1930s Violin Concertos, Vol. 2 Gil Shaham

• Prokofiev: Violin Concerto No. 2 in G minor, Op. 63
• 1I. Allegro moderato10:02
• 2II. Andante assai09:57
• 3III. Allegro, ben marcato06:08
• Bartok: Violin Concerto No. 2, Sz 112
• 4I. Allegro non troppo15:34
• 5II. Andante tranquillo09:34
• 6III. Allegro molto11:26
• Total Runtime01:02:41

Info for 1930s Violin Concertos, Vol. 2

This is the highly anticipated second volume in Gil Shaham's acclaimed 1930s Violin Concertos project. Volume 2 draws on two pillars of the violin concerto repertoire, Bartók and Prokofiev's second violin concertos. The CD release comes in a Deluxe Digipack with 24 page booklet, Claire Delamarche's annotations are in English and French, with exclusive photos from the recording sessions. Also available as MP3 and Hi-Res Audio.

Volume.1, released in 2014, met with wide acclaim from the critics, receiving EDITOR's Choice from Gramophone Magazine with La Croix in France noting 'A sound of angelic purity, masterful phrasing, a supremely elegant technique and a love of the music that transcends every bow stroke...'

The 1930s was a turbulent and unsettled decade, these 2 works offer some of the each respective composers' most lyrical and luminous music. The two concertos have played a central role in Gil's musical life for over 30 years; he first played the Prokofiev publicly with the Israel Sinfonietta on a tour of the USA when he was just 13 years old. Gil has recorded both works before, to much acclaim, but over time he explains, ''things grow in your head, the way you feel about the music changes''.

Shaham's 'trademark lyricism', 'effortless and natural playing' and 'impeccable technique' shouldn't leave the listener wanting on this new recording. The studio environment for the recording of the two concertos also affords Gil the luxury of the intimacy to be effectively shared with the listener, drawing them in from the outset.

In taking this 1930s project from a dream to reality, orchestras internationally have supported Gil's idea. After several years in the planning the project got underway in 2008/09 season with the Orchestre de Paris, Los Angeles Philharmonic, Rundfunk Sinfonieorchester Berlin, and the Boston Symphony Orchestra to name but a few embracing the project and collaborating for performances of multiple concertos from a decade full of riches for the violin.

Gil Shaham, violin
Stuttgart Radio Symphony Orchestra
Stéphane Denève, conductor
The Knights
Eric Jacobsen, conductor

Gil Shaham
is one of the foremost violinists of our time, whose combination of flawless technique with inimitable warmth and a generosity of spirit has solidified his legacy as an American master. He is sought after throughout the world for concerto appearances with leading orchestras and conductors, and he regularly gives recitals and ensemble appearances on the great concert stages and at the most prestigious festivals.

In the 2012-13 season, Shaham continues his long-term exploration of “Violin Concertos of the 1930s,” a project beginning in 2010 and comprising performances at some of the most well-established concert venues with the world’s greatest orchestras. “Violin Concertos of the 1930s,” including the Barber, Berg, Stravinsky and Britten Violin Concertos, as well as the Bartok Violin Concerto No. 2 and the Prokofiev Violin Concerto No. 2, will be performed with the Orchestras of Baltimore, Boston, New York, Chicago, Montreal, San Francisco and Kansas City and abroad with the Orchestre de Paris and the NHK Symphony. In the coming months, Shaham will release his first recording tied to the project on his label, Canary Classics, which includes the Barber, Stravinsky and Berg Violin Concertos with three leading orchestras under the baton of David Robertson. Beyond “Violin Concertos of the 1930s,” Shaham returns to other favorite repertoire this season; pieces include the Brahms concerto with the Los Angeles Philharmonic, Philadelphia Orchestra and Cincinnati Symphony, the Beethoven concerto with the Boston and St. Louis Symphony Orchestras, and Mozart’s “Turkish” concerto with the Pittsburgh, Toronto and Seattle Symphony Orchestras. The season kicked off with a busy summer that included performances at Caramoor, Aspen, the Blossom Festival, Tanglewood and the Hollywood Bowl. In April 2013, Canary Classics will release Nigunim, a new CD – featuring Shaham alongside his sister, pianist Orli Shaham – that celebrates the “soulful melodies” of their Jewish heritage.

Shaham is also an avid recitalist and chamber musician. During recital tours in the US, Europe and Japan, Shaham explores new work including the world premiere of a solo suite written for him by William Bolcom and the recent commissioned duo works by Avner Dorman and Julian Milone with Akira Euguchi on piano. This season also sees Shaham return to Bach’s Sonatas and Partitas for solo violin, bringing his unique approach to these beloved works with an eye towards releases the complete work on CD in the coming seasons.

Last season, Shaham’s highlights included engagements in New York with three different world class orchestras including performances of the Brahms concerto at Carnegie Hall with the Cleveland Orchestra and Orpheus Chamber Orchestra and the Hartmann Concerto Funebre with the New York Philharmonic. Other high profile enegagements include performances with Boston, San Francisco, London, New World and Atlanta Smyphonies, a Japan tour with Mariss Jansons and the Concertgebouw Orchestra, the Tonhalle Orchestre, as well as residencies with Orchestre de Paris and Berlin. Shaham has more than two dozen concerto and solo CDs to his name, including bestsellers that have appeared on record charts in the US and abroad. These recordings have earned prestigious awards, including multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. His recent recordings are produced on the Canary Classics label, which he founded in 2004. They comprise Haydn Violin Concertos and Mendelssohn’s Octet with Sejong Soloists; Sarasate: Virtuoso Violin Works with Adele Anthony, Akira Eguchi and Orquesta Sinfónica de Castilla y León; Elgar’s Violin Concerto with the Chicago Symphony Orchestra and David Zinman; The Butterfly Lovers and Tchaikovsky’s Violin Concerto with the Singapore Symphony; Tchaikovsky’s Piano Trio in A with Yefim Bronfman and cellist Truls Mork; The Prokofiev Album and Mozart in Paris, both with Orli Shaham; and The Fauré Album with Akira Eguchi and cellist Brinton Smith. Upcoming titles include several installments of his “Concerto of the 30’s” project and Hebrew Melodies, an exploration by Gil and Orli Shaham of both traditional and modern Jewish music, including the world-premiere recording of Israeli composer Avner Dorman’s new work “Niggunim,”

Gil Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of seven, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, while studying with Haim Taub in Jerusalem, he made debuts with the Jerusalem Symphony and the Israel Philharmonic. That same year he began his studies with Dorothy DeLay and Jens Ellerman at Aspen. In 1982, after taking first prize in Israel’s Claremont Competition, he became a scholarship student at Juilliard, where he worked with DeLay and Hyo Kang. He also studied at Columbia University.

Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Award. He plays the 1699 “Countess Polignac” Stradivarius. Shaham lives in New York City with his wife, violinist Adele Anthony, and their three children.

This album contains no booklet.