The Hill Aaron Lewis

• 1Let’s Go Fishing03:19
• 2Over The Hill03:49
• 3Made In China04:06
• 4Spinnin'03:20
• 5Over Me04:15
• 6Outlaw03:03
• 7Up To Me04:14
• 8That’s My Life04:10
• 9Only In My Mind03:46
• 10Little More Mine04:13
• Total Runtime38:15

Info for The Hill

As a multi-Platinum artist known for blazing creative trails, Aaron Lewis has never been afraid to stand on conviction. With a catalog of soul-baring hits, he’s never been one to hide behind his lyrics, either. And with his new album “The Hill,” due March 29 via The Valory Music Co., the North-Country native is unfiltered – and unplugged – in a way that leaves no room for doubt. A deeply personal set written from a lifetime of highs and lows, it pairs Lewis’ iconic vocal rasp with a bare-bones acoustic sound, a reflective mindset and little else, as a confessional hitmaker chooses the hill where he’ll make his stand.

“Music has always been my escape, my way of expressing the things that I don’t express very well in life,” Lewis explained. “I’m coming up on 52 years old, and I’m on the hill I’m going to stand on. Nobody’s going to change me now. This record is a snapshot of my life and how I’m feeling and where my head is at – and that’s what my records have always been.”

Featuring 10 tracks penned solo or with a tight circle of collaborator/confidants, the set speaks to a time of upheaval – both in the wider world and within. Pledging to shoot his fans straight, Lewis offers up a 50-50 mix of riding out the winds of change and driving another mineshaft deep into his soul. Like his 2022 collection, “Frayed At Both Ends,” Lewis delivers “The Hill” as an acoustic record, maximizing the potential for lyrical impact. Produced by Lewis alongside Ira Dean, it’s raw in the purest sense of the country-rock term – often backing his jagged-edge vocal with just a guitar, dobro and mandolin.

“It’s another record that’s just really stripped down to the guts,” Lewis explained. “I like raw. I like life’s imperfections showing through. I’m not perfect, nobody is. And I don’t want the music I’m putting out to be either.”

Right from the opening track, those guts take center stage. An upbeat track that’s “very much not about going fishing,” “Let’s Go Fishing” finds Lewis calling out the nation’s problems – but deciding to leave them for another day. Co-written with Bobby Pinson, a mix of fed-up frustration and organic-country comfort creates an intriguing contrast – a lightly coded protest anthem with a let-it-be theme.

The Vermont-born powerhouse first found success with Staind – the 2000s-era hard rockers who injected meditative muscle into an era better known for mindless aggression. But while that band is still very much alive, it was never enough to satisfy Lewis’ creative drive.

Embracing his roots to earn a rare second round of success, a series of solo country projects have led to two No. 1 Billboard country album debuts – “Town Line” (2011) and “Sinner” (2016) – plus a Platinum collab with heroes George Jones and Charlie Daniels (“Country Boy”), and a Gold-certified Billboard No. 1 with “Am I The Only One” in 2021. Lewis’ 2022 solo album followed suit, with “Frayed At Both Ends” emerging as the best-selling country album in America – but he never wrote songs for the stats. No matter the sonic setting, Lewis writes and sings to get his truth out, and “The Hill” is no different.

“Somebody’s got to live this $hit, and these songs, they’re me,” Lewis said. “I really don't feel like I’m alone in my feelings – I’m just more willing to open up my mouth.”

Aaron Lewis

Aaron Lewis
If you want to get to know Aaron Lewis, just listen to The Road. On his first full-length album, the Grammy Award-nominated, multi-platinum singer, songwriter, and guitarist tells one story after another. Echoing traditional country, some of those tales are hilarious and heartwarming, while others are pensive and personal. Nevertheless, they're all equally powerful, vibrant, and unforgettable. For Lewis, The Road continues to wind and surprise like it always has.

In 2011, the Staind frontman formally arrived in the country world with the release of his debut EP, Town Line. Highlighted by the success of gold-selling single "Country Boy" featuring the legendary George Jones and Charlie Daniels, the seven-song EP reached #1 on the Billboard Country Albums Chart and #7 on the Billboard Top 200 upon release. Critical praise followed: PEOPLE’s Chuck Arnold said, "He proves to be a natural on nostalgic ballads like 'The Story Never Ends,’ (3/14/11)," while the ASSOCIATED PRESS’ Michael McCall wrote, “He injects a flavor of his own into a polished, commercial country sound in a way that could win over country fans who've never heard of Staind (2/28/11).”

Lewis also received two Academy of Country Music nominations for "Vocal Event of the Year" for "Country Boy" (for his work as artist and as co-producer) as well as two CMT nominations--one for "USA Weekend Breakthrough Video of the Year" and another for "Collaborative Video of the Year." Simultaneously, the music video for the single stirred similar fan fervor, surpassing 12 million views on YouTube and 3 million on CMT.com. After a whirlwind year, Lewis began working on what would become The Road in the fall of 2011. While balancing both a solo run and a tour supporting Staind's self-titled seventh studio album, he carved out intermittent pockets of time to record in Nashville with legendary Grammy-winning producer James Stroud.

"I didn't stop to think about it very much," Lewis smiles. "James lets me run with it. We respect each other and he allows me to really be who I am. I recorded this whole record by bouncing in and out of Nashville on days off. I'd come into town, work for the day, bail out, and play some more shows. Four days later, I'd do the same thing. That's how the album was made, and it's why I called it The Road."

It's a natural progression from Town Line. The album's ten songs unfold with a classic grit and an invigorating energy all directly from Lewis's heart and soul. The first single, "Endless Summer," recalls an idyllic day in the sun with his daughters. A bluesy guitar twang bends into a shimmering refrain about "another day in paradise" that's both infectious and inimitable.

Lewis laughs, "It proves I can write a happy tune. It's a story about me and the family going to our beach cottage on the weekends. It's all true. We drive down there, cook striper on the grill, and dig our own clams."

Then there's "Forever," a true product of The Road itself. It captures the longing and loneliness of life on the tour bus, while reflecting the immortality of true love. It's touching and thought-provoking all at once. "Doubt can set in on the road," he reveals. "Conversations from home aren't always warm and fuzzy. However, things change when you get back. The song goes from questioning to being reassured that everything is all good." On the other end of the spectrum, his sense of humor shines through on the propulsive highway anthem "State Lines" and swaggering old school good-time of "Party in Hell." Lewis goes on, "Adding humor opens the avenues of exploration a little bit more, and it appeals to more of the senses. Plus, it's just fun to imagine what a party in hell might be like with Rick James."

Lewis personally penned all of the songs on The Road but one. For "Grandaddy's Gun," he teamed up with Rhett Akins, Dallas Davidson, and Bobby Pinson, marking the first songwriting collaboration of his career. Annually, Lewis hosts a benefit show for his charity, It Takes a Community, which benefits his daughter's elementary school through community donations. Akins performed "Grandaddy's Gun" at the 2011 show. As soon as Lewis heard the tune, it stayed stuck in his head.

"I was completely blown away by the song," he elaborates. "When the opportunity came up, I decided to record it for The Road. They're three of Nashville's best and I have so much respect for them. It all fit with my life too. I have grandaddy's gun, and he did buy it out of a Sears and Roebuck catalog."

Once again, he collaborated with some heavy hitters in the studio. His musical partner-in-crime Ben Kitterman expanded the overall sound with acoustic guitar, dobro, piano and other instruments. Meanwhile, iconic pedal steel player Paul Franklin makes a return as well as guitarist Brett Mason and Eddie Bayers on drums. Joining the fold in Nashville were Craig Frost [Bob Seger] on keyboards and Keith Horne [Waylon Jennings] on bass.

Lewis enthuses, "It's definitely a star-studded cast. Many of the songs were cut in one take. At the most, they're two. There's definitely genuine chemistry amongst the amazing musicians on this album. I'm so lucky to have them in the studio with me."

In many ways, The Road brings things full circle for Lewis. In Staind, he has made an indelible mark on hard rock. The group has sold 13 million albums worldwide, yielding four consecutive top 3 debuts on the Billboard Top 200 as well as numerous radio hits. Their single "It's Been Awhile" also remains the most-played rock song of the decade. Still, this new chapter proves cyclical for Lewis, actually bringing him back to the first style of music he'd heard: country music.

Now, he's carrying on a tradition of storytelling and songwriting himself. "I'm really hoping the songs speak for themselves," he concludes. "I hope people hear the record and realize that this is all me. There's nothing more to say. I'm just writing songs like I have been for my whole career."

That's all he really has to do. For Aaron Lewis, The Road looks brighter than ever.

This album contains no booklet.