Britten & Bruch: Violin Concertos Kerson Leong, Philharmonia Orchestra & Patrick Hahn

• Benjamin Britten (1913 - 1976): Violin Concerto in D Minor, Op. 15:
• 1Britten: Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo09:54
• 2Britten: Violin Concerto in D Minor, Op. 15: II. Vivace - Animando - Largamente - Cadenza08:27
• 3Britten: Violin Concerto in D Minor, Op. 15: III. Passacaglia - Andante lento (Un poco meno mosso)14:29
• Max Bruch (1838 - 1920): In Memoriam, Op. 65:
• 4Bruch: In Memoriam, Op. 6514:45
• Violin Concerto No.1 in G Minor, Op. 26:
• 5Bruch: Violin Concerto No.1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato08:36
• 6Bruch: Violin Concerto No.1 in G Minor, Op. 26: II. Adagio09:00
• 7Bruch: Violin Concerto No.1 in G Minor, Op. 26: III. Finale. Allegro energico07:43
• Total Runtime01:12:54

Info for Britten & Bruch: Violin Concertos

On his second album for Alpha Classics, rising star violinist Kerson Leong juxtaposes the Violin Concertos of Bruch and Benjamin Britten. This unusual pairing is a reflection on the journey from one extreme of expression to another. Bruch’s In Memoriam is the perfect bridge between them.

“The Britten expresses a raw and exposed experience, while the Bruch is comforting and uplifting. After the last few years in which the world has experienced much difficulty and uncertainty due to pandemic, war, and crisis, recording this album in London in January 2022 with the Philharmonia Orchestra and Patrick Hahn was a profoundly cathartic moment. It is in the spirit of catharsis that I offer this album.” (Kerson Leong)

Kerson Leong, violin
Philharmonia Orchestra
Patrick Hahn, conductor

Kerson Leong
has been described as “not just one of Canada’s greatest violinists but one of the greatest violinists, period” (Toronto Star). Forging a unique path since his First Prize win at the International Yehudi Menuhin Violin Competition in 2010, he continues to win over colleagues and audiences alike with “a mixture of spontaneity and mastery, elegance, fantasy, intensity that makes his sound recognizable from the first notes” (Le Monde).

His recent album for Alpha Classics featuring the complete sonatas for solo violin by Eugène Ysaÿe was awarded the Diapason d’Or Découverte and the Choc de Classica, with Classica proclaiming him “more than a discovery, a veritable revelation” and Gramophone declaring that “his recording could be a happy first choice for any discerning listener”.

His 22/23 season includes solo performances with the Seattle Symphony Orchestra, Brussels Phiharmonic, Bilkent Symphony Orchestra, Toronto Symphony Orchestra, Tucson Symphony Orchestra, Toledo Symphony Orchestra, Quebec Symphony Orchestra, Orchestre Métropolitain, Les Violons du Roy and Symphony Nova Scotia among others, as well as a tour of Sweden with the Camerata Nordica. Highlights from past seasons include solo performances with such ensembles as the Royal, Oslo, Kansai, and Liège Royal Philharmonic Orchestras, the Singapore, Montreal, Vancouver, Stavanger, and Wuppertal Symphony Orchestras, a recital tour of the Midwestern United States, and recording John Rutter’s Visions with the composer himself and the Aurora Chamber Orchestra, after giving its world premiere in London, UK.

As a sought-after soloist, he was hand-picked by Yannick Nézet-Séguin to be his artist-in-residence with the Orchestre Métropolitain during the 18/19 season and has performed in such prestigious venues as Carnegie Hall’s Stern Auditorium, Wigmore Hall, the Auditorium du Louvre and the National Center for the Performing Arts in Beijing. As a passionate chamber musician, he has performed at such international festivals and concert series as the Verbier Festival, Rheingau Musik Festival, Gstaad Menuhin Festival, Festspiele Mecklenburg-Vorpommern, Flâneries musicales de Reims, and Bergen International Festival among others.

Passionate about pedagogy and music outreach, he has been invited to give masterclasses and teach at various festivals and universities including the Indiana University Jacobs School of Music, the Sibelius Academy in Helsinki, the University of Ottawa, Dalhousie University, and Memorial University of Newfoundland. Fostering a significant audience away from the concert hall as well, he is cementing his noteworthy role in reaching young people, aspiring musicians, and potential music lovers alike with his art in creative and engaging ways on social media. He is an associate artist of the Queen Elisabeth Music Chapel in Belgium, where he was mentored by Augustin Dumay.

He has always been keen on making connections between music and other fields. Ever since his dad started introducing him to physics concepts about string resonance, they have strongly influenced his playing and philosophy on sound production. Together with his dad, he has given lectures about this subject in places such as the Central Conservatory of Music in Beijing, the Barratt-Due Music Institute in Oslo, and various universities in California.

Kerson performs on the ‘ex Bohrer, Baumgartner’ Guarneri del Gesu courtesy of Canimex Inc, Drummondville (Quebec), Canada.

Booklet for Britten & Bruch: Violin Concertos