In B Minor
- 7Hungarian Rhapsody (19) for Piano, No.6 in D flat, S.24406:22
- 8Lento assai - Allegro energico03:01
- 10Cantando espressivo03:40
- 11Pesante - Recitativo02:05
- 12Andante sostenuto00:46
- 13Quasi Adagio04:48
- 14Allegro energico02:13
- 15Più mosso01:52
- 16Cantando espressivo senza slentare01:14
- 17Stretta quasi Presto - Presto - Prestissimo01:13
- 18Andante sostenuto - Allegro moderato - Lento assai02:58
Info for Martha Argerich - Debut Recital
“Here, on this richly filled album, is a positive cornucopia of musical genius. Martha Argerich's 1961 disc remains among the most spectacular of all recorded débuts, an impression reinforced by an outsize addition and encore: her 1972 Liszt Sonata. True, there are occasional reminders of her pianism at its most fraught and capricious (Chopin's Barcarolle) as well as tiny scatterings of inaccuracies, yet her playing always blazes with a unique incandescence and character.
The Brahms Rhapsodies are as glowingly interior as they're fleet. No more mercurial Chopin Scherzo exists on record and if its savagery becomes flighty and skittish (with the chorale's decorations sounding like manic bursts of laughter), Argerich's fine-toned fluency will make other, lesser pianists weep with envy.
Ravel's Jeux d'eau is gloriously indolent and scintillating and the Prokofiev Toccata is spun off in a manner that understandably provoked Horowitz's awe and enthusiasm. Liszt's Sixth Hungarian Rhapsody is a marvel of wit and daring and the B minor Sonata is among the most dazzling ever perpetuated on disc. The recordings have worn remarkably well and the transfers have been expertly done.” (The Gramophone Classical Music Guide)
Martha Argerich, Piano
Recorded: July 1960 in Beethoven-Saal, Hannover von Heinz Wildhagen
Technical Credits: Karl-Heinz Schneider (Producer), Heinz Wildhagen (Engineer)
was born in Buenos Aires. From the age of five, she took piano lessons with Vicenzo Scaramuzza. In 1955 she went to Europe with her family, and received tuition from Friedrich Gulda in Vienna; her teachers also included Nikita Magaloff and Stefan Askenase. Following her first prizes in the piano competitions in Bolzano and Geneva in 1957, she embarked on an intensive programme of concerts. Her victory in the Chopin Competition in Warsaw in 1965 was a decisive step on her path to worldwide recognition.
Martha Argerich rose to fame with her interpretations of the virtuoso piano literature of the 19th and 20th centuries. But she does not regard herself as a specialist in 'virtuoso' works - her repertoire ranges from Bach through Beethoven, Schumann, Liszt, Debussy and Ravel, to Bartók.
Martha Argerich has worked as a concert pianist with many famous conductors. She has also attached great importance to chamber music ever since, at the age of 17, she accompanied the violinist Joseph Szigeti - two generations older than herself. She has toured Europe, America and Japan with Gidon Kremer and Mischa Maisky and has also recorded much of the repertory for four hands and for two pianos with the pianists Nelson Freire, Stephen Bishop-Kovacevich, Nicolas Economou and Alexandre Rabinovitch. Martha Argerich has performed at Gidon Kremer's festival in Lockenhaus, at the Munich Piano Summer, the Lucerne Festival and at the Salzburg Festival, where she gave, for instance, a recital with Mischa Maisky in 1993.
She appeared with Claudio Abbado and the Berlin Philharmonic at the 1992 New Year's Eve Concert with Strauss's Burleske and also at the Salzburg Festival at Easter 1993. May 1998 saw the long-awaited musical 'summit meeting' between Martha Argerich, Mischa Maisky and Gidon Kremer. On the occasion of a memorial concert for the impresario Reinhard Paulsen, the three artists came together in Japan, where they performed piano trios by Shostakovich and Tchaikovsky (recorded live by DEUTSCHE GRAMMOPHON). In March 2000 Martha Argerich gave her first great solo appearance in almost 20 years in New York's Carnegie Hall.
Martha Argerich has close ties with DEUTSCHE GRAMMOPHON, dating back to 1967. She has recorded prolifically during this period: solo works by Bach, Brahms, Chopin, Liszt and Schumann; concerto recordings of works by Chopin, Liszt, Ravel and Prokofiev with Claudio Abbado, Beethoven with Giuseppe Sinopoli, and Stravinsky's Les Noces with Leonard Bernstein. Her recording of Shostakovich's First and Haydn's Eleventh Piano Concertos with the Württembergisches Kammerorchester Heilbronn conducted by Jörg Färber was crowned with the Tokyo RECORD ACADEMY AWARD in 1995 and that of Tchaikovsky's Piano Concerto No. 1 with Claudio Abbado and the Berlin Philharmonic Orchestra was awarded the CD COMPACT AWARD in 1997.
She has also dedicated herself to chamber music, and has recorded works by Schumann and Chopin with Mstislav Rostropovich, and cello sonatas by both Bach and Beethoven with Mischa Maisky. She has made numerous successful recordings with Gidon Kremer, such as violin sonatas by Schumann and works by Bartók, Janácek and Messiaen (PRIX CAECILIA 1991), and Mendelssohn's concerto for violin and piano with the Orpheus Chamber Orchestra. Their recording of Prokofiev sonatas and melodies received the 1992 Tokyo RECORD ACADEMY AWARD, the DIAPASON D'OR 1992 and the EDISON AWARD 1993. One of their most outstanding recording achievements was that of the complete Beethoven violin sonatas (Nos.1-3: RECORD ACADEMY AWARD 1985), which was concluded with the release of the Sonatas op. 47 'Kreutzer' and op. 96 in 1995. Among her more recent releases is the above-mentioned live recording of piano trios by Shostakovich and Tchaikovsky with Mischa Maisky and Gidon Kremer.
Martha Argerich takes a great supportive interest in young artists. In September 1999 the first International 'Martha Argerich' Piano Competition took place in Buenos Aires - a competition which does not only carry her name but in which she is president of the jury. In November 1999 the second 'Martha Argerich Music Festival' took place in southern Japan, with concerts and masterclasses being given not only by Martha Argerich but also by Mischa Maisky and Nelson Freire among others.
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