Vocal Works by Domenico Scarlatti Key2Singing

Cover Vocal Works by Domenico Scarlatti

Album info

Album-Release:
2015

HRA-Release:
07.01.2016

Label: Aluid Records

Genre: Classical

Subgenre: Chamber Music

Artist: Key2Singing

Composer: Domenico Scarlatti (1685–1757)

Album including Album cover Booklet (PDF)

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Formats & Prices

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FLAC 192 $ 15.40
FLAC 96 $ 13.20
MQA $ 15.00
DSD 64 $ 15.40
  • Domenico Scarlatti (1685-1757)
  • 1Te Deum05:59
  • Stabat Mater
  • 2Stabat Mater02:35
  • 3Cujus animam gementem03:49
  • 4Quis non posset contristari02:45
  • 5Eja Mater, fons amoris01:59
  • 6Sancta Mater, istud agas02:39
  • From the opera Tolomeo e Alessandro (Ed. Alan Curtis)
  • 7Duetto Seleuce en Dorisbe: Ma quando mai dovranno02:43
  • 8Araspe: Rec. Vado en aria Vezzosi lumi02:43
  • 9Aria Seleuce: Non son le pene mie03:37
  • Stabat Mater
  • 10Fac me vere tecum flere01:19
  • 11Juxta crucem02:16
  • From the opera Tolomeo e Alessandro (Ed. Alan Curtis)
  • 12Aria Alessandro: Pur sento04:02
  • 13Duetto Tolomeo en Seleuce: Empia man02:52
  • 14Tolomeo: Rec. acc. Ma tu, consorte amata00:49
  • 15Tolomeo: aria Stille amare03:01
  • Stabat Mater
  • 16Inflammatus03:33
  • 17Fac ut animae donetur paradisi gloria03:02
  • 18Amen02:00
  • Laetatus sum
  • 19Laetatus sum09:57
  • 20Loquebar01:21
  • 21Gloria Patri (adagio)03:17
  • Total Runtime01:06:18

Info for Vocal Works by Domenico Scarlatti

Key2Singing presents opera and choral works by Domenico Scarlatti (1685–1757) in a single theatrical performance. A musical experience that shines a light on unknown, yet high quality baroque vocal compositions. In a newly designed format you will experience the essence of baroque music as composed and performed in Domenico’s time. The programme consists of the religious works Te Deum, Laetatus sum and Stabat Mater combined with a specially abridged version of his opera Tolomeo e Alessandro.

Giuseppe Domenico Scarlatti was born in Napels on the 26th of October 1685 as the sixth of ten children to parents Alessandro Scarlatti and Antonia Anzalone. Alessandro was already by then a famous composer. It is not clear who taught Domenico music. Perhaps it was Francesco Gasparini, Bernardo Pasquini or even Antonio Vivaldi during his time spent in Venice. Alessandro the father was for a time nominated as director of music at the basilica Santa Maggiore of Rome, and during this period Domenico worked there as his assistant between 1708 and 1709.

While in Rome, Domenico was appointed to the court of the Polish queen Maria Casimira de la Grange d’Anguien, who was at the time in exile there. He wrote a number of vocal works for her, including the opera Tolomeo e Alessandro ovvero La corona disprezzata (1711). In 1713 Domenico was appointed firstly as assistant director of music at the Cappella Giulia of St. Peters in Rome, and subsequently in 1714 as director of music. It is possible that he wrote his ten part Stabat Mater for the Cappella. Notably during the period in which Domenico was working and studying in Rome, he wrote many vocal and orchestral works for both secular and church clients. In addition Domenico seemed to have been a gifted harpsichordist.

It was in these his younger years that Domenico met and became friends with G. F. Handel who was spending a number of years in Italy. Cardinal Ottoboni encouraged the two musicians to enter into a musical duel with each other, the result of which that Scarlatti was declared the best harpsichordist and Handel the best organist. The two composers had great respect for each other.

Karel Smagge, organ, harpsichord
Earl Christie, theorbo
Tal Canetti, baroque cello
Ruth Houtman, 1st violin
Jan Pieter van Coolwijk, 2nd violin
Jan Willem Vis, viola
Tal Canetti, baroque cello
The Key2Singing project choir
Margot Kalse, conductor


The Key2Singing foundation
was established in 2010 with the objective of promoting the art of singing in the widest possible meaning of the word. We aim to organise and perform significant projects. Inherent in our working method is the cooperation at a high level between experienced amateur singers and professional musicians and other creative artists.

The educational aspect of this cooperation plays a very important role, and is carried out for example by means of specialised workshops and master classes. We perform our own research on original sources and manuscripts and on the techniques used with the voice for specific types of performance, e.g. Gregorian (or other) chant styles, Baroque opera, spiritual music etc. In addition we also record and publish CD’s and specialist musical scores.

Booklet for Vocal Works by Domenico Scarlatti

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