One Year Tom Arthurs Trio
- 3Liepnitz in Ruhe04:55
- 5One Year / Song08:33
Info for One Year
While working on One Year, trumpet player Tom Arthurs kept reshaping the scores. Since the bulk of the original material comprised of fragments, he was able to shift sections from one piece to the next in search of their ideal position. The inspiration had come from film: "For his masterpiece 'Mirror', Tarkovsky had no story, no plan, no storyboard. He just shot a lot of material and then, for two years, he had these clothes lines in his house and was putting together the scene into different forms until he had the movie."
Most of the material is the result of a one-and-a-half month long stretch of quiet in between very busy phases in 2014. Three years later, the music from that bout of intense creativity is now released in a new ensemble constellation that sees Arthurs expand his long-time duo with pianist Richard Fairhurst to a trio with the inclusion of Finnish percussionist Markku Ounaskari: "The poetry of Markkus's playing is astounding, he's never showing off, never pushing, his touch is so beautiful. He uses a pretty special drum kit with a concert bass drum."
As a consequence of the open-ended composition approach, many of the pieces juxtapose different approaches, from almost pure sound art via Feldman's long works to the essentialism of the Berlin reductionist movement. One Year opens up a space where everything feels connected and anything is possible, where quiet really is the new loud. It is one of those records that feel like they could change your life – now all you need is to find the time to sit down and listen to it.
Tom Arthurs, trumpet
Richard Fairhurst, piano
Markku Ounaskari, drums, percussion
Recorded by Miles Perkin at Studio Boerne 45, Berlin, February 2016
Mixed and mastered by Gérard de Haro/Nicolas Baillard at La Buissone, France, April 2016 and June 2017
A magician of sounds, Tom Arthurs is a trumpeter and composer for the 21st century – drawing honestly and infinitely from a dizzying range of influences. His music-making represents a rare beauty and creative depth, and he cites inspiration from John Taylor, Kenny Wheeler and Jimmy Guiffre, African and South American traditional music, Berlin’s Echtzeitmusik scene, as well as György Ligeti, Luc Ferrari and Morton Feldman. Aside from music, Tarkovsky, Godard, Apichatpong Weerasethakul, Lau Tzu and Farid Ud-Din Attar remain deeply influential, as do much-cherished experiences of baroque music, the pygmies of Central Africa, Gal Costa, David Sylvian and Arto Lindsay.
Already by his mid-30s, news of Arthurs’ finesse, glowing sound and relentless creativity has spread far and wide, with New York City Jazz Record’s Thomas Conrad describing his playing as “continuously, beautifully unfamiliar”, and allaboutjazz’s John Kelman describing his improvisations as “simple but perfect”, demonstrating “an exacting perfection” and with “a harmon-muted tone that renders his playing as vulnerable as Miles Davis at his fragile best”.
Closer to home, Tom has been described as “a world-class improviser” by UK’s Jazzwise, “une révélation” by France’s Citizenjazz, and “der Glasbläser” (the glass-blower) by Germany’s SWR2.
Tom’s current project as composer and leader is the Tom Arthurs Trio, with Finnish drummer Markku Ounaskari and British pianist Richard Fairhurst (with whom Tom has been collaborating since 2003). He is equally at home with enthrallingly touching solo performances, and a range of collective improvised projects – including GLUE, QUAIRÓS, Pedesis and duos with Isambard Khroustaliov and Simon Vincent. Arthurs has been awarded composition commissions from the BBC/RPS, City of London Festival, BBC Proms, the Elias Quartet and the BBC Concert Orchestra, and has worked with folk musicians including The Unthanks and James Yorkston, also once contributing a sonic cameo to now-legendary BBC TV comedy The Mighty Boosh as ‘The Spirit of Jazz’.
Tom has performed and recorded with Ingrid Laubrock, Dine Doneff (Kostas Theodorou), Denis Badault, Maciej Obara, Julia Hülsmann and Theo Bleckmann, and has shared the stage with an incredible range of musicians, including John Surman, John Taylor, Kenny Wheeler, Benoît Delbecq, Jack DeJohnette, Régis Huby, Joanna MacGregor, Iain Ballamy, Thomas Strønen, Ignaz Schick, Jan Bang, Nicolas Masson, Julie Sassoon, Tom Rainey, Drew Gress, Rudi Mahall, Eddie Prévost, Willi Kellers and Steve Beresford. Arthurs also plays regularly with the very finest of his own generation – including Marc Schmolling, Almut Kühne, Miles Perkin, Philipp Gropper, Ronny Graupe and Wanja Slavin.
Tom was one of the first BBC New Generation Artists for jazz (2008-10), a participant in Serious’ career development schemes ‘Take Five’ and ‘Take Five Europe’, and has recorded for ECM, Ozella, Act, Intakt, Babel, Unit, Jazzwerkstatt, Creative Sources, Babel and Not Applicable. He has performed in festivals including Berlin, North Sea, Cheltenham, Moers, Victoriaville, Jonquieres, Bath, Jazzd’or (Berlin and Strasbourg), London, Jazz Jantar, Jazztopad and Jerusalem, and has been broadcast by the BBC, Radio France, SWR, WDR, RBB, ARD, P2 (Denmark) and Ö1 (Austria).
Tom holds a PhD from the University of Edinburgh (his work was an ethnographic approach to Berlin’s Improvised Music scene) and he has given lessons, lectures and workshops at Jazz Institut Berlin, University of Oxford, Hochschulübergreifende Zentrum Tanz Berlin (HZT/UdK), Universität Potsdam and International Jazz Platform (Lodz).
This album contains no booklet.