Pinewood Smile (Deluxe) The Darkness

• 1All the Pretty Girls03:18
• 2Buccaneers of Hispaniola03:06
• 3Solid Gold04:31
• 4Southern Trains02:52
• 5Why Don't the Beautiful Cry?03:36
• 6Japanese Prisoner of Love04:19
• 7Lay Down with Me, Barbara04:04
• 8I Wish I Was in Heaven03:20
• 9Happiness03:12
• 10Stampede of Love03:53
• 11Uniball03:33
• 12Rack of Glam03:43
• 13Seagulls (Losing My Virginity)03:53
• 14Rock in Space03:33
• Total Runtime50:53

Info for Pinewood Smile (Deluxe)

England's most distinctive, multiple award-winning, platinum-selling, hugely entertaining rock gods – and one-time saviours of rock'n'roll turned national pleasures – The Darkness are back with their fifth album 'Pinewood Smile!'

Returning to save our airwaves from mediocre, auto-tuned tweens and that awful, throbby EDM shite, the album 'Pinewood Smile' finds The Darkness on electrifying form, delivering some of the most sharp-witted, infectious, humorous and downright brilliant songs of their career.

Written in Putney, recorded in Cornwall and produced by Grammy Award-winning producer Adrian Bushby (Foo Fighters, Muse), the compositions have all the crucial elements of classic Darkness fare, but with added layers for the ears to peel away at like a sonic onion but a lot tastier. It also features the drumming and vocal talents of gorgeous new band member Rufus Tiger Taylor, son of Queen legend Roger Taylor, who shares vocal duties with Justin on two of the tracks. Deluxe Edition Featuring 4 Additional Tracks!

The Darkness

The Darkness
England's the Darkness centered around irrepressible frontman Justin Hawkins (vocals/guitars/keyboards), who, along with his guitar-playing baby brother Dan, bassist Frankie Poullain, and drummer Ed Graham, single-handedly resurrected the rather unfashionable sounds and attitudes of late-'70s hard rock for an unsuspecting generation. Following the demise of an earlier, conspicuously synth pop-based outfit named Empire, the Hawkins brothers sowed the seeds of what would become the Darkness at an impromptu karaoke session on New Year's Eve 1999. Justin's rapturous rendition of Queen's "Bohemian Rhapsody" showed them the way, and the suitably dramatic name of the Darkness was chosen shortly after the arrival of Poullain and Graham.

With outrageous stage antics that included gaudy leotards stolen from Steven Tyler's wardrobe, leaps and splits borrowed from David Lee Roth, and an ear-piercing falsetto copped from Freddie Mercury himself, the multi-talented elder Hawkins led the quartet as the group spent the next two years slogging it out in London's pub circuit. Though they were immediately singled out as a joke by the notoriously vicious British press, the Darkness' high-energy sets, remarkably catchy material, and unapologetic worship of old-school rock & roll bombast gradually earned them a fanatical following based on simple word of mouth.

I Believe in a Thing Called Love [EP] The tide finally began to shift in their favor in August 2002, when they released their debut EP, I Believe in a Thing Called Love (through the independent label Must Destroy Music), won a major talent contest, and scored all-important opening slots with Deep Purple and Def Leppard. Their momentum carried through into the new year, starting with a knockout performance at Austin's SXSW music convention in January, continuing with the release of the "Keep Your Hands Off My Woman" single in February (which peaked at number 36 in the U.K. chart), and climaxing with their subsequent signing with a major-label, Atlantic Records, in March.

Permission to Land Nothing could stop the Darkness' snowball effect, and a series of acclaimed festival appearances set the stage for their debut album, Permission to Land, to debut atop the British charts -- the first time a new act had achieved such a feat since Coldplay three years earlier. Aside from the 2003 Christmas single Christmas Time (Don't Let the Bells End), the Darkness concentrated on touring until 2005, when they returned to the studio with Cars and Foreigner producer Roy Thomas Baker. During the recording of their sophomore album, the band parted ways with Poullain and replaced him with former guitar tech Richie Edwards.

One Way Ticket to Hell...And BackOne Way Ticket to Hell...And Back was released late in 2005 but didn't fare as well as its predecessor, which took a toll on Justin Hawkins. Following several months of touring, the frontman entered rehab in August 2006 for alcohol and cocaine abuse. Although he completed the program, Hawkins nevertheless left the Darkness' lineup later that year, leaving the group's fate in the hands of his former bandmates. The remaining musicians regrouped under the name Stone Gods the following year, while Justin busied himself with solo work, issuing a single under the moniker British Whale and a full-length album, 2008's Red Light Fever, with his new band Hot Leg. In 2011, the Darkness reunited with the original lineup featuring Hawkins and embarked on several European tours. In 2012, they delivered the full-length album Hot Cakes. In 2015, the band issued their fourth studio outing, Last of Our Kind, the first Darkness album to feature new drummer Emily Dolan Davies, who'd replaced founding member Ed Graham the year before. However, just before the album was released, Davies departed the band, with Rufus Taylor stepping in as her replacement for the subsequent tour. Taylor made his recorded debut on their fifth studio album, 2017's Pinewood Smile, released via Cooking Vinyl. (Source: AMG)

This album contains no booklet.