Through a Glass: Songs by Martin Bussey Marcus Farnsworth & Colin Davis

• Martin Bussey (1958-): Blue Remembered Hills
• 1Blue Remembered Hills: 1. Reveille02:46
• 2Blue Remembered Hills: 2. Because I liked you better02:57
• 3Blue Remembered Hills: 3. Into my heart01:28
• 4Blue Remembered Hills: 4. Oh when I was in love with you01:06
• 5Blue Remembered Hills: 5. White in the moon04:24
• Through a Glass, Darkly
• 6Through a Glass, Darkly: 1. The Mask03:47
• 7Through a Glass, Darkly: 2. Never seek to tell02:51
• 8Through a Glass, Darkly: 3. Young and gold haired02:38
• 9Through a Glass, Darkly: 4. The Secret Sits02:17
• 10Through a Glass, Darkly: 5. Dreams06:10
• 11Through a Glass, Darkly: 6. Deep in my soul01:49
• 12Through a Glass, Darkly: 7. Lay your sleeping head08:59
• Two Hardy Songs
• 13Two Hardy Songs: 1. Drummer Hodge04:12
• 14Two Hardy Songs: 2. In Time of 'The Breaking of Nations'02:55
• The Windhover
• 15The Windhover06:38
• Garden Songs
• 16Garden Songs: 1. The Garden03:05
• 17Garden Songs: 2. Planting Flowers on the Eastern Embankment04:06
• 18Garden Songs: 3. Planting Trees03:30
• 19Garden Songs: 4. Mr Hancock's Letter02:45
• Total Runtime01:08:23

Info for Through a Glass: Songs by Martin Bussey

Following on from the critical success of his recording of Gerald Finzi's By Footpath and Stile (Resonus RES10109), rising star bartione Marucs Farnsworth here makes his solo album debut for Resonus.

Presenting an instantly striking and diverse collection of world premiere recordings of song by the contemporary composer Martin Bussey, Farnsworth is joined by the renowned young pianist James Baillieu for the A.E. Housman cycle Blue Remembered Hills (with texts from A Shropshire Lad), the Two Hardy Songs, and the evocative and charaterful Garden Songs. Also included are the substantial song cycle for voice and small ensemble Through a Glass, Darkly - directed by the acclaimed conductor Thomas Kemp - and the beautiful stand-alone song for baritone and violin, The Windhover.

„As dangerous Eddy, the award-winning young baritone Marcus Farnsworth is electrifying. He has no trouble with the demotic accent and conveys the character's anger, panic and perky charm with intensity and empathy. He also has an instinctive musicality that never makes the vocal line sound over-studied or phoney. He must have a great career ahead of him.“ (Rupert Christiansen, The Telegraph)

Marcus Farnsworth, baritone
James Baillieu, piano
Sasha Calin, oboe
Lorna West, bassoon
Graham South, trumpet
Jamie Campbell, violin
Robin Ashwell, viola
Cara Berridge, cello
Thomas Kemp, conductor

Recorded in St Augustine’s Church, Kilburn, London on 17-18 September 2014
and St John The Evangelist Church, Oxford on 20-21 September 2014
Produced, engineered and edited by Adam Binks

Marcus Farnsworth
was awarded first prize in the 2009 Wigmore Hall International Song Competition, and the Song Prize at the 2011 Kathleen Ferrier Competition. He completed his studies at the Royal Academy of Music in 2011, and is now forging a successful career in opera, concert and recital.

Forthcoming recitals include debuts at the Concertgebouw, Amsterdam and La Monnaie, Brussels with Mark Padmore and Julius Drake; concerts for the Australian Chamber Music Festival; a UK tour of Schubert Winterreise with James Baillieu; Salute to Venice with Graham Johnson for Leeds Lieder; a recital for Opéra de Lille with Simon Lepper and an appearance at the Wigmore Hall with the Myrthen Ensemble and Joseph Middleton. Recent highlights have included appearances at the Wigmore Hall Britten Festival with Malcolm Martineau and Julius Drake; a recital for the Lammermuir Festival and BBC Radio Three; appearances at the Oxford Lieder Festival, with the Carducci Quartet and further recitals with Simon Lepper, Iain Burnside, and Graham Johnson and James Baillieu.

Operatic roles include English Clerk/Death in Venice (ENO), The Novice’s Friend/Billy Budd (ENO), Eddy/Turnage’s Greek (Music Theatre Wales), Owen/Owen Wingrave (Nuremberg International Chamber Music Festival), Sid/Albert Herring (RAO), Oreste/Cavalli’s Giasone (RAO), Dandini/La Cenerentola (Clonter Opera), Guglielmo/Cosi fan tutte (RAO), Meredith/Maxwell Davies’ Kommilitonen! (RAO, world premiere), and in concert Killian/Der Freischütz for the LSO with Sir Colin Davis, and Aeneas/Dido and Aeneas for the Early Opera Company with Christian Curnyn at Wigmore Hall. Opera plans this season and beyond include English Clerk/Death in Venice (ENO) and a revival of Eddy/Greek (MTW).

Opera plans this season and beyond include further performances of Eddy in Greek for Music Theatre Wales, including at the ROH Linbury Studio; Guglielmo in a new Katie Mitchell production of Cosi fan tutte for English National Opera; in concert, Sid in Albert Herring with the BBC Symphony Orchestra and appearances at Theatre Champs Élysée, Paris, Opéra Lille and Opéra de Lausanne.

Marcus has also recently sung Son, in the world première of David Sawer Flesh and Blood with the BBCSO; Thomas Larcher Die Nacht der Verlorenen on a European tour and recording; Dvorak Te Deum with the RLPO; Monteverdi Vespers in a European tour with Emmanuelle Haïm; Haydn Paukenmesse with the BBC SSO and Bernard Labardie; Nielsen Symphony No 3 with the LSO and Davis; Bach Ich habe Genug and St John Passion (arias) with the Academy of Ancient Music; Eight Songs for a Mad King with the Wermlands Opera Orchestra, Karlstad, and Bach St John and St Matthew Passions (Christus and bass arias) with the Gabrieli Consort.

Marcus began his musical training as a chorister at Southwell Minster, Nottinghamshire where he attended the Minster Comprehensive School. He went on to Chetham’s School of Music in Manchester to study the Trumpet and Jazz Piano, but it was here that he began formal vocal training with Martin Bussey. Marcus read music at the University of Manchester, graduating with a first class honours degree in 2005. At university, singing became his first study, though during this time Marcus also spent a lot of time conducting. He ran the University Chamber Choir “Ad Solem” for two years, and then after graduation he was appointed as conductor of Manchester University Chorus, a post he held from 2005 to 2009. During this time he continued his vocal studies with David Lowe, and began freelancing in oratorio, opera and recital work, and was also a lay-clerk at Manchester Cathedral and a member of the BBC Daily Service Singers.

In 2007 Marcus began his postgraduate studies at the Royal Academy of Music, studying with Glenville Hargreaves and Audrey Hyland. Whilst at the Academy, Marcus relinquished his conducting commitments in order to focus entirely on his vocal training. He graduated from the RAM in July 2011 and was awarded a DipRAM, the Academy’s highest performance award. He now studies with Gary Coward in London.

Booklet for Through a Glass: Songs by Martin Bussey