London Calling Michael Oman, Amandine Beyer, Austrian Baroque Company

• Nicola Matteis (1650 - 1714):
• 1Gavotta con divisioni02:39
• 2Adagio - Presto02:19
• Andrea Falconieri (1585 - 1656):
• 3Canciona dicha la preciosa05:40
• 4Su Gallarda02:02
• Nicola Matteis:
• 5Aria tra la maniera Francese, è la Spagnola02:01
• 6Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona03:55
• John Hilton (1599 - 1657):
• 7Fantazia No. 503:26
• 8Fantazia No. 102:40
• 9Fantazia No. 202:03
• Nicola Matteis:
• 10Contr'aria02:40
• John Hilton:
• 11Fancy01:03
• Nicola Matteis:
• 12Scaramuccia01:34
• 13Aria burlesca con molte bizzarrie03:53
• 14Gavotta02:07
• Georg Friedrich Händel (1685 - 1759): Prélude & Capriccio, HWV 571:
• 15Prélude & Capriccio, HWV 571: I. Prélude02:01
• 16Prélude & Capriccio, HWV 571: II. Capriccio02:46
• John Hilton:
• 17Preludio01:45
• 18Fantasia a 302:12
• 19Fantazia No. 302:10
• Henry Purcell (1659 - 1695): The Fairy Queen, Z. 629:
• 20The Fairy Queen, Z. 629: The Plaint (Arr. for Violin, Recorder & Chamber Ensemble)06:34
• Nicola Matteis:
• 21Aria Amorosa04:06
• 22Ground in D Minor la sol re per far la mano03:11
• 23Grave02:21
• 24Ground after the Scotch humour03:09
• Total Runtime01:08:17

Info for London Calling

This new release gives us a small impression of what was played for entertainment in the late 17th and early 18th centuries in the houses of London's high society. The variety of the programme ranges from typical British melancholy to ostinato melodies by Nicola Matteis, an Italian violinist who, like Handel, who is also represented here, enriched the musical life on the Thames as a musical guest worker and Englishman of choice, to the exuberance of the 'Ayres'. The famous baroque violinist Amandine Beyer and the recorder player Michael Oman are supported by the ABC - Austrian Baroque Company.

Amandine Beyer, violin
Michael Oman, recorder, direction
Austrian Baroque Company

Austrian Baroque Company
Explosive music-making, glorious recorder-playing, Baroque swing” – this is how one could describe the basic aims and achievements of those top players from the original-instrument scene who came together to create the Austrian Baroque Company, a group which is celebrated internationally, receiving the highest praise and many CD awards since its formation in 2001.

The founder and director of the distinguished Baroque ensemble is the recorder virtuoso Michael Oman, who trained in Austria, Holland and Italy. For many years this exceptional Austrian musician has impressed public and press alike with his unbounded energy and joyful music-making, and with his period instrument band has conquered the national and international music scene.

The Austrian Baroque Company (ABC) brings together chamber music specialists trained at leading European music universities who are dedicated to playing on period instruments. The main focus of their repertoire is the vast store of instrumental and vocal music of the 17th and 18th centuries.

Numerous artistic projects from intimate recorder recitals to Baroque recorder concertos (by Vivaldi, Telemann, Sammartini and others) have already been presented to the public and recorded on CD.

Praise in Early Music publications and international CD awards (the latest of which was the coveted “Orphée d’Or” from the Académie du Disque Lyrique Paris – one of the highest awards made by the international specialist press) document the outstanding work of the Austrian Baroque Company, which has been described as “unbelievably agile, tempestuous, partly attaining the status of folklore” and “a ravishing celebration by a group with Danube blood in their veins”.

After many years of co-operation with the ORF (Austria Broadcasting Company), in 2009 the ensemble began a collaboration with Sony Music (deutsche harmonia mundi) with CDs of „Exit Baroque“ and Handel’s „Nine German Arias“ with the Spanish star soprano and Echo-prizewinner Nuria Rial.

Ever since the ensemble was formed in 2001 the Austrian Baroque Company has accepted invitations from a wide range of countries and is a regular guest at international festivals.

Michael Oman
​was born in 1963 and is one of the leading recorder players of his generation. He graduated from the Music Grammar School and Bruckner University in Linz and studied the recorder with Walter van Hauwe und Kees Boeke at the Conservatorium van Amsterdam, and also ensemble direction and analysis with the Austrian composer and music pedagogue Balduin Sulzer.

At the age of 26 he was already professor of recorder, chamber music and historically informed performance at the Bruckner University in Linz.

In 2001 Michael Oman founded the Austrian Baroque Company, a leading Early Music ensemble for the music of the 17th and 18th centuries, which he presents worldwide in artistic projects with innovative programming concepts and his impulsive virtuoso playing ranging from intimate recorder recitals to Baroque ensemble music and recorder concertos. The ensemble has been described as “unbelievably agile, tempestuous, partly attaining the status of folklore” and “a ravishing celebration by a group with Danube blood in their veins”.

After several years of cooperation with the ORF (Austria Broadcasting Company), in 2009 the ABC began a collaboration with Sony Music (deutsche harmonia mundi) with CDs of „Exit Baroque“ and Handel’s „Nine German Arias“ with the Spanish star soprano and Echo-prizewinner Nuria Rial. Praise in Early Music publications and international CD awards (one of the highest awards made by the international specialist press was the “Orphée d’Or” from the Académie du Disque Lyrique Paris) document the outstanding work of Michael Oman.

As a conductor he has recently appeared with the Californian Baroque Orchestra Musica Angelica (Los Angeles), the chamber orchestra Camerata Schulz Wien (Handel: Concerti grossi & Bach's St. Johns Passion) and the Mozart Youth Orchestra Japan. As a result of his re-invitation for 2019 he will conduct Mozart's Requiem.

Alongside his pedagogical work in seminars, workshops and Master Classes for recorder and for Early Music he is also actively and intensively engaged with contemporary recorder music. For example he has played world premieres of music by Upper Austrian composers, in particular the recently performed recital by Balduin Sulzer together with the Minetti Quartet, and presented composer portraits of Isang Yun, Luciano Berio und Karlheinz Stockhausen.

The debut concert of newly established ensemble Eurowinds together with his colleagues Dorothee Oberlinger (D) and Maurice Steger (CH) took place at the Festival Resonanzen in the Vienna Konzerthaus, further concerts in Austria and Germany are planned for the upcoming seasons (Stockstadt, Bad Arolsen, …).

Michael Oman has been the artistic curator of the concert series “Evening Music in the Ursulinen Church Linz” since 2007, as well as founding the “Eferding Castle Concerts” in 2009.

In 2019 Michael Oman founded the Austrian Recorder Academy (ARA), a training academy for young highly talented recorder players. The first edition took place in November 2019 together with his dutch teacher Prof. Kees Boeke, a world-renowned "legend" in the recorder scene. In the following years there will be planned masterclasses, lectures and concerts led by an international team of lecturers who will support the career of young recorder players in this forum.

This album contains no booklet.