Dvorak: Complete Symphonies & Concertos Alisa Weilerstein

• Antonin Dvorak (1841-1904): Symphony No.1 in C minor, Op.3 - The Bells of Zlonice
• 11. Maestoso - Allegro11:28
• 22. Adagio di molto11:44
• 33. Allegretto09:16
• 44. Finale (Allegro animato)12:25
• Cello Concerto in B minor, Op.104
• 51. Allegro14:42
• 62. Adagio ma non troppo11:23
• 73. Finale (Allegro moderato)12:38
• Symphony No.2 in B flat, Op.4
• 81. Allegro con moto12:43
• 92. Poco adagio15:33
• 103. Scherzo (Allegro con brio)12:09
• 114. Finale (Allegro con fuoco)11:21
• Violin Concerto in A minor, Op.53
• 121. Allegro ma non troppo - Quasi moderato09:28
• 132. Adagio, ma non troppo10:18
• 143. Finale (Allegro giocoso, ma non troppo)09:46
• Symphony No.3 in E flat, Op.10
• 151. Allegro moderato11:01
• 162. Adagio molto, tempo di marcia15:31
• 173. Finale (Allegro vivace)08:31
• Piano Concerto in G minor, Op.33
• 181. Allegro agitato19:12
• 192. Andante sostenuto08:59
• 203. Allegro con fuoco11:40
• Symphony No.4 in D minor, Op.13
• 211. Allegro12:34
• 222. Andante sostenuto e molto cantabile11:40
• 233. Scherzo (Allegro feroce)06:41
• 244. Finale (Allegro con brio)09:33
• Symphony No.5 in F, Op.76
• 251. Allegro, ma non troppo13:56
• 262. Andante con moto07:25
• 273. Scherzo. Allegro scherzando08:36
• 284. Allegro molto13:25
• Symphony No.6 in D, Op.60
• 291. Allegro non tanto13:16
• 302. Adagio10:51
• 313. Scherzo (Furiant: Presto)08:01
• 324. Finale (Allegro con spirito)10:31
• Symphony No.7 in D minor, Op.70
• 331. Allegro maestoso11:20
• 342. Poco adagio09:51
• 353. Scherzo (Vivace)07:26
• 364. Finale (Allegro)09:22
• Symphony No.8 in G, Op.88
• 371. Allegro con brio10:02
• 382. Adagio10:43
• 393. Allegretto grazioso - Molto vivace06:18
• 404. Allegro ma non troppo10:36
• Symphony No.9 in E minor, Op.95 From the New World
• 411. Adagio - Allegro molto09:55
• 422. Largo12:45
• 433. Scherzo (Molto vivace)08:17
• 444. Allegro con fuoco11:53
• Total Runtime08:04:45

Info for Dvorak: Complete Symphonies & Concertos

A new Dvorák symphony and concerto cycle from the multi-Gramophone-Award-winning conductor and the great Prague-based orchestra.

It marks a triumphant return to the orchestra where he trained, the world leading and multi-Gramophone Award-winning maestro Jirí Bìlohlávek records Decca’s first Dvorák cycle since the 1960s. This complete symphonies and concertos set is a pinnacle of brilliant music-making, and the first major cycle to be recorded in high-definition 24bit 96kHz.

Dvorák himself conducted the Czech Philharmonic Orchestra’s first concert in 1896, and the shared Bohemian heritage of composer, conductor and orchestra lends a very special authenticity to these recordings.

Dvorák’s three concertos (violin, cello and piano) feature alongside his nine great Symphonies, with Decca’s leading cellist Alisa Weilerstein, Frank Peter Zimmermann (violin) and Garrick Ohlsson (piano). The Czech PO and Belohlávek will be undertaking major European tours in 2014, including a full Dvorák symphonic cycle in Prague in September. Rhombus Films have also made a fascinating documentary focusing on Belohlávek’s return to Prague as the Czech Philharmonic’s chief conductor.

„If I were to sum up my impression from the whole project of recording Dvořák's symphonies and concertos, I am happy to say these one and a half years of living with his music have been a truly wonderful period. We have enjoyed it tremendously, have learned a lot and our love for the Maestro has only increased.“ (Jiří Bělohlávek)

„Playing the Dvořák concerto with the Czech Philharmonic has been an exceptional experience for me. I was surprised by the quality of sound and the overall musical refinement of the orchestra. I have thoroughly enjoyed my performances with the Czech Philharmonic under Jiří Bělohlávek and I am glad we have recorded the concerto together for the Dvořák project.“ (Frank Peter Zimmermann, houslista)

Alisa Weilerstein, cello
Frank Peter Zimmermann, violin
Garrick Ohlsson, piano
Czech Philharmonic Orchestra
Jirí Belohlávek, conductor

Please note: the analog recording has tape hiss-noise!

Alisa Weilerstein
American cellist Alisa Weilerstein has attracted widespread attention worldwide for her combination of natural virtuosic command and technical precision with impassioned musicianship. The intensity of her playing has regularly been lauded, as has the spontaneity and sensitivity of her interpretations. Following her Zankel Hall recital debut, New York Magazine wrote: “Whatever she plays sounds custom-composed for her, as if she has a natural affinity with everything.”

Weilerstein was born in 1982 into a distinguished musical family (her father Donald was first violin in the Cleveland Quartet; her mother is the noted pianist Vivian Weilerstein). She made her professional debut with the Cleveland Orchestra when she was 13 and her Carnegie Hall debut with the New York Youth Orchestra in March 1997. In 2000 she received an Avery Fisher Career Grant and in 2000-01 she was selected for two prestigious young artists programmes: the ECHO (European Concert Hall Organization) “Rising Stars” recital series and the Chamber Music Society of Lincoln Center’s Chamber Music Society Two. In May 2004, she graduated from Columbia University in New York with a degree in Russian History. She was named the winner of the 2006 Leonard Bernstein Award, and in 2008 she was awarded Lincoln Center’s Martin E. Segal prize for exceptional achievement. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, she was appointed artist-in-residence at the institute beginning August 2009.

In November 2009, Alisa Weilerstein was one of four artists selected to participate in a White House classical music event that included student workshops hosted by the First Lady, Michelle Obama, and playing for guests including President Obama and the First Family. In December 2009 she was the soloist on a tour of Venezuela with the Simón Bolívar Symphony Orchestra and Gustavo Dudamel.

Another milestone in her career came in spring 2010: Weilerstein made her Berlin Philharmonic debut playing the Elgar Concerto with conductor Daniel Barenboim; the concert was repeated in Oxford, televised live around the world and later issued on DVD. The Guardian reviewer of the Oxford concert wrote: “Alisa Weilerstein gave the most technically complete and emotionally devastating performance of Elgar’s Cello Concerto that I have ever heard live.” In August of that year, Weilerstein made her BBC Proms debut with the Minnesota Orchestra and Osmo Vänskä playing Shostakovich’s Cello Concerto No. 1, a work she performed in spring 2011 with the St. Petersburg Philharmonic under Yuri Temirkanov on a US tour.

Alisa Weilerstein signed an exclusive contract with Decca Classics in 2011. Her first recording under the agreement, a coupling of the concertos by Elgar and Elliott Carter, with Barenboim conducting the Berlin Staatskapelle, was released in January 2013. The New York Times acclaimed “the soloist’s superb control keenly matched by the conductor’s insightful support”. In April 2014 (US pre-release in January) Decca will issue her new recording of the Dvořák Cello Concerto, with Jiří Bělohlávek conducting the Czech Philharmonic Orchestra, and October will bring the release of her first solo album.

Alisa Weilerstein has already appeared with all of the other major orchestras throughout North America and Europe, with conductors including Marin Alsop, Pablo Heras-Casado, Sir Andrew Davis, Sir Mark Elder, Christoph Eschenbach, Manfred Honeck, Marek Janowski, Paavo Järvi, Jeffrey Kahane, Lorin Maazel, Zubin Mehta, Ludovic Morlot, Tadaaki Otaka, Peter Oundjian, Matthias Pintscher, Yuri Temirkanov, Juraj Valcuha, Simone Young and David Zinman. She also appears at major music festivals throughout the world as a soloist, recitalist and chamber player, including as part of a core group of musicians at the Spoleto Festival USA and performing with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio.

Committed to expanding the cello repertoire, Ms. Weilerstein is a fervent champion of new music. She has performed Osvaldo Golijov’s Azul for cello and orchestra around the world. She also frequently performs Golijov’s Omaramor for solo cello. In 2008 she gave the world premiere of Lera Auerbach’s 24 Preludes for cello and piano with the composer at the Caramoor Festival.

Highlights of Alisa Weilerstein’s 2012-13 season included North American and European tours with pianist Inon Barnatan and her debut with the Academy of St. Martin in the Fields for a 16-city United States tour. She gave concerts in Berlin performing the Elliott Carter Cello Concerto with Daniel Barenboim and the Berlin Staatskapelle, appeared with Gianandrea Noseda and the Philadelphia Orchestra, made her debut with conductor Lionel Bringuier and the Atlanta Symphony and performed at the Kennedy Center with Christoph Eschenbach and the National Symphony Orchestra. Her festival appearances in summer 2013 included Ravinia, Vail, Aspen, Grand Teton, Bonn Beethovenfest, Tivoli and Aarhus.

In the 2013/14 season Ms. Weilerstein is artist-in-residence with the Cincinnati Symphony Orchestra and has engagements with the Toronto, San Francisco, Boston, Dallas and Chicago symphonies and the New York, Los Angeles, Oslo and Israel philharmonic orchestras. Further plans include performances with the Australian Chamber, Philharmonia, Hallé and Zurich Tonhalle orchestras, the Netherlands Philharmonic and the NHK Symphony Orchestra as well as recitals in Europe and North America.

Booklet for Dvorak: Complete Symphonies & Concertos