Le Coeur & L'Oreille. Manuscrit Bauyn Giulia Nuti

• Louis Couperin (1626 - 1661):
• 1Prélude in F Major03:01
• Jacques Champion de Chambonnières (1601 - 1672):
• 2Suite in F Major: Allemande03:27
• 3Suite in F Major: Courante01:25
• 4Suite in F Major: Autre courante01:24
• 5Suite in F Major: Rondeau02:12
• 6Suite in F Major: Sarabande02:28
• 7Suite in F Major: Chaconne03:22
• Jacques Hardel (1643 - 1678):
• 8 Suite in D Minor: Allemande02:52
• 9 Suite in D Minor: Courante01:20
• 10 Suite in D Minor: Autre courante01:22
• 11 Suite in D Minor: Sarabande02:44
• 12 Suite in D Minor: Gigue00:36
• 13 Suite in D Minor: Gavotte avec double par M. Couperin02:19
• Jean Henry D’Anglebert (1629 - 1691):
• 14Sarabande grave en forme de gaillarde03:51
• Johann Jacob Froberger (1616 - 1667):
• 15Toccata in A Minor04:11
• René Mesangeau (1568 - 1638):
• 16Mesangeau: Sarabande02:32
• Louis Couperin:
• 17Tombeau de Mr de Blancrocher04:55
• Germain Pinel (1600 - 1661):
• 18Pinel: Sarabande01:36
• Jacques Champion de Chambonnières:
• 19Suite in C Major: Allemande03:03
• 20Suite in C Major: Courante01:12
• 21Suite in C Major: Autre courante01:30
• 22Suite in C Major: Sarabande02:58
• 23Suite in C Major: Gigue01:40
• 24Suite in C Major: Chaconne01:39
• Louis Couperin:
• 25Suite in G Minor: Prélude04:11
• 26Suite in G Minor: Allemande03:44
• 27Suite in G Minor: Courante01:48
• 28Suite in G Minor: Sarabande02:17
• 29Suite in G Minor: Passacaille04:39
• Total Runtime01:14:18

Info for Le Coeur & L'Oreille. Manuscrit Bauyn

The Bauyn Manuscript, a key collection of seventeenth century harpsichord and other music, displays the influence of various schools of composition on the writing and performance of the great clavecinistes of the mid- seventeenth century. The recording includes works of Chambonnières and Louis Couperin, displaying their different styles which led Le Gallois (1680) to write that "one touched the heart and the other touched the ear", as well as other contemporary composers such as Hardel and d'Anglebert.

The Denis harpsichord of 1658 is the extraordinary protagonist of this recording, in which Giulia Nuti explores the expressive capacities of one of the earliest extant French double-manual harpsichords, displaying how instrumental refinement enables performance choices. The approach is that of Giulia Nuti's award-winning first solo recording of eighteenth -century French harpsichord music, Les Sauvages, recorded on the Taskin of 1788, which received a Diapason d'Or.

Hearing this music through the voice of the Denis harpsichord accesses the sound world in which these pieces belong and should be understood.

Giulia Nuti, harpsichord

Giulia Nuti
studied viola at the Scuola di Musica di Fiesole (Firenze). She plays viola and keyboards in the band Underfloor, that she joined in 2011 after contributing to their previous albums.

She was a member of Hypnodance and Lightshine. She played several times at the Premio Ciampi (an Italian national award for songwriters) with artists like Graziano Romani, Simone Felice, Emma Tricca, Claire Hamill, Underfloor, Kenny White. She worked as a musician and arranger on the italo-american hip hop artist DropAflo’s debut album (Warner Italia, 2004). She played viola and violin on Ernesto De Pascale’s first solo album, “Morning Manic Music” (2007) , and she co-wrote few of the songs. In 2006 she joined a project of traditional music from Sicily led by Salvatore Meccio, with whom she recorded the album “Salvatore Meccio – Una Rosa per Natale” (Materiali Sonori Associated, 2006). In 2007 she joined the project “Salvatore Meccio and Bandakaleido”. She played the viola on Graziano Romani’s “Tre Colori” album (2006) and she kept collaborating with him on all of his following releases.

In 2008 she played on the album “My Land is your land” by Ashley Hutchings (Fairport Convention, Steeley Span, Albion Band) and Ernesto De Pascale (Esoteric Recordings/Cherry Red). In 2009 she played with the English songwriter Claire Hammil (the author of the song You Take My Breath Away) in her italian mini tours and recorded with her. Besides Underfloor, she collaborates with other projects and artists as Le Macchie di Rorschach, Pericle Sponzilli, Chiara White, Fabrizio Berti Jug Band.

As a journalist, she wrote for Rosso Fiorentino and for the magazine of Slow Food Italy. She currently writes for Jam, l’Ambasciata Teatrale and Il Popolo del Blues (www.ilpopolodelblues.com), that she edits together with the editor in chief Michele Manzotti. With Michele Manzotti and Fabrizio Berti , since 2011 she hosts Il Popolo del Blues radio show, broadcasted on Controradio (www.controradio.it) on saturady night and sunday afternoon, bringing on Ernesto De Pascale’s activity.

This album contains no booklet.