Charles-Joseph Van Helmont: Leçons de ténèbres Scherzi Musicali & Nicolas Achten

• Charles-Joseph Van Helmont (1715 - 1790): Première leçon du Merchredy Saint:
• 1Helmont: Première leçon du Merchredy Saint06:34
• Seconde leçon du Merchredy Saint:
• 2Helmont: Seconde leçon du Merchredy Saint04:59
• Troisième leçon du Merchredy Saint:
• 3Helmont: Troisième leçon du Merchredy Saint04:43
• Fuga prima:
• 4Helmont: Fuga prima02:52
• Première leçon du Jeudy Saint:
• 5Helmont: Première leçon du Jeudy Saint04:38
• Seconde leçon du Jeudy Saint:
• 6Helmont: Seconde leçon du Jeudy Saint03:58
• Troisième leçon du Jeudy Saint:
• 7Helmont: Troisième leçon du Jeudy Saint03:58
• Fuga terza:
• 8Helmont: Fuga terza02:59
• Fuga quarta:
• 9Helmont: Fuga quarta01:51
• Troisième leçon du Jeudy Saint (1756 Version):
• 10Helmont: Troisième leçon du Jeudy Saint (1756 Version)08:20
• Fuga quinta:
• 11Helmont: Fuga quinta02:05
• Première leçon du Vendredy Saint:
• 12Helmont: Première leçon du Vendredy Saint04:04
• Seconde leçon du Vendredy Saint:
• 13Helmont: Seconde leçon du Vendredy Saint04:29
• Troisième leçon du Vendredy Saint:
• 14Helmont: Troisième leçon du Vendredy Saint05:01
• Fuga seconda:
• 15Helmont: Fuga seconda03:19
• Troisième leçon du Vendredy Saint (1756 Version):
• 16Helmont: Troisième leçon du Vendredy Saint (1756 Version)05:56
• Fuga sesta:
• 17Helmont: Fuga sesta01:39
• Total Runtime01:11:25

Info for Charles-Joseph Van Helmont: Leçons de ténèbres

Charles-Joseph Van Helmont played a leading role in music in Brussels during the Baroque period. In 1737 he followed in the footsteps of Joseph-Hector Fiocco and composed a cycle of nine Leçons de ténèbres for solo voice and continuo. Ornamentation in the French style blends here with Italian lyricism, and each lamentation of the prophet Jeremiah is granted its own particular atmosphere. He revised one of his most beautiful Leçons of Holy Week in 1756 and added a solo cello part, also taking the opportunity to compose a completely new Leçon whose galant style surprises as much as it seduces the listener. For these works, recorded here for the first time, the Brussels-based ensemble Scherzi Musicali has here assembled three sopranos and several instrumentalists around a magnificent organ (1775) built by Guillaume Robustelly.

Wei-Lian Huang, soprano
Griet De Geyter, soprano
Deborah Cachet, soprano
Scherzi Musicali
Nicolas Achten, organ, musical direction

Scherzi Musicali
is considered one of the most notable young ensembles in the world of early music. It was founded and is directed by Nicolas Achten, one of the few modern classical singers to accompany himself, variously, on the lute, the harp, and the harpsichord, reviving this old practice. Adapting its size and instrumentarium to the needs of the performance situation, Scherzi Musicali brings together young singers and instrumentalists willing to rethink the approach to early music and seeking to serve it with a genuine concern for musicological relevance. While aiming to rediscover lost gems of a forgotten musical heritage, Scherzi Musicali nevertheless do not neglect the key works of the repertoire, be they secular, sacred or operatic.

Since 2006, Scherzi Musicali has performed in Belgium, France, the Netherlands, Luxembourg, Spain, Italy, England and Germany, at the Festival van Vlaanderen, De Bijloke (including a concert with Emma Kirkby), Concertgebouw Brugge, De Singel, Bozar, Festival de Wallonie, Automne Musical de Spa, Operadagen Rotterdam, Amia Strasbourg, the Venetian Festival of Baroque Music, Tage Alter Musiek Herne, Musiekfestspiele Potsdam, etc

Conscious of its pedagogical role, Scherzi Musicali collaborates with "Jeunesses Musicales" and "Jeugd en Muziek", to put scholarly understanding of early music at the heart of educational establishments.

Scherzi Musicali has recorded five CD's, published by Outhere (Ricercar and Alpha) and Musique en Wallonie. After four recordings of works previously never released on CD — "l’Euridice" by Giulio Caccini, the album "Dulcis Amor Iesu" (motets of Giovanni Felice Sances), the album "Petits Motets" dedicated to the Brussels composer Joseph-Hector Fiocco, and Domenico Mazzocchi's "La Catena d’Adone" —, their latest recording "How pleasant 'tis to Love" is devoted to Purcell's songs.

Each of Scherzi Musicali’s records have generated genuine enthusiasm from the international press, garnering awards such as the Diapason d’or découverte, Joker (Crescendo magazine), Octaves de la Musique Classique, La clé (ResMusica), Prelude Classics Award, 4-star (Monde de la musique), Muse d'Or & Muse du mois (Muse baroque), Golden Ring (Classic Info), Outstanding (International Record Review).

Scherzi Musicali is supported by the French Community of Belgium (General Directorate for Culture, Department of Music).

Nicolas Achten
Baritone, harpsichordist, lutenist, harpist and artistic director, Nicolas Achten is a rising figure in the world of early music. Prizewinner at the VIIth International Baroque Singing Competition of Chimay in 2006, he was voted Classical Artist of 2009 at the Octaves of Music Prize, and Young Musician of the Year 2009 by the Union of the Belgian Musical Press.

Born in Brussels in 1985, he studied singing, lute, harpsichord and triple harp at the Royal Conservatories of Brussels and the Hague, and completed his training at various masterclasses, including the Académie baroque d’Ambronay and the Centre de la Voix de Royaumont.

Since 2004, Nicolas has performed with some of the most prestigious early music ensembles including l’Arpeggiata, La Fenice, La Petite Bande, Ausonia, Les Agrémens, Akadêmia, Les Talens Lyriques, il Fondamento, Les Musiciens du Louvre, Il Seminario Musicale, Le Poeme Harmonique, and the Akademie für Alte Musik Berlin, and under the direction of conductors such as Jean Tubéry, Sigiswald Kuijken, Marc Minkowski, Christophe Rousset and René Jacobs.

He is one of the few classical singers to accompany himself on various instruments, reviving this historical practice. With the intention of furthering this practice and research, he founded the ensemble Scherzi Musicali, whose concerts and recordings have been received with unanimous enthusiasm from the public and the international press. Scherzi Musicali have been awarded Diapason d’or découverte, Joker (Crescendo magazine), La clé (ResMusica), Prelude Classics Award, 4-star of (Monde de la musique), Muse d'Or, Golden Ring (Classic Info), "Outstanding" (International Record Review), etc.

Nicolas Achten is professor of Lute at the Royal Conservatory of Brussels, and professor of baroque Harp and baroque singing at the Académie de Woluwé-Saint-Lambert. He is musical director for Muziektheater Transparant’s summer courses, and is a regular guest professor at the University of East Anglia, at the Operastudio Vlaanderen, and the Yorke Trust (Norfolk).

Booklet for Charles-Joseph Van Helmont: Leçons de ténèbres