Forward Music Project 2.0 Amanda Gookin

• Niloufar Nourbakhsh:
• 1Nourbakhsh: Veiled07:47
• Alex Temple:
• 2Temple: Tactile08:48
• Paola Prestini (b. 1975):
• 3Prestini: To Tell A Story09:31
• Kamala Sankaram (b. 1978): Belly:
• 4Sankaram: Belly: I Sanguine05:04
• 5Sankaram: Belly: II Choleric02:33
• 6Sankaram: Belly: III Melancholic04:46
• Shelley Washington (b. 1991):
• 7Washington: Seething11:05
• Total Runtime49:34

Info for Forward Music Project 2.0

After a powerful first season exploring a wide range of issues facing women and girls around the globe in March 2017, cellist Amanda Gookin returns for an all–new season featuring all–new works. As a 2018-2019 National Sawdust Project-in-Residence, the Forward Music Project 2.0, in this skin, will focus on the first-person perspectives of women. Gookin is commissioning six composers to write new works for solo cello highlighting issues of sex positivity, trans rights, pleasure and pain, gender nonconformity, fashion and dignity, hysteria, BDSM, and more. Several of these pieces will push the boundaries of traditional cello writing, incorporating toys, staging effects, and even Gookin’s voice.

In addition to the final performance, the residency will include workshops with the composers to give insight into their creative process and staging workshops with former National Sawdust Artist-in-Residence Helga Davis, among other events. With the Forward Music Project 2.0, Amanda Gookin takes a major step forward in her mission to make classical music an active force for political good in the world at large.

Amanda Gookin, cello

Amanda Gookin
Praised for her “expert technical work” (The Strad), cellist Amanda Gookin "pushes Classical forward" (LA Times) and champions the future of music through the creation and bold performance of new works, and a dedication to education, culture, and community engagement.

Her initiative, Forward Music Project, commissions new multimedia works for solo cello that elevate stories of feminine empowerment through raw performances and educational initiatives. Since its inception in 2015, FMP has commissioned 18 new works by such composers as Pamela Z, Paola Prestini, Jessie Montgomery, Angélica Negrón, Jessica Meyer, Allison Loggins-Hull, Kamala Sankaram, and Nathalie Joachim. She has been presented by The Kennedy Center (Washington, DC), The Wallis (Los Angeles), National Sawdust (New York City), OK Electric (Tulsa, OK), Forbes Center (Harrisonburg, VA) Park Avenue Armory (New York City), and deDoelen (Rotterdam, NL). Her first solo album, Forward Music Project 1.0, was praised as “the highest level of artistry” by The Whole Note and listed in The 25 Best Classical Music Tracks of 2020 by the New York Times. Her upcoming album, FMP 2.0: in this skin will release on November 19, 2021 on Bright Shiny Things.

Amanda was the founder and decade-long cellist of the contemporary improvising string quartet, PUBLIQuartet. PQ was the 2017/18 Quartet-In-Residence at the Metropolitan Museum of Art and recipient of the 2019 Chamber Music America Visionary Award. Amanda initiated PQ’s composer program, PUBLIQ Access, to commission works by emerging composers who significantly impact a new approach to writing for string quartet. In pursuit of socially conscious programming, her GRAMMY® nominated album with PUBLIQuartet, Freedom and Faith, addressed the resilience of the female spirit throughout history.

An advocate for new music, Amanda is a member of Contemporaneous, a New York-based chamber ensemble dedicated to performing and promoting contemporary music; and Nu Deco, a Miami-based ensemble presenting genre-bending music, art, and media collaborations in both traditional and alternative venues. She has performed with International Contemporary Ensemble, Wordless Music Orchestra, Shattered Glass, S.E.M. Ensemble, LA Dance Project, and Beth Morrison Projects as well as jazz and pop artists Sigur Rós, Macy Gray, Cory Henry, Billy Childs, Kimbra, Ben Folds, and James Carter.

Designing and leading courses on social leadership, music history, and improvisation, her work has reinvigorated the core curriculum at The New School College of Performing Arts and SUNY Purchase. Amanda is a sought-after public speaker on the intersections of activism and music and has made appearances on TEDxMidAtlantic, Houston Public Media, Second Inversion, and I Care If You Listen.

Fulfilling her strength and passion for activating change and innovation from both sides of the stage, she currently serves as Executive Director of the MATA Festival in New York City and the Shenandoah Valley Bach Festival in Virginia.

She is the proud player of a cello made by David Wiebe in Woodstock, NY.

Booklet for Forward Music Project 2.0